ikan Onyx Half x 1 Bi-Color LED 2-Point LED Light Kit
- 2 x Onyx Half x 1 Bi-Color Heads
- 2 x Four-Way Barndoors
- 2 x Wireless Remote Controls
- 2 x Stands, 2 x Power Adapters
Fluotec StudioLED 250 HP Tunable DMX Bi-Color LED Panel
- Measures 14.7 x 12.2 x 3.5"
- Color Temperature: 2700 to 6200K, CRI 97
- 90 to 240 VAC, 0 to 100% Dimming, 66W
- 1 x Gel Frame, 1 x C-Clamp
Lupo Actionpack Full Color LED Light Panel Kit
- 1 x Actionpack Full Color LED Panel
- 1 x Diffuser for Actionpanel Fixtures
- 1 x V-Mount Battery Plate
- 1 x D-Tap Cable
Lupo Actionpack Full-Color Soft LED Light Panel Kit
- Actionpack Full Color Soft LED Panel
- Diffuser for Actionpanel Fixtures
- V-Mount Battery Plate
- D-Tap Cable
Genaray Triple Sun 1 x 3 Soft Bi-Color LED Panel
- For Studio and Film/TV Production
- Output: 6333 Lux at 3.3' (120°)
- 3200 to 5600K: Bi-Color Control
- 15 x 34.8"; AC/DC Operation
Lupo Movielight 300 PRO (Manual Yoke)
- For Studio and Film/TV Production
- Color: 5600K, Bluetooth / DMX Control
- AC or Optional Battery, CRI/TLCI: 96/98
- 90 to 240 VAC
Lupo Movielight 300 PRO Dual Color LED Light (Manual Yoke)
- For Studio and Film/TV Production
- Output: 14,000 Lux at 3.3'
- 90-240 VAC or Optional Battery
- Color: 2800-6500K, Bluetooth / DMX
Dracast Pro Series LED1000 Bi-Color LED Light Panel (V-Mount, Interview 2-Light Kit)
- Two Lights with Stands
- Output: 3402 Lux at 3.3' per Light
- 3200-5600K CCT
- 12 x 12" Panel; AC/DC Operation
Harlowe Mini Max-X Creator Kit (Faux Blue Leather)
- 40W Continuous Light, Barndoors, Dome
- Output: 7325 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 20 to 50° Adjustable Beam Angle Lens
Dracast LED300B Pro Series II Bi-Color LED Fresnel Light
- For Studio, Film & Broadcast
- Output: 81,100 Lux at 3.3' (5600K)
- 2500-9999K CCT
- 20-50° Beam Angle
Dracast Pro Series II LED500 RGB LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 1327 Lux at 3.3' (10000K)
- 2700-10000K CCT, RGB Color Control
- 10 x 5.5" Panel; V-Mount; AC/DC
Dracast Pro Series II LED500 RGB LED Light Panel (2-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 1327 Lux at 3.3' (10000K)
- 2700-10000K CCT, RGB Color Control
- 10 x 5.5" Panel; Gold Mount; AC/DC
Dracast Pro Series II LED500 Daylight LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 1142 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 5.5" Panel; V-Mount; AC/DC
Dracast Pro Series II LED500 Daylight LED Light Panel (3-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 1142 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 5.5" Panel; Gold Mount; AC/DC
Dracast Pro Series II LED2000 Daylight LED Light Panel (V-Mount)
- For Film, Broadcast & Video Production
- Output: 5237 Lux at 3.3'
- 5600K, Daylight Balanced
- 19.3 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED2000 Daylight LED Light Panel (Gold Mount)
- For Film, Broadcast & Video Production
- Output: 5237 Lux at 3.3'
- 5600K, Daylight Balanced
- 19.3 x 10" Panel; Gold Mount; AC/DC
Dracast Pro Series II LED1000 Daylight LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 2531 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED1000 Daylight LED Light Panel (2-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 2531 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 10" Panel; Gold Mount; AC/DC
Godox F7-300R RGB LED Fresnel Light (K1 Kit)
- Light with Power Cable
- Output: 89,500 Lux at 3.3' (15°, 5600K)
- 1800-10,000K CCT; RGB & GM Adjustments
- Beam Angle: 15 to 60°
Godox F7-300R RGB LED Fresnel Light
- For Studio & Film/TV Production
- Output: 89,500 Lux at 3.3' (15°, 5600K)
- 1800-10,000K CCT; RGB & GM Adjustments
- Beam Angle: 15 to 60°
Dracast X Series M80RGB RGB LED Monolight (V-Mount, 2-Light Kit with Hard Case)
- Two Lights with Stands & Hard Case
- Output: 12,290 Lux at 3.3' per Light
- 2800-6500K CCT; Full RGB Color Control
- AC or Battery Power
Dracast X Series M80D Daylight LED Monolight (V-Mount, 3-Light Kit with Nylon Case)
- Three Lights with Stands & Nylon Case
- Output: 18,873 Lux at 3.3' per Light
- 5600K CCT
- AC or Battery Power
Dracast X Series M80B Bi-Color LED Monolight (V-Mount, 3-Light Kit with Nylon Case)
- Three Lights with Stands & Nylon Case
- Output: 16,144 Lux at 3.3' per Light
- 2800-6500K CCT
- AC or Battery Power
Harlowe Max Bi-Color LED Monolight Creator Kit (AC Power)
- For Film, Broadcast & Video Production
- Output: 20,590 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Godox Litemons LA150R RGB LED Monolight (3-Light Kit, White)
- Three Lights with Carry Bag
- 165W White Housing Fixtures
- 1800-10,000K CCT; Full RGB Color Control
- AC or Optional Battery Power
Fluotec AuraLux 100 Daylight LED 5.5" LED Fresnel with Stand-Mount Yoke
- Beam Angle: 10° to 40°
- Color Temperature: 5600K Daylight
- 0-100% Dimming, DMX Control
- Multi-Voltage AC Operation
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


