BLAZAR LENS Remus-M 100mm T2.8 1.5X Full-Frame Anamorphic Lens (Sony E)
- Retro Look, Full-Frame 3:2 Coverage
- Fast T2.8 Aperture, 16-Blade Iris
- 1.5x Anamorphic Squeeze
- Subtle Anamorphic Silver Flares
Dulens APO Mini Prime 43mm T2.4 Lens (ARRI PL, Black)
- Full Frame | T2.4 to 16
- Coated for Smooth, Vintage Look
- 80mm Front Diameter, 72mm Filter Thread
- 0.8 MOD Focus & Iris Gears
Dulens APO Mini Prime 31mm T2.4 Lens (ARRI PL, Black)
- Full Frame | T2.4 to 22
- Interchangeable PL Mount
- Coated for Smooth, Vintage Look
- 80mm Front Diameter, 72mm Filter Thread
Sirui Astra Series T.18 1.33x 50mm Full-Frame Anamorphic Lens (Sony E, Blue Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic Lens (Sony E, Neutral Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Thypoch Simera-C 75mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.83" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Thypoch Simera-C 35mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Thypoch Simera-C 28mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Rokinon Xeen 35mm T1.5 Lens for Sony E-Mount
- 35mm Lens Covers Full-Frame Sensors
- Internal Focus Design
- Multi-Coating for Color Consistency
- Dual-Side Focus and T-Stop Scales
BLAZAR LENS MANTIS 75mm T2.0 1.33x Anamorphic Lens (Sony E)
- Covers Full Frame | T2.0 to T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- 14-Blade Iris | Signature Oval Bokeh
- Cinematic Visual Character and Depth
Venus Optics Laowa Nanomorph 20mm T2.2 1.5x MFT Anamorphic Lens (Micro Four Thirds, Silver Flare)
- Compact Anamorphic Lens for MFT Sensors
- T2.2 to T16 Aperture Range
- 1.5x Anamorphic Squeeze Ratio
- Silver Color Anamorphic Lens Flare
Venus Optics Laowa Nanomorph 20mm T2.2 1.5x MFT Anamorphic Lens (Micro Four Thirds, Blue Flare)
- Compact Anamorphic Lens for MFT Sensors
- T2.2 to T16 Aperture Range
- 1.5x Anamorphic Squeeze Ratio
- Blue Color Anamorphic Lens Flare
Sirui IronStar 75mm T1.9 Anamorphic 1.5x Lens (ARRI PL/Canon EF, Blue Flare)
- Full Frame | T1.9 to T16
- 1.5x Anamorphic Lens with Blue Flares
- 0.8 MOD Gears/270° Focus Rotation
- 95mm Front Outside Diameter
Sirui IronStar 135mm T2.8 Anamorphic 1.5x Lens (ARRI PL/Canon EF, Blue Flare)
- Full Frame | T2.8 to T16
- 1.5x Anamorphic Lens with Blue Flares
- 0.8 MOD Gears/270° Focus Rotation
- 95mm Front Outside Diameter
Sirui IronStar 100mm T2.8 Anamorphic 1.5x Lens (ARRI PL/Canon EF, Neutral Flare)
- Full Frame | T2.8 to T16
- 1.5x Anamorphic Lens with Neutral Flares
- 0.8 MOD Gears/270° Focus Rotation
- 95mm Front Outside Diameter
Sirui IronStar Series 60mm T1.9 Anamorphic 1.5x Lens (Blue Flare)
- Full-Frame | T1.9 to T16
- Anamorphic Cine Lens with Blue Flare
- Diameter: 95mm
- Interchangeable EF/PL Mount
Meike FF Prime Cine 24mm T2.1 Lens (ARRI PL-Mount, Feet/Meters)
- Full-Frame Coverage, 45mm Image Circle
- T2.1 to T22
- 85mm Front Diameter
- 11 Iris Blades
Meike FF Prime Cine 24mm T2.1 Lens (Canon EF-Mount, Feet/Meters)
- Full-Frame Coverage, 45mm Image Circle
- T2.1 to T22
- 85mm Front Diameter
- 11 Iris Blades
Meike FF Prime Cine 24mm T2.1 Lens (Canon RF-Mount, Feet/Meters)
- Full-Frame Coverage, 45mm Image Circle
- T2.1 to T22
- 85mm Front Diameter
- 11 Iris Blades
Rokinon Xeen 14mm T3.1 Lens (ARRI PL)
- 14mm Lens Covers Full-Frame Sensors
- Internal Focus Design
- Multi-Coating for Color Consistency
- Dual-Side Focus and T-Stop Scales
Meike FF Prime Cine 16mm T2.5 Lens (PL Mount, Feet)
- Full-Frame Coverage, 45mm Image Circle
- T2.5 to T22 Aperture, 11 Iris Blades
- 90mm Front Diameter,86mm Filter Threads
- Focus Markings in Feet
BLAZAR LENS MANTIS 35mm T2.0 1.33x Anamorphic Lens Kit with Sony E Adapter (ARRI PL)
- Covers Full Frame | T2.0 to T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- Interchangeable Sony E-Mount Adapter
- 14-Blade Iris | Signature Oval Bokeh
Venus Optics Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens (Canon RF, Silver Flare)
- Compact Anamorphic Lens for S35 Sensors
- T2.4 to T16 Aperture Range
- 1.5x Anamorphic Squeeze Ratio
- Silver Color Anamorphic Lens Flare
Venus Optics Laowa 24mm f/14 Probe Lens (ARRI PL, Cine-Mod Version)
- Full-Frame | f/14 to f/40
- Focus and Aperture Gears for Cine Use
- Unique Probe Design for Close-Up Work
- 2:1 to Infinity Magnification
Rokinon Cine DS 85, 100, 135mm Lens Kit (EF Mount)
- Cine DS 85mm T1.5 Lens
- Cine DS 100mm T3.1 Macro Lens
- Cine DS 135mm T2.2 Lens
- Shared Focus and Iris Ring Positions
IRIX 21mm T1.5 Cine Lens (Canon EF, Feet)
- Covers Full-Frame Sensor Size
- 43.3mm Image Circle
- Aperture Range: T1.5 to T16
- Engraved, Luminous Focus Marks in Feet
IRIX 45mm T1.5 Cine Lens (Z-Mount, Feet)
- Covers Full-Frame Sensor Size
- 43.3mm Image Circle, Nikon Z-Mount
- Aperture Range: T1.5 to T22
- Luminous Focus Marks in Feet
IRIX 150mm T3.0 Macro 1:1 Cine Lens (Canon RF, Feet)
- Covers Full-Frame Sensor Size
- Canon RF Mount
- Aperture Range: T3.0 to T32
- Luminous Focus Marks in Feet
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


