Nikon D750 DSLR Filmmaker's Kit

BH #NID750FK • MFR #13469
Nikon D750 DSLR Filmmaker's Kit
Key Features
  • AF-S NIKKOR 35mm f/1.8G ED Lens
  • AF-S NIKKOR 50mm f/1.8G Lens
  • AF-S NIKKOR 85mm f/1.8G Lens
  • Atomos Ninja 2 Video Recorder
Complementing the all-around video recording assets of this full-frame DSLR, Nikon has put together the D750 DSLR Filmmaker's Kit, which pairs the camera with a host of accessories, including a trio of prime lenses, an external video recorder and HDMI cable, an external microphone, two filters, and two spare batteries.
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Nikon D750 DSLR Filmmaker's Kit

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Nikon D750 Overview

  • 1Description
  • 2Nikon D750 DSLR Camera (Body Only)
  • 3Nikon AF-S NIKKOR 35mm f/1.8G ED Lens
  • 4Nikon AF-S NIKKOR 50mm f/1.8G Lens
  • 5Nikon AF-S NIKKOR 85mm f/1.8G Lens
  • 6Nikon EN-EL15 Lithium-Ion Battery (1900mAh)
  • 7Nikon ME-1 Stereo Microphone
  • 8Nikon HC-E1 HDMI Cable (9.6')
  • 9Atomos 4.3" Ninja 2 Video Recorder (Full Version)
  • 10Tiffen 58mm Variable Neutral Density Filter
  • 11Tiffen 67mm Variable Neutral Density Filter

Complementing the all-around video recording assets of this full-frame DSLR, Nikon has put together the D750 DSLR Filmmaker's Kit, which pairs the camera with a host of accessories, including a trio of prime lenses, an external video recorder and HDMI cable, an external microphone, two filters, and two spare batteries.

On the optical front, the AF-S NIKKOR 35mm f/1.8G ED, 50mm f/1.8G, and 85mm f/1.8G lenses are included to provide wide-angle, normal, and short telephoto perspectives. Each of the lenses feature a fast f/1.8 maximum aperture as well as SWM AF motors for smooth, silent focusing performance. Both 58mm and 67mm Tiffen Variable Neutral Density Filters are also included for adjustable control over exposure settings.

Enhancing the quality of audio, the ME-1 Stereo Microphone greatly improves upon the in-camera microphone and conveniently slides directly into the camera's hot shoe and connects via the 3.5mm jack. For optimizing video quality, the Atomos Ninja 2 recorder and 18" HC-E1 HDMI cable allow you to record less compressed 4:2:2 video. Lastly, two spare EN-EL15 batteries are also included in the Filmmaker's Kit for extended shooting sessions.

Nikon D750 DSLR Camera (Body Only)

Championing a multimedia approach to photography, Nikon's D750 DSLR is an FX-format camera well-suited to both still imaging and video recording. Featuring a 24.3MP CMOS sensor, along with the EXPEED 4 image processor, this camera is capable of producing high-resolution imagery with smooth color gradations, low noise, and sensitivity to an expandable ISO 51200, at a continuous shooting rate of up to 6.5 fps. In regard to video recording, Full HD 1080p/60 is supported, along with the ability to record uncompressed video to an optional external recorder. Working from high and low angles is possible due to the tilting 3.2" 1,229k-dot LCD monitor or, for remote shooting, the D750 also features built-in Wi-Fi connectivity. Designed for the contemporary image-maker, this DSLR is poised to benefit still photographers and videographers alike with the versatility and performance to match any working situation.

Benefitting the imaging capabilities of the D750, an equally apt 51-point AF system, with 15 cross-type points, is available and can be configured to utilize five AF points as a single focusing point in the Group Area AF setting for heightened initial subject recognition. The 3D Color Matrix Metering III system, along with the 91,000-pixel RGB sensor, also benefits the focusing abilities as well as provides accurate exposure metering to suit a vast array of subjects and lighting conditions. Furthermore, benefitting creative applications, the D750 supports in-camera creation of time-lapse movies with automated exposure smoothing, and a range of Picture Control profiles can be applied to refine the color and tonal handling of imagery.

