Rokinon 85mm T1.5 DSX High-Speed Cine Lens (E Mount)
- Full-Frame 85mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
TTArtisan 50mm T2.1 Dual-Bokeh Cine Lens (Leica L)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 47° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 50mm T2.1 Dual-Bokeh Cine Lens (Sony E)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 47° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
7Artisans Hope 10mm T2.1 S35 Cine Lens (FUJIFILM X, Black)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
SLR Magic Cine 21mm f/1.5 Wide-Angle Lens (E-Mount)
- Covers Full-Frame Sensors
- Maximum Aperture: f/1.5
- Cine Geared Focus and Iris Rings
- 11 Elements in 13 Groups
SLR Magic MicroPrime Cine 75mm T1.5 (E-Mount)
- Covers Full-Frame Sensors
- Sony E-Mount
- Suitable for 4K Image Capture
- Consistent Lens Gear Placement
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (Sony E Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (EF Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens (RF-Mount)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 2.8:1 De-Squeezed 16:9 Aspect Ratio
- Blue Streak Effects, Compact Design
Rokinon 20mm T1.9 Cine DS Lens for Canon EF
- 20mm Lens
- 94.8° AOV, Full-Frame Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Sirui 150mm T2.9 1.6x Full-Frame Anamorphic Lens (Nikon Z)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 2.8:1 De-Squeezed 16:9 Aspect Ratio
- 2.4:1 De-Squeezed 3:2 Aspect Ratio
Sirui 150mm T2.9 1.6x Full-Frame Anamorphic Lens (L-Mount)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 2.8:1 De-Squeezed 16:9 Aspect Ratio
- 2.4:1 De-Squeezed 3:2 Aspect Ratio
Sirui Jupiter 100mm T2.8 Full-Frame Macro 1.5:1 Cine Lens (ARRI PL)
- Covers Full-Frame Format
- T2.8 to T22 Aperture Range
- 12 Iris Blades
- 92mm Filter Thread
Meike 10mm T2.2 Cine Lens (RF Mount)
- Covers APS-C Format
- T2.2 Maximum Aperture
- 77mm Filter Threads
- Lens Markings in Meters and Feet
Sirui Saturn 50mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (Nikon Z, Neutral Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Neutral Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 50mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (Leica L, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (RF Mount, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (E Mount, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens (E-Mount)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 2.8:1 De-Squeezed 16:9 Aspect Ratio
- Blue Streak Effects, Compact Design
Sirui 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Canon RF)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- 2.4:1 & 2.8:1 De-Squeezed Aspect Ratios
- Blue Streak Effects
Sirui 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Leica L)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- 2.4:1 & 2.8:1 De-Squeezed Aspect Ratios
- Blue Streak Effects
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (MFT Mount)
- 14mm T3.1 Cine Lens with MFT Mount
- Weather Sealed, 9-Blade Iris
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 50mm T1.5 DSX High-Speed Cine Lens (EF Mount)
- Full-Frame 50mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 35mm T1.5 Cine DS Lens for Sony E-Mount
- 35mm Lens, T1.5
- Covers Full-Frame
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 135mm T2.2 DSX High-Speed Cine Lens (FUJIFILM X)
- Full-Frame 135mm T2.2 Cine Lens
- Weather Sealed, 9-Blade Iris, Fuji X
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Samyang Cine V-AF 35mm T1.9 FE Lens (Sony E-Mount)
- 35mm T1.9 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally lamp on Front
Sirui VP-1 Vision Prime 150mm T4 FF 1.5x Macro Cine Lens (Multi-Mount, Metal Gray)
- Full Frame | T4-T16 Aperture Range
- Macro 1.5x Magnification
- Native E Mount | L, Z, and RF Adapters
- 0.8 MOD Gearing | Wide Focus Rotation
Sirui VP-1 Vision Prime 150mm T4 FF 1.5x Macro Cine Lens (Multi-Mount, Black)
- Full Frame | T4-T16 Aperture Range
- Macro 1.5x Magnification
- Native E Mount | L, Z, and RF Adapters
- 0.8 MOD Gearing | Wide Focus Rotation
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


