Dracast Pro Series II LED1000 RGB LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 2631 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Remote Newsroom Studio Basic Bi-Color Light Kit (V-Mount)
- LED1000 Pro Bi-Color LED Panel
- LED500 Pro Bi-Color LED Panel
- BoltRay LED600 Plus Bi-Color Light
- Two NP-F 2200 mAh Batteries, Charger
Harlowe Max Bi-Color LED Monolight Master Kit (Battery Power)
- For Film, Broadcast & Video Production
- Output: 20,590 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Godox Knowled M600Bi Bi-Color LED Monolight
- For Studio and Film or TV Production
- 2800-6500K CCT
- AC or Optional V-Mount Battery
- CRI: 96, TLCI: 97
GVM Pro SD650B Bi-Color LED Monolight (2-Light Kit)
- Two Lights with Softboxes, Stands & Bag
- Output: 77,300 Lux at 3.3' per Light
- 2700-6800K CCT
- AC or Battery Power
DigitalFoto Solution Limited HELIOS-B500 LED Studio Light
- 2700-7500K Color Temp, 95 CRI
- Uses 26-33.4V Optional V-Mount Batteries
- 120° Beam Spread, Onboard DMX
- Includes Remote Control
Nanlite Forza 720B Bi-Color LED Monolight with Rolling Case
- Film/Video Light & Rolling Padded Case
- Output: 84,460 Lux with Reflector
- 2700-6500K CCT
- AC or Battery Power
Aputure INFINIMAT LED with Clear Softbox & 400W Control Box Pack (1 x 4', Gold Mount)
- Modular Full-Color RGBWW LED Light Mat
- Multiple Mounting & Rigging Methods
- Control Box Pack with Dual Gold Mount
- Skirt, Clear Softbox, Air Pump Mini
Dracast X Series LED2000 Bi-Color LED Light Panel (Travel 3-Light Kit)
- Three Lights with Barndoors & Stands
- Waterproof Hard Case
- Output: 3101 Lux at 3.3' per Light
- 3200-5600K CCT
ikan Lyra 1 x 1 Bi-Color 2-Point Soft Panel LED Light Kit
- 3200-5600K, 110-Degree Beam Angle
- 2 x Lyra Bi-Color LED Soft Panels
- 2 x V-Mount Battery Plates
- 2 x Gold Mount Battery Plates
ikan Stryder Fanless Bi-Color 150W LED Fresnel 2-Light Kit
- Two 150W LED Fresnel Lights
- Two Compact Light Stands with Bag
- Rolling Hard Case
- 2800-6500K Adjustable Color Temperature
Dracast Kala Plus Series LED2000 Bi-Color LED Light Panel (3-Light Travel Kit)
- 3x LED Panel, 3x Light Stand, Rigid Case
- For Studio & Film/TV Production
- Output: 2104 Lux at 3.3' (120°, 5600K)
- 2800-6500K; Bi-Color Control
Nanlux Evoke 150C RGB LED Spotlight (2-Light Kit)
- Two Lights with Rolling Hard Case
- Output: 22,230 Lux at 3.3' per Light
- 1000-20,000K CCT; Full RGB Color Control
- +/- 200 Green/Magenta Tint Adjustment
Matrix Light ML-SG4K Basic Kit
ikan Lyra Bi-Color 3-Point LED Soft Panel Light Kit with 2 x LB10 and 1 x LB5
- 2 x Lyra 110° Bi-Color LB10
- 1 x Lyra 110° Bi-Color LB5
- 3 x Light Stands
- 3 x Power Supplies with Cables
Aputure INFINIMAT LED & Clear Softbox Pack (4 x 4')
- Modular Full-Color RGBWW LED Light Mat
- Multiple Mounting & Rigging Methods
- Skirt, Clear Softbox, Air Pump Mini
- Air Pump, Diffusion Cloths, Grid
VELVETlight CYC 3 Series LED Light
- RGB for Millions of Colors
- Ideal for Wall Washing, Remote Control
- 2500-10,000 Color Temperature
- 94/98 CRI/TLC
Kino Flo Diva-Lite 21 LED DMX Panel (Center Mount)
- 23.5 x 11.5 x 4.5"
- Variable Color Temperature: 2700-6500K
- Extended Range: 2500-9900K
- CRI: 95, Multiple Color Presets
ETC Source Four LED Series 2 Lustr with Shutter Barrel (Black)
- x7 Color System with 60 LED Array
- CRI: >90 at 5600K
- LED Lifetime: 20,000 Hours
- 15-Bit Virtual Dimming Engine
Litepanels Astra IP 2x1 Bi-Color LED Light Panel
- For Studio & Film/TV Production
- Output: 49,500 Lux at 3.3' (5600K, 30°)
- 2700 to 6500K, CCT Control
- 16.8 x 27" Panel, AC/DC Operation
Nanlite Forza 500B II Bi-Color LED Monolight (Travel 2-Light Kit)
- Two Lights with Rolling Case
- Output: 67,320 Lux at 3.3' per Light
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
Broncolor F160 LED Monolight
- Constant Light, Variable: 2800 to 6800K
- Green / Magenta Control, 0-100% Dimming
- Daylight / Tungsten Shift Key
- Compatible with Broncolor Light Shapers
Nanlux Evoke 900C RGB LED Spotlight (Trolley Case Kit)
- For Studio & Film/TV Production
- Trolley Case for Portability
- 1800-20,000K CCT; Full RGB Color Control
- AC or Battery Power
Fiilex Q6 Color RGB LED Fresnel Light
- For Film & Video Production
- Output: 79,844 Lux at 3.3' (5600K)
- 2000-10,000K CCT; RGBW Mode
- Beam Angle: 11-47°
Fiilex P3 Color K300 3-Light Kit with Stands, Barndoors, Softbox, and Case
- Three P3 Color 90W Portable Lights
- Softbox, Speed Ring, Three Light Stands
- V-Mount Plate, DMX Adapters
- Three Sets of Barndoors
Astera Helios Tube RGB LED Tube Light (1.8', 4-Light Kit)
- Four Lights, Chargers, Accessories & Bag
- For Charging, Mounting & Portability
- Output: 393 Lux at 3.3' for Each Light
- 1750-20,000K CCT; RGB Mode
Kino Flo Diva-Lite 41 LED DMX Panel (Yoke Mount)
- Variable Color Temperature: 2700-6500K
- Extended Range: 2500-9900K
- CRI: 95, Multiple Color Presets
- Hue, Saturation, and RGB Control
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