24.3MP FX-Format CMOS Sensor and EXPEED 4 Image Processor

The 24.3MP FX-format CMOS sensor works in close collaboration with the EXPEED 4 image processor to produce rich image quality accentuated by low noise and notable sensitivity to a native ISO 12800, which is further expandable to ISO 51200. The sensor and processor combination further work together to realize a wealth of speed throughout the camera system, including a full-resolution continuous shooting rate of 6.5 fps and full HD 1080p/60 video recording. The sensor can also record imagery in DX format and will automatically switch to and support the use of DX-dedicated lenses when attached.

Full HD Video Recording

The EXPEED 4 processing power extends beyond still imaging performance to benefit Full HD 1080p video recording in multiple frame rates up to 60 fps. During recording, fully manual control is possible over shutter speed, aperture, and ISO settings, along with the ability to utilize Auto ISO adjustment in manual mode. Zebra stripe highlighting can be applied to aid in controlling overexposure during recording, too, along with in-camera Picture Control profiles, custom tone curves, and a flat profile to benefit color grading applications. Additionally, multi-area mode allows you to narrow your effective field of view during recording, in FX and DX settings, to offer greater perspective versatility during shooting.

Recording to an optional external recorder is possible in order to gain uncompressed 4:2:2 8-bit output through the HDMI port and, when recording externally, use of the camera's LCD monitor for live view monitoring is possible. Power aperture control is supported during external recording, too, as well as when recording to internal memory cards. Simultaneous recording to both memory cards and an external recording device is possible for instant backup and duplication of files, and 2MP 16:9 still images can also be recorded simultaneously during video recording. In-camera video trimming is possible as well, along with the ability to select the movie's saving destination.

In regard to audio recording, an in-camera stereo microphone can be used or, alternatively, an input is available for utilizing an optional external stereo microphone. Sound levels can be adjusted across 20 levels prior to and during recording, along with the ability to monitor audio via the headphone output.

51-Point Advanced Multi-CAM 3500FX II AF Sensor

Supporting the exceptional imaging capabilities of the D750 is an apt autofocus system that employs up to 51 distinct points, with options available to use 9, 21, or all 51 points depending on the situation, with AF detection sensitivity down to -3 EV. 15 cross-type points are also integrated within this array to provide even greater accuracy to centrally-located subjects. Benefitting the use of telephoto lenses and teleconverters, 11 of the focus points are also sensitive down to an aperture value of f/8. 3D Tracking, a part of the intelligent Scene Recognition System, also works to benefit maintained focusing on moving subjects for greater accuracy when shooting at high continuous shooting speeds.

For even faster initial focusing and subject recognition, five AF sensors can be used together as a single focus point with the Group Area AF setting. Furthermore, Single-point AF, Dynamic-area AF (with 9, 21, or 51 points selectable), 3D-tracking (using all 51 points), and Auto-area AF modes are also available.

When working in live view, for either still or movie shooting, a contrast-based AF system is employed to acquire focus precisely and can function in continuous, full-time servo mode to better-suit working with moving subjects. Four distinct AF-area modes are available when using the contrast-detection focusing method: Face-priority AF, Wide-area AF, Normal-area AF, and Subject-tracking AF.

Scene Recognition System and Exposure Metering

The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 91,000-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance. Additionally, benefitting working in difficult lighting conditions, a highlight-weighted metering setting can be used to maintain faithful highlight reproduction.

Camera Design Features

  • A large 3.2" 1,229k-dot LCD monitor is incorporated into the D750's design, and features a tilting design to benefit working from high and low angles. Additionally, the screen features an RGBW color array to enhance visibility in bright conditions, and can be custom color balanced to match additional external monitors.
  • A bright pentaprism optical viewfinder offers 100% frame coverage and incorporates an organic EL display system to clearly display shooting information for seamless adjustment over camera settings without removing your eye from the viewfinder.
  • A built-in pop-up flash can be used to provide additional illumination to scenes and can also be used as a flash commander to wirelessly communicate with other Nikon CLS-compatible Speedlights. Additionally, a hot shoe is available for utilizing optional external flashes.
  • Dual SD card slots are available to extend file saving capabilities by permitting either overflow recording or in-camera file duplicating. Additionally, optional HDMI-connected external recorders are supported for recording uncompressed video and time lapse sequences.
  • A unique monocoque body design helps to lessen the overall weight and size of the camera for more comfortable use during long shooting sessions. The front of the camera and front cover are constructed from carbon-fiber reinforced thermoplastics, and the rear and top covers are magnesium alloy to present a well-balanced mixture of both durability and sleekness.
  • The included EN-EL15 rechargeable lithium-ion battery pack provides up to approximately 1230 shots or up to 55 minutes of recording per charge (based on CIPA standards).

