ARRI ALEXA 35 Lightweight Set
- 4.6K Super 35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- LPL Mount (LBUS), PL to LPL Adapter
- Lightweight Cage System, BUD-1 Dovetail
ARRI ALEXA 35 XTREME Base Operator Set (LPL, MVF)
- ALEXA 35 XTREME Camera with Base License
- ARRICORE Codec | 660 fps with Upgrade
- Upgradeable with Separate Licenses
- MVF-2 Viewfinder, Cables
ARRI ALEXA 35 Base Production Set (LPL, MVF, 19mm)
- ALEXA 35 Camera with Base License
- ProRes Recording, K445 Texture, 3D LUTs
- 19mm Production Accessory Set
- BUD-1 Plate, B-Mount Battery Adapter
ARRI ALEXA 35 Base Production Set (LPL, MVF, 15mm)
- ALEXA 35 Camera with Base License
- ProRes Recording, K445 Texture, 3D LUTs
- LPL Mount and PL-to-LPL Adapter
- 15mm Production Accessory Set
ARRI ALEXA 35 XTREME Base Operator Set (PL, MVF, CDX)
- ALEXA 35 XTREME Camera with Base License
- ARRICORE Codec | 660 fps with Upgrade
- MVF-2 Viewfinder, Cables
- 3 Compact Drive Express, 1 USB-C Reader
ARRI ALEXA 35 Premium Production Set (15mm Studio)
- ALEXA 35 Camera, 4.6K S35 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- LPL Mount (LBUS), PL to LPL Adapter
- 15mm Studio/LWS Support, BUD-1 Dovetail
ARRI ALEXA 35 Premium Production Set (19mm Studio)
- 4.6K Super 35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- LPL Mount (LBUS), PL to LPL Adapter
- Production Cage System, BUD-1 Dovetail
ARRI ALEXA 35 XTREME Base Operator Set (LPL/PL, MVF-2 & CDX)
- ALEXA 35 XTREME Camera with Base License
- ARRICORE Codec | 660 fps with Upgrade
- MVF-2 Viewfinder with Two Cables
- 3 Compact Drive Express, 1 USB-C Reader
ARRI ALEXA 35 XTREME Base Production Set (LPL/PL, MVF, 15mm)
- ALEXA 35 XTREME Camera with Base License
- ARRICORE Codec | 660 fps with Upgrade
- 15mm Production Accessory Set
- Upgradeable with Separate Licenses
ARRI ALEXA 35 XTREME Base Production Set (LPL/PL, MVF, 19mm)
- ALEXA 35 XTREME Camera with Base License
- ARRICORE Codec | 660 fps with Upgrade
- 19mm Production Accessory Set
- Upgradeable with Separate Licenses
Sony VENICE 2 Camera Package with OLED EVF & Full-Frame & Anamorphic Licenses (8K)
- VENICE 2 Digital Cine Camera (8K)
- DVF-EL200 1080p 0.7" OLED Viewfinder
- Permanent Full-Frame License
- Permanent Anamorphic License
ARRI ALEXA 35 Body & ARRI PL Mount Set (LBUS)
- 4.6K Super 35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- PL Mount (LBUS)
- BUD-1 Dovetail, B-Mount Battery Plate
ARRI ALEXA 35 Lightweight Set with CCM-1 Onboard Monitor & CODEX Drives
- 4.6K Super35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- LPL Mount (LBUS) & PL-to-LPL Adapter
- MVF-2 Viewfinder, CCM-1 Control Monitor
ARRI ALEXA 35 XTREME Premium Body & PL Mount Set
- ALEXA 35 XTREME Camera, 4.6K S35 Sensor
- Up to 4.6K 4608 x 3164, Premium License
- PL Mount (LBUS)
- Up to 660 fps, ARRICORE Codec
ARRI ALEXA 35 Production Set with CCM-1 Onboard Monitor & CODEX Drives (19mm Studio)
- 4.6K Super35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- LPL Mount (LBUS), PL to LPL Adapter
- MVF-2 Viewfinder, CCM-1 Control Monitor
ARRI ALEXA 35 Production Set with CCM-1 Onboard Monitor & CODEX Drives (15mm Studio)
- 4.6K Super35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K 4608 x 3164, Cine License
- LPL Mount (LBUS), PL to LPL Adapter
- MVF-2 Viewfinder, CCM-1 Control Monitor
Sony VENICE 2 Camera Package with OLED EVF, 3 x 1TB Cards & Full-Frame + Anamorphic Licenses (8K)
- VENICE 2 Digital Cine Camera (8K)
- DVF-EL200 1080p 0.7" OLED Viewfinder
- Permanent Full-Frame License
- Permanent Anamorphic License
ARRI ALEXA 35 XTREME Premium Body & LPL Mount Set
- ALEXA 35 XTREME Camera, 4.6K S35 Sensor
- Up to 4.6K 4608 x 3164, Premium License
- LPL Mount (LBUS), PL to LPL Adapter
- Up to 660 fps, ARRICORE Codec
ARRI ALEXA 35 XTREME Premium Operator Set (LPL/PL, MVF-2)
- ALEXA 35 XTREME Camera, 4.6K S35 Sensor
- Up to 4.6K 4608 x 3164, Premium License
- LPL Mount (LBUS), PL to LPL Adapter
- Up to 660 fps, ARRICORE Codec
Sony VENICE 2 Live Cinematic Live Production Package
- VENICE 2 8K Digital Camera
- Full Frame License for VENICE 2
- SilverBack V 4K Camera Back Transceiver
- VB 4K2 Base Station 12G/3G Transceiver
ARRI ALEXA Mini LF and Lens Mount Set (LPL)
- Large-Format 4448 x 3096 Sensor
- Native 4K Recording in ARRIRAW & ProRes
- Large-Format Optimized LPL Lens Mount
- Open Gate, 16:9 & 2.39:1 Anamorphic Mode
ARRI ALEXA 35 XTREME Premium Production Set (PL/LPL, 15mm)
