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Rokinon 14mm T3.1 Cine DS Lens for Micro Four Thirds Mount

BH #RO1431MFT • MFR #DS14M-MFT
Rokinon 14mm T3.1 Cine DS Lens for Micro Four Thirds Mount
Key Features
  • Ultra-Wide-Angle 14mm Lens
  • Multi-Layer Coating to Reduce Flare
  • Standard Gearing for Focus and Iris
  • "De-Clicked" Aperture Ring
Overcoming the challenges in assembling a set of lenses over time the Rokinon 14mm T3.1 Cine DS Lens for Micro Four Thirds Mount covers four thirds sensors and features a multi-layer coating process for consistent color rendition from lens to lens. It features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. This 14mm lens produces a 76.2°, wide angle-of-view when used with a four thirds sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.
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Rokinon 14mm T3.1 Cine DS Overview

  • 1Description
  • 2
  • 3
  • 4Multi-Coating for Consistent Performance
  • 5Industry-Standard Gearing
  • 6Ready for Cinematic Applications
Overcoming the challenges in assembling a set of lenses over time the Rokinon 14mm T3.1 Cine DS Lens for Micro Four Thirds Mount covers four thirds sensors and features a multi-layer coating process for consistent color rendition from lens to lens. It features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. This 14mm lens produces a 76.2°, wide angle-of-view when used with a four thirds sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.
Note:
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Multi-Coating for Consistent Performance
The optical construction incorporates three high refractive index elements, two extra-low dispersion elements, one hybrid aspherical element, and one aspherical element to reduce chromatic aberration and distortion, producing sharper imagery. With its Ultra Multi Coated lens, flare and ghosting is minimized, and the lenses are matched to a color standard, eliminating the need to acquire an entire set of lenses at the same time.
Industry-Standard Gearing
The Rokinon DS lenses use industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. A de-clicked aperture ring makes it easy to perform smooth iris pulls, and a minimum focusing distance of 11" allows you to get up close to your subject.
Ready for Cinematic Applications
This 14mm lens was developed primarily for film and video applications and sports an approximately 76.2° angle-of-view on four thirds cameras. A built-in petal-type lens hood provides flare protection without a matte box.

Rokinon 14mm T3.1 Cine DS Specs

Focal Length
14mm
Lens Mount
Micro Four Thirds
Maximum Aperture
T3.1
Minimum Aperture
T22
Diagonal Angle of View
MFT: 76.2°
Minimum Focus Distance
From : 11" / 28 cm
Optical Design
14 Elements in 10 Groups
Diaphragm Blades
6
Image Stabilization
No
Dimensions (W x H)
3.43 x 3.43" / 87.1 x 87.1 mm
Length
4.76" / 120.9 mm
Weight
22.9 oz / 650 g
Packaging Info
Package Weight
1.75 lb
Box Dimensions (LxWxH)
7.2 x 5.2 x 5.1"

Rokinon 14mm T3.1 Cine DS Reviews

See any errors on this page? Let us know

Is this a Fisheye lens?

Is this a Fisheye lens?
Asked by: Tshechu Dorji
No. The following lens is a ultra-wide-angle 14mm Lens.
Answered by: hectorm
Date published: 2022-03-31

question

Is this a zoom lens?
Asked by: Ralf
No. This is a prime lens. It has a 14mm focal length.
Answered by: Lawrence C.
Date published: 2018-08-25

question

Does the petal hood come off?
Asked by: Chris
No, it does not detach. Because of the bulbous nature of the front element (glass) the hood serves as an excellent protector. You can mount filters despite what some people think. However since the FOV is so wide, regular screw in filters would be seen and cannot work. The solution is very large filters and equally large filter holders. LEE Filters SW150 Mark II Lens Adapter for Samyang/Rokinon 14mm f/2.8 ED AS IF UMC Lens B&H # LEASWS14 and LEE Filters SW150 Mark II Filter System Holder for Wide Angle Lenses B&H # LESHSW. Here are two filters: LEE Filters 150 x 150mm SW150 Circular Polarizer Filter B&H # LEPSW and LEE Filters 150 x 150mm SW150 Big Stopper Neutral Density 3.0 Filter (10 Stop) B&H # LEBSSW.
Answered by: Dennis A L.
Date published: 2022-11-28

question

Hi There,Does anyone know of a good MATTE BOX solution for the Rokinon 14mm Cine DS Lens?(I know typically with wide angle lenses, they run into vignetting problems if the Matte Box isn't wide enough.)Does anyone know of a good Matte Box that works great with this lens?Additionally, do you know if that same Matte Box will also work for the Rokinon Cine DS 12mm Fisheye Lens?In advance, thank you for your help and for your recommendations. I really appreciate it!
Asked by: Tyler
The answer to your question depends on the lens and what sensor size you are using for there is no universal matte box solution for ultra wide lenses. If you are using a 12mm Fish Eye on a Full Frame camera, you most likely will only be able to use a 4x4 or larger filter holder. If you are using a 12mm on a MFT camera, you will be able to use a normal 4x4 matte box. We have those by Redrock Micro, Bright Tangerine, Tilta, Lanparte, Genustech, etc, etc. These are seen listed under the Accessories tab on the lenses web page. You should be able to use the matte boxes listed for a 14mm as well but that can only be verified by testing on a case by case basis.
Answered by: Dennis A L.
Date published: 2018-08-25

question

How is this different from the other 14mm Rokinon Lens?
Asked by: Anonymous
The new Rokinon DS lenses are the second generation of cine lenses from Rokinon. They offer a few notable benefits for video shooters, in addition to the use of de-clicked aperture rings and gears. First, the focus and aperture gears are unified, meaning that swapping out lenses will not require adjustments to your rig. Second, for convenience to the user there are dual focusing scales, one on each side. Third, all of the Cine DS lenses are tested to be color matched, ensuring that your footage will feature the same color and contrast throughout your production.
Answered by: Oliver C.
Date published: 2018-08-25

Can you take still photos instead of video

Can you take still photos instead of video
Asked by: Betty
Depends on the camera body you put this lens on.
Answered by: Nicholas
Date published: 2022-09-28

question

HI! Does someone know if this MFR # DS14M-C lens has any REAL optical improvement over the previous MFR # CV14M-C ? I mean, Especially regarding Sharpness.Or it only has matched color rendition and geared rings with other new DS lenses?Thank you very much!!
Asked by: ALICIA
Apart from the dual scale geared rings, the focus and iris gear positions have been moved along the axis in order to maintain a consistent position from lens to lens making swapping a breeze when using a follow focus or motors. Each of the Cine-DS lenses is carefully color matched to a certain degree in order to sustain a specific cinematic look throughout the set. The optics remain the same throughout all of the different versions so dont expect any sort of increase in image quality from one option to the other.
Answered by: Muriel A.
Date published: 2018-08-25

question

Hi There,Does anyone know of a good MATTE BOX solution for the Rokinon 14mm Cine DS Lens?(I know typically with wide angle lenses, they run into vignetting problems if the Matte Box isn't wide enough.)Does anyone know of a good Matte Box that works great with this lens?Additionally, do you know if that same Matte Box will also work for the Rokinon Cine DS 12mm Fisheye Lens?In advance, thank you for your help and for your recommendations. I really appreciate it!
Asked by: Tyler
The answer to your question depends on the lens and what sensor size you are using for there is no universal matte box solution for ultra wide lenses. If you are using a 12mm Fish Eye on a Full Frame camera, you most likely will only be able to use a 4x4 or larger filter holder. If you are using a 12mm on a MFT camera, you will be able to use a normal 4x4 matte box. We have those by Redrock Micro, Bright Tangerine, Tilta, Lanparte, Genustech, etc, etc. These are seen listed under the Accessories tab on the lenses web page. You should be able to use the matte boxes listed for a 14mm as well but that can only be verified by testing on a case by case basis.
Answered by: Dennis A L.
Date published: 2018-08-25
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