All LED Lights
FotodioX Pro FACTOR Jupiter 18" VR-2500ASVL Bi-Color Kit with Grid and Travel Case
- 1 x Bi-Color Jupiter 18" VR-2500ASVL
- 1 x 90-Degree Grid
- 1 x Soft-Sided Kit Case
- Variable Color: 3200 to 5600K
CAME-TV C700D Bi-Color LED Edge Light 2-Light Kit (17.7")
- 2 x C700S Round LED Lights
- 4 x NP-F960 Batteries
- 2 x Battery Chargers
- 2 x AC Adapters, 2 x Cases
Dracast Bi-Color Wedding Kit with 1 x LED160AB and 2 x LED500B Pro Lights with Gold Mount Battery Plates
- 1 x LED160AB On-Camera Light: 6 x 4 x 2"
- 2 x LED500B Panels: 12 x 6 x 2"
- 2 x Light Stands: 6.6'
- 1 x Kit Case for Lights
Godox KNOWLED TP8R Pixel RGB LED Tube Light (8', Accessory Kit)
- Light with Power Supply
- Includes Mounting Accessories
- 2000-10,000K CCT; RGB Mode
- Onboard, DMX, CRMX, Bluetooth Control
Falcon Eyes ROLL-FLEX RX-718 III RGB LED Light Panel (2-Light Kit)
- Two Lights with Grid Softboxes
- Output: 4740 Lux at 3.3' per Light
- 2500-9999K CCT; RGB Color Control
- 24.4 x 18.5" Panel; AC/DC Operation
GVM Reign FH400B Bi-Color LED Modular Flathead Light
- For Studio & Film/TV Production
- Output: 21,700 Lux at 3.3' (5600K)
- 2700-6800K CCT; Bi-Color Control
- 4.8 x 16.7"; AC/DC Connection
Dracast Bi-Color Wedding Kit with 1 x LED160AB and 2 x LED500B Pro Lights with V-Mount Battery Plates
- 1 x LED160AB On-Camera Light: 6 x 4 x 2"
- 2 x LED500B Panels: 12 x 6 x 2"
- 2 x Light Stands: 6.6'
- 1 x Kit Case for Lights
Nanlite Forza 300 II Daylight LED Monolight
- For Studio & Film/TV Production
- Output: 69,400 Lux at 3.3' w/ Reflector
- 5600K CCT; Green-Magenta Adjustment
- AC or Battery Power
Litepanels Brick One Bi-Color On-Camera Light Kit
- Weatherproof, High-Bright, Bi-Color
- Tungsten-to-Daylight Variable Color
- Surface-Mount LEDs & Paired TIR Optics
- 100W Tungsten Equivalent Output
FotodioX Pro Prizmo Go RGB+T 120W LED Light
- 2800-10,000K Color Temp, 95/95 CRI/TLCI
- RGB Mode for a Myriad of Custom Colors
- 9.8 x 18.9" Illuminated Area
- DMX Ready, Included Remote
Genaray PortaSun Round Flexible Bi-Color LED 2-Light Kit with Stands and Roller Bag
- Two Round Flexible Bi-Color LEDs
- Two 8' Air-Cushioned Light Stands
- Light Kit Roller Bag
- Flexible 20" Light with 672 LEDs
Smith-Victor LED Cine-Flood 3000 Light with Bowens Mount Two-Light Kit (150W)
- 2x LED Cine-Flood 1500 Lights
- Color Temperature: 5500K, CRI: 95
- 2x Softboxes (24 x 32") with Mount Rings
- 2x Light Stands with Carrying Case
Aparo RADI X22Bi K2 LED 2-Light Panel Kit
- For Photographers and Videographers
- 49,100 Lux at 1.6' Maximum Output
- 240W Output, 2500 to 6500K CCT
- CRI 96+
Dracast Pro Series LED500 Daylight LED Light Panel (Gold Mount, Interview 3-Light Kit)
- Three Lights with Stands
- Output: 4455 Lux at 3.3' per Light
- 5600K CCT
- 12 x 6" Panel; AC/DC Operation
Dedolight Neo Color Lamphead
- For Photography & Video Production
- 2000-20,000K CCT
- Focusable from 60-10°
- Requires Ballast for Power & Control
Smith-Victor Edge360 18" Bi-Color LED 2-Light
- 2 x Edge360 Bi-Color LED Lights
- 4 x NP-F750 Batteries with Dual Chargers
- 2 x 100 to 240 VAC Adapters
- 2 x Stands (8'), 1 x Stand Case
Frezzi Pocket Light II AC/DC LED 3-Light Kit
- Three Pocket Light II Fixtures
- Two 7' Stands
- Three Swivel/Tilt Mounts
- Three 10' AC Charge Cables
SWIT CL-M100C RGBWW LED Light Panel
- For Theater, Film & Video Production
- Output: 3000 Lux at 3.3'
- 2800-10,000K CCT; 1:1/2 RGB Mode
- CRI 96 | TLCI 93
American DJ Z300 6K Daylight LED Par Light
- Bright Wash with Strobe and Dimming
- 300W Daylight COB LED; 6000K CCT
- 0-100% Dimming with 6 Modes
- 9 to 40° Beam Angle
American DJ Z300 3K Tungsten LED Par Light
- Bright Wash with Strobe and Dimming
- 300W Warm Light COB LED; 3000K CCT
- 0-100% Dimming with 6 Modes
- 9 to 40° Beam Angle
Smith-Victor Edge360 Daylight LED 3-Light Boom Kit
- 2 x Edge360 18" Daylight LED Lights
- 1 Edge360 13" Daylight LED Light
- 2 x 8' Light Stands 1 x 10' Light Stand
- 1 x 6' Boom, Light Stand Bag
CHAUVET Professional Ovation F-145WW-2 Warm White Fresnel-Style LED with Motorized Zoom
- For Theatrical and Studio Applications
- Delivers Flat, Even Field of Light
- Smooth Motorized Zoom: 16 to 65°
- Up to 4266 Lumens (65°)
Acebil SL-F100DT Ianiro Bi-Color Fresnel (100W)
- For Film, Broadcast, & Video Production
- 100W, Bi-Color
- AC Power, Measures 13.8 x 12.6 x 10.6"
- Onboard DMX or Local Control
Aputure LS 600x Pro Bi-Color LED Monolight (Lamp Head Only)
- For Studio & Film/TV Production
- Output: 16,060 Lux at 3.3' (Bare)
- 2700-6500K CCT
- CRI 96 | TLCI 98 | SSI 74 | TM-30 95
Harlowe Avant Max Bi-Color LED Monolight Creator Kit (Midnight Black Faux Leather)
- Light with V-Mount Clamp and Max Handle
- Output: 9005 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Harlowe Avant Max Bi-Color LED Monolight Creator Kit (Brown Faux Leather)
- Light with V-Mount Clamp and Max Handle
- Output: 9005 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Astora SF 120 Bi-Color LED Panel
- Measures: 16.7 x 17.4 x 3.7"
- Color Temperature: 3200 to 5600K
- High CRI/TLCI: 97/98, 0 to 100% Dimming
- Beam Angle: 120 Degrees, DMX Control
ikan Onyx Half x 1 Bi-Color LED 2-Point LED Light Kit
- 2 x Onyx Half x 1 Bi-Color Heads
- 2 x Four-Way Barndoors
- 2 x Wireless Remote Controls
- 2 x Stands, 2 x Power Adapters
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.

