FUJIFILM XF 50mm f/2 R WR Lens (Black)
- X-Mount Lens/APS-C Format
- 76mm (35mm Equivalent)
- Aperture Range: f/2 to f/16
- One Aspherical ED Element
Venus Optics Laowa 105mm f/2 Smooth Trans Focus Lens for Sony E
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2 (T3.2) to f/22
- One Apodization Element for Smooth Bokeh
- Three Low Dispersion Elements
Venus Optics Laowa 6mm f/2 Zero-D Lens (Micro Four Thirds)
- Micro Four Thirds | f/2 to f/16
- 12mm (Full-Frame Equivalent)
- Lightweight, Compact Prime
- Manual Focus Design
Tokina SZ 900mm f/11 Pro Reflex MF CF Lens (FUJIFILM X)
- APS-C | Constant f/11
- 1350mm (Full-Frame Equivalent)
- Catadioptric Telephoto Lens
- Manual Focus Design
Tokina SZ 900mm f/11 Pro Reflex MF CF Lens (Canon EF-M)
- APS-C | Constant f/11
- 1440mm (Full-Frame Equivalent)
- Catadioptric Telephoto Lens
- Manual Focus Design
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for Nikon Z
- Z-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Revised Triplet Optical Design
- Coated Schott Optical Glass
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for Canon RF
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Revised Triplet Optical Design
- Coated Schott Optical Glass
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens for Nikon Z
- Z-Mount Lens/Full-Frame Format
- Aperture Range: f/3.5 to f/22
- Coated Schott and O'Hara Optical Glass
- Manual Focus Design
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens for Canon RF
- RF-Mount Lens/Full-Frame Format
- Aperture Range: f/3.5 to f/22
- Coated Schott and O'Hara Optical Glass
- Manual Focus Design
GLOBAL DYNAMICS UNITED Armored RF 50mm f/1.8 Autofocus Lens
- Canon Lens in Billet Aluminum Armor
- Reinforced for Drones & Moving Vehicles
- Anodized Red Metal Integrated Lens Hood
- Focus Ring and External Switches Removed
Mitakon Zhongyi 200mm f/4 1x Macro Lens (Canon RF)
- Full-Frame | f/4 to f/32
- Manual-Focus Design
- Minimum Focusing Distance: 1.7'
- Apochromatic APO Design
Mitakon Zhongyi 200mm f/4 1x Macro Lens (Nikon Z)
- Full-Frame | f/4 to f/32
- Manual-Focus Design
- Minimum Focusing Distance: 1.7'
- Apochromatic APO Design
Mitakon Zhongyi 200mm f/4 1x Macro Lens (Sony E)
- Full-Frame | f/4 to f/32
- Manual-Focus Design
- Minimum Focusing Distance: 1.7'
- Apochromatic APO Design
Tokina 11-18mm f/2.8 ATX-M Lens (Sony E, White)
- APS-C | f/2.8 to f/22
- Fast Ultrawide Zoom
- Two Super-Low Dispersion Elements
- STM Autofocus Motor
Venus Optics Laowa 11mm f/4.5 FF RL Lens for Canon RF
- Canon RF/Full Frame
- Aperture Range: f/4.5 to f/22
- Two Aspherical Elements, One UHR Element
- Three Extra-Low Dispersion Elements
Venus Optics Laowa 15mm f/4 Macro Lens (Sony E)
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- 1:1 Magnification Ratio; Internal Focus
- One ED & Three High-Refractive Elements
Rokinon 10mm f/2.8 ED AS NCS CS Lens for Canon EF-M Mount
- Canon EF-M Mount/APS-C Format
- 16mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- One ED and Two Aspherical Elements
Mitakon Zhongyi Speedmaster 35mm f/0.95 Mark II Lens (Canon EF-M, Black)
- APS-C | f/0.95 to f/16
- 56mm (35mm Equivalent)
- Manual Focus Design
- One Extra-Low Dispersion Element
Venus Optics Laowa 58mm f/2.8 2X Ultra-Macro APO Lens (Canon RF)
- Full-Frame | f/2.8 to f/22
- 2:1 Magnification
- 7.3" Minimum Focus
- Manual Focus Design
Venus Optics Laowa 58mm f/2.8 2X Ultra-Macro APO Lens (Nikon Z)
- Full-Frame | f/2.8 to f/22
- 2:1 Magnification
- 7.3" Minimum Focus
- Manual Focus Design
Venus Optics Laowa 58mm f/2.8 2X Ultra-Macro APO Lens (Leica L)
- Full-Frame | f/2.8 to f/22
- 2:1 Magnification
- 7.3" Minimum Focus
- Manual Focus Design
Venus Optics Laowa 58mm f/2.8 2X Ultra-Macro APO Lens (Sony E)
- Full-Frame | f/2.8 to f/22
- 2:1 Magnification
- 7.3" Minimum Focus
- Manual Focus Design
Mitakon Zhongyi Speedmaster 85mm f/1.2 Lens (Sony E)
- Full-Frame | f/1.2 to f/16
- Fast Short Telephoto Prime
- Two Extra-Low Dispersion Elements
- Four High Refractive Index Elements
Rokinon 50mm f/1.2 Lens for Micro Four Thirds (Black)
- Micro Four Thirds System Lens
- 100mm (35mm Equivalent)
- Aperture Range: f/1.2 to f/16
- Two Aspherical Elements
Samyang MF 14mm f/2.8 WS Mk2 Lens for Sony E
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to 22
- Three HR Elements, Two ED Elements
- Aspherical & Hybrid Aspherical Elements
Samyang MF 14mm f/2.8 WS Mk2 Lens for Canon EF-M
- EF-M-Mount Lens/APS-C Format
- 22.4mm (35mm Equivalent)
- Aperture Range: f/2.8 to 22
- Three HR Elements, Two ED Elements
Venus Optics Laowa 15mm f/4 Macro Lens (Leica L)
- L-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- 1:1 Magnification Ratio; Internal Focus
- One ED & Three High-Refractive Elements
Samyang 35mm f/1.4 AS UMC Lens for Sony E
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- One Aspherical Element, Two HR Elements
- Floating Elements System
Learning About Mirrorless Camera Lenses
Mirrorless camera lenses are interchangeable units for mirrorless cameras. Photographers with these cameras can easily upgrade their kit lenses and switch between lenses with different capabilities. Besides compatibility and type, the key factors to consider when shopping for interchangeable lenses are focal length and aperture range (f-stop number).
Types of Mirrorless Lenses
Mirrorless cameras use zoom and prime lenses. A zoom lens has a range of focal lengths. Sony's versatile G OSS lens series falls into this category. Prime lenses have fixed focal lengths and wider apertures. A zoom or prime lens can also be a standard, macro, wide-angle, telephoto, or fisheye lens.
A standard mirrorless lens captures images just as the eyes see them. A macro lens takes extreme close-up shots, and is suitable for taking photos of flowers, insects, and small items. Wide-angle lenses capture panoramic views. They're ideal for landscape photography and taking group pictures. Fisheye lenses produce extreme panoramic shots with curved edges. Telephotos lenses have long zoom capabilities.
Manufacturers offer camera lenses with varying capabilities and at multiple price points. Sigma, for example, has an Art series for high-end units and a Sport series with telephoto capabilities.
What Are Specialty Lenses?
These units are suitable for less common mirrorless cameras, or those that distort images in creative ways. In this category, you'll find rangefinder lenses. Rangefinder cameras are retro mirrorless systems that predate SLRs and DSLRs. Their standout feature is a rotating focusing ring for bringing objects into sharp focus. Lenses for these cameras have designs that accommodate this range-finding mechanism.
To add some creative touches to your shots, consider getting special effects lenses. The most popular examples are tilt-shift styles. They add optical distortion to shots to make images look symmetrical and pleasing to the eyes. Others let you adjust focus to add bokeh effects.
Can I Use Any Mirrorless Camera Lens with My Mirrorless Camera?
First, you need to match lens and camera sensor sizes. Compatible lenses are bigger or the same size as image sensors. Use full-frame lenses with full-frame cameras. Full-frame and APS-C lenses are compatible with APS-C sensors. Medium and large format lenses are larger than these are, but usable on mirrorless cameras.
Also consider lens mount. Manufacturers make lenses that are compatible with specific mounts. For example, E-mount and A-mount Sony mirrorless lenses are specifically for Sony cameras. Third-party lens makers may offer products that support OEM lens mounts. For example, you can find a Tamron lens for Sony E-mount mirrorless cameras. Some camera manufacturers produce lenses that are compatible with mounts found on other camera brands. Sigma's HSM Art lens series is a good example. Its lenses work with Sony, Sigma, Canon, and Nikon cameras.
Browse the wide selection of interchangeable camera lenses, zoom lenses, and accessories at B&H Photo and Video to expand your collection.