- ALEXA 35 XTREME Camera, 4.6K S35 Sensor
- Up to 4.6K 4608 x 3164, Premium License
- LPL Mount (LBUS), PL to LPL Adapter
- Up to 660 fps, ARRICORE Codec
ARRI ALEXA 35 XTREME Premium Production Set (PL/LPL, 19mm)
- ALEXA 35 XTREME Camera, 4.6K S35 Sensor
- Up to 4.6K 4608 x 3164, Premium License
- LPL Mount (LBUS), PL to LPL Adapter
- Up to 660 fps, ARRICORE Codec
Sony VENICE 2 Camera Package with OLED EVF, 6 x 1TB Cards & Full-Frame + Anamorphic Licenses (8K)
- VENICE 2 Digital Cine Camera (8K)
- DVF-EL200 1080p 0.7" OLED Viewfinder
- Permanent Full-Frame License
- Permanent Anamorphic License
ARRI ALEXA Mini LF Production Set (LPL, MVF-2, 19mm)
- ALEXA Mini LF Digital Cinema Camera
- Large-Format 4448 x 3096 Sensor
- LBUS LPL Lens Mount & PL-to-LPL Adapter
- MVF-2 Multi Viewfinder, VMB-5 Bracket
ARRI ALEXA Mini LF Production Set (LPL, MVF-2, 15mm)
- ALEXA Mini LF Digital Cinema Camera
- Large-Format 4448 x 3096 Sensor
- Native 4K Recording in ARRIRAW & ProRes
- Open Gate, 16:9 & 2.39:1 Anamorphic Mode
ARRI ALEXA 35 Live Entry System (XR)
- ALEXA 35 XTREME Camera with Base License
- LPS-1 Fiber Camera Adapter FCA-1
- LPS-1 Fiber Base Station FBS-1
- 4K Super 35 ARRI ALEV 4 CMOS Sensor
ARRI ALEXA Mini LF Ready to Shoot Set (V-Mount)
- ALEXA Mini LF Digital Cinema Camera
- Large-Format 4448 x 3096 Sensor
- Native 4K Recording in ARRIRAW & ProRes
- Open Gate, 16:9 & 2.39:1 Anamorphic Mode
Learning About Movie Cameras (Cinema Cameras)
Capture cinema-quality footage by shooting with digital cine cameras, which are more powerful than consumer video cameras. Designed for students, hobbyists, and seasoned filmmakers, cine cameras offer impressive cinematography for indie and big-studio movie productions. Full-featured models are bigger and more capable than professional camcorders and still cameras.
What's a Digital Cinema Camera?
A movie camera is a professional video camera with a large image sensor capable of capturing footage that looks like it was shot on 35mm. Like DSLR and mirrorless digital cameras, they use interchangeable lens systems. However, dedicated cine cameras have more powerful image processors, record videos in codecs with higher bitrates, and have more robust sound-capture features. Leading brands of professional digital movie cameras include Arri, Red, and Blackmagic Design. DSLR manufacturers such as Sony and Canon also have excellent options, like the CineAlta and EOS cinema cameras.
Other Types of Cine Cameras
Although they're commonly associated with movie sets, TV studios also use mounted and handheld cine cameras for broadcast. Television studio and EFP cameras have CCU (camera control unit) inputs for triax and fiber cables. There are also compact cine cameras used for shooting live broadcasts at event venues. TV cameramen use these mountable professional POV cameras for sports broadcasts and livestreams intended to place viewers at the center of the action.
In addition to professional models, it is also possible to shoot cinematic video with high-end consumer and prosumer video cameras. To shoot an indie production on a tight budget, look for a Micro Four Thirds such as Blackmagic Design's Pocket Cinema Camera. Compared to high-end cine cameras, such affordable options have smaller sensors and higher video compression ratios.
How to Choose a Cinema Camera
Two key factors to consider are sensor size and resolution. While the reference sensor size for still cameras is the full-frame sensor, cine cameras use the Super 35 sensor as standard. It's about the same size as the APS-C sensor found in many DSLRs. When choosing lenses for a cinematic digital camera, be sure to find those that are larger or the same size as the sensor, to avoid blocking edges of shot frames.
The resolution of a cine camera sensor is also the highest video resolution it can produce. To future-proof your purchase, consider getting movie and broadcast video cameras capable of shooting 4K videos. Even if you only need 1080p footage, downscaling a 4K video produces better results than shooting with a camera that tops out at 1080p resolution.
Give your videos a cinematic look and improve your skills as a filmmaker by shooting with digital cine cameras. When you're ready to explore cinema cine gear, check out the large inventory of professional video equipment at B&H Photo and Video to find a varied selection of broadcast and movie cameras for all budgets.