Built-In Wi-Fi Connectivity

Supporting a wealth of sharing and tagging possibilities, the D750 features built-in Wi-Fi connectivity to enable seamless transfer of imagery as well as remote shooting capabilities. Once the Nikon Wireless Mobile Utility app has been installed on an Android or iOS mobile device, you can use that device to browse the contents of the memory card, select images, and seamlessly transfer files between devices for immediate sharing online. Additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.

  • Standards: IEEE 802.11b, IEEE 802.11g
  • Communications protocols: 802.11b - DSSS/CCK; 802.11g - OFDM
  • Operating frequency: 2412 to 2462 MHz (channels 1 to 11)
  • Range (line of sight): Approx. 98.4' / 30m (assumes no interference; range may vary with interference)
  • Data rate: 54 Mbps (maximum logical data rates)
  • Security: Authentication - Open system, WPA2-PSK; Encryption - AES
  • Wireless setup: Supports WPS
  • Access protocols: Infrastructure

For faster wireless performance, the D750 is also compatible with the optional WT-5A Wireless Transmitter and UT-1 Communication Unit, which can transmit image files via FTP.

Other Camera Features

  • Pairing video and still imaging capabilities, in-camera time lapse shooting is possible using the built-in intervalometer to record up to 9999 consecutive exposures at variable intervals. Exposure smoothing can also be applied to groups of sequentially-recorded images in order to produce a naturally-appearing time lapse straight from the camera.
  • Dedicated Photo Shooting and Movie Shooting menus aid in easily accessing dedicated settings and controls depending on the medium you are working with
  • Special Effects modes can be applied to both still and video files for in-camera creative enhancement.
  • Auto ISO sensitivity control allows you to select a minimum shutter speed at which camera shake can be controlled from and then will automatically set the ISO value in order to best render the scene. A maximum sensitivity level can also be set in order to maintain overall noise levels.
  • Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white.
  • MC-DC2 port enables the connection of optional accessories, such as remote shutter releases.
  • Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Monochrome, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings.
  • Special Effects modes allow you to creatively enhance imagery in-camera: Night Vision, Color Sketch, Miniature Effect, Selective Color, Silhouette, High Key, and Low Key.
  • A range of scene modes can be employed to base exposure settings on pre-defined, detected scene types: Portrait, Landscape, Child, Sports, Close Up, Night Portrait, Night Landscape, Party/Indoor, Beach/Snow, Sunset, Dusk/Dawn, Pet Portrait, Candlelight, Blossom, Autumn Colors, and Food. Playback functions: Auto Image Rotation, Full-Frame and Thumbnail (4, 9, or 72 images or calendar), Highlights, Histogram Display, Image Comment , Movie Playback, Movie Slideshow, Playback with Zoom, and Slideshow.
  • In-camera image editing: Color Balance, Color Outline, Color Sketch, D-Lighting, Distortion Control, Edit Movie, Filter Effects, Fisheye, Image Overlay, Miniature Effect, Monochrome, NEF (RAW) Processing, Perspective Control, Quick Retouch, Red-Eye Correction, Resize, Selective Color, Side-by-Side Comparison, Straighten, and Trim.
  • Language support: Arabic, Bengali, Brazilian Portuguese, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, and Vietnamese.
UPC: 018208015436

Nikon AF-S NIKKOR 35mm f/1.8G ED Lens

One of the most flexible single focal lengths available, the AF-S NIKKOR 35mm f/1.8G ED from Nikon is a compact prime wide-angle well-suited for everyday shooting. Its bright f/1.8 maximum aperture excels in a variety of lighting conditions and also helps to maintain a relatively compact, lightweight design for walk-around use. The optical design employs both aspherical and extra-low dispersion elements to control both spherical and chromatic aberrations for high sharpness, clarity, and color accuracy. A Super Integrated Coating has also been applied to limit flare and ghosting for improved contrast. Additionally, benefitting the optical assets, a Silent Wave Motor affords fast and precise autofocus performance, along with full-time manual focus override, to benefit both stills and video applications.

Wide-angle 35mm lens is designed for FX-format F-mount cameras, however can also be used with DX models where it provides a 52.5mm equivalent focal length.
Bright f/1.8 maximum aperture benefits working in low-light conditions and also affords control over depth of field for working with selective focus techniques.
One extra-low dispersion glass element is used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality.
One aspherical element is used to reduce spherical aberrations and distortion in order to realize sharp imagery with accurate rendering.
Super Integrated Coating has been applied to individual elements to suppress internal reflections, flare, and ghosting for improved contrast and color accuracy when working in strong lighting conditions.
Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A Rear Focusing System is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Rounded seven-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
UPC: 018208022151

Nikon AF-S NIKKOR 50mm f/1.8G Lens

An essential lens if ever there was one, the AF-S NIKKOR 50mm f/1.8G from Nikon is the classic normal-length prime featuring a bright maximum aperture and lightweight design. Corresponding to the natural field of view, the 50mm focal length is well-suited for a wide variety of subjects, including everything from landscape to portraiture. The f/1.8 design suits working in difficult lighting conditions and also enables controlling the focus position for using shallow depth of field techniques. One aspherical element is featured in the optical design to minimize spherical aberrations and distortion for high sharpness and accurate rendering. A Super Integrated Coating also suppresses flare and ghosting for improved contrast and color accuracy. Additionally, the Silent Wave Motor affords fast, quiet, and precise autofocus performance as well as full-time manual focus override.

Normal-length prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 75mm equivalent focal length.
Bright f/1.8 maximum aperture contributes to both low-light performance as well as offers greater control over depth of field.
One aspherical element is used to greatly reduce spherical aberrations and distortion in order to achieve high sharpness, clarity, and accurate rendering.
Super Integrated Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting.
Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 018208021994

Nikon AF-S NIKKOR 85mm f/1.8G Lens

A highly desirable focal length for portraiture, the AF-S NIKKOR 85mm f/1.8G from Nikon is a short-telephoto prime featuring a bright f/1.8 maximum aperture. This design finds balance between a lightweight, compact form factor while also being fast enough to effectively control depth of field and suit working in low light. Individual lens elements feature a Super Integrated Coating, which controls flare and ghosting to produce greater contrast and color fidelity when working in bright and backlit conditions. Additionally, the Silent Wave Motor affords fast and accurate autofocus performance along with full-time manual focus override.

Short-telephoto prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 127.5mm equivalent focal length.
Bright f/1.8 maximum aperture helps to achieve shallow depth of field imagery and also benefits working in low-light conditions.
Super Integrated Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting.
Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. An internal focusing design is also used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 018208022014

Nikon EN-EL15 Lithium-Ion Battery (1900mAh)

The 1900mAh Nikon EN-EL15 Lithium-Ion Battery is a rechargeable battery for the Nikon D500, D600, D610, D7000, D7100, D750, D800, D800E, D810 and the Nikon 1 V1 cameras. Lithium-ion batteries will not suffer from the adverse memory effects that are normally associated with other battery types.

Nikon ME-1 Stereo Microphone

Create higher-quality audio than your camera can alone with this stereo mic. The Nikon ME-1 Stereo Microphone is designed specifically for recording audio while making DSLR videos. The ME-1 fits into compatible camera shoes, and connects to the camera via the 3.5mm stereo mini-plug. A low-cut filter blocks wind noise, while the cable stop helps prevent noises caused by cable movement.

Designed for use with a digital SLR camera with a 3.5mm (diameter) stereo mini-pin jack
Equipped with a cable stop which holds the cable in place to prevent noise from being recorded with accidental contact with the cable
Reduces vibration noise during autofocus
Low-cut filter reduces wind noise and other low-frequency noise not blocked by the wind screen
UPC: 018208270453

Nikon HC-E1 HDMI Cable (9.6')

The Nikon HC-E1 HDMI Cable is an 9.6' HDMI cable with a male type C mini connector designed for attachment to a camera and a male type A connector for connection to optional HDMI devices, such as a display or recorder.

UPC: 018208271535

Atomos 4.3" Ninja 2 Video Recorder (Full Version)

The Full Version of the Atomos Ninja 2 Video Recorder is an HDMI recorder built into an 800 x 480 resolution monitor that records up to 1080/30p/60i resolution directly from your camera's sensor. It records to an optional HDD or SSD in using Apple's ProRes or Avid's DNxHD edit-ready codecs. The Ninja 2 supports 10-bit 4:2:2 color sampling for vivid images superior to most DSLR internal recording capabilities, and you can still record 8-bit video to the Ninja 2. Built-in exposure tools such as false color and zebra bars provide useful aids in exposing your footage, while the built-in focus peaking tool can alert you to out of focus shots may be difficult to see on an on-camera monitor.

The 4.3" touchscreen features a resistive touchscreen that functions using pressure, this allows you to operate the touchscreen with your fingers, even while wearing gloves, which is important when working in the cold. The Ninja 2 incorporates anti-shock technology that allows you to continue to record even if your HDD skips a few frames from being jarred. The Master Caddy system allows you to choose to use optional 2.5" HDDs or SSDs with your Ninja 2. SmartLog editing tools allow you to mark selects during playback or recording, and can save you time when you go to edit. It includes two master drive caddies. a docking station that offloads these drives to your computer via USB 3.0/2.0, as well as a Sony-type NP-F570 battery, charger, AC adapter for continuous power, Canon LP-E6-type battery adapter, and a Nikon EN-EL15-type adapter.

10-bit 4:2:2 / 220Mbps / 2.5" HDD or SSD

The Ninja-2 supports HD or SD sources and encodes it in real-time to 10-bit, 4:2:2 Apple ProRes or Avid DNxHD at up to 220Mbps.

Recording is always in 10-bit, even from an 8-bit source. Color registries are added for integration into higher bit-depth graphics from CG, animation and special effects. This helps avoid banding in your footage, even if your source is 8-bit.

One-Touch

Access all of the Ninja 2's operations via the fast, responsive touch interface -- everything is only one touch away: one-touch recording, one-touch monitoring, one-touch review, etc.

Volume Display

Lets you adjust the volume of the professional quality headphone amplifier.

Audio Meters

Touch audio meters to adjust 4 channels of audio.

Current Input Format

Displays native format from source signal, for example -- 1080i 59.94.

Recording Format

Select the variety of ProRes or Avid DNxHD codec you are recording to /
Avid DNxHD-220X (10-bit), DNxHD-220 (8-bit), DNxHD-145 (8-bit), DNxHD-36 Proxy (8-bit) + all ProRes options.

Continuous Power Battery Indicator

Shows which battery is currently being used to power the Ninja 2. You are free to replace the one that isn't being used, the active battery slot is illuminated in orange.

Timecode

Choose between On Board, Time of Day, Record Run or Auto Restart timecode modes or utilize external timecode from camera or any source input.

Unit Name

Name your Ninja 2 by project or camera. Media drives and recorded files are subsequently named with the unit name upon formatting.

Time Remaining

Shows remaining record time. Remaining time is calculated dynamically and is based on the bitrate of the current recording format and the memory capacity of the HDD/SSD in use.

Inputs / Outputs

HDMI input & output

SmartMonitor

Accurately assess focus and exposure with:
Focus Peaking
Adjustable Zebra
False Color Twin Mode
Blue Only - exposure check
Control - adjustments for individual filters
SmartLog

SmartLog

Log in and out points on your footage and tag these clips with keywords such as 'good shot', 'bad shot' etc.

With the Ninja 2 this part of the post production process can now be done on set, or on the move.

Master Caddy Slot

Simple, locking HDD/SSD system / a safe, practical solution to media management.

HDD or SSD

Choose from optional inexpensive 2.5" hard disk drives (spinning disks) for 90% of projects and Flash-based SSDs for rough terrain or high security use.

A 750GB/5400rpm drive holds up to 16 hours of high quality Apple ProRes footage.

Tiffen 58mm Variable Neutral Density Filter

The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 - 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want - a real time and money saver.

Simply mount the filter on your lens, set it to "Min" density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn't, switch to manual focus and rotate to the desired degree of filtration.

For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of "blur" in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.

A Neutral Density filter is used to create some unusual special effects such as capturing the "blur" of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.

Thin Profile Ring (9mm) - The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops

Neutral Density Filters Have Four Main Uses

To enable slow shutter speeds to be used, especially with high speed ISOs, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure

ColorCore Technology

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration
Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty
UPC: 884613012595

Tiffen 67mm Variable Neutral Density Filter

The 67mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 - 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want - a real time and money saver.

Simply mount the filter on your lens, set it to "Min" density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn't, switch to manual focus and rotate to the desired degree of filtration.

For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of "blur" in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.

A Neutral Density filter is used to create some unusual special effects such as capturing the "blur" of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.

Thin Profile Ring (9mm) - The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops

Neutral Density Filters Have Four Main Uses

To enable slow shutter speeds to be used, especially with high speed ISOs, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure

ColorCore Technology

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration
Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty
UPC: 884613012618

Nikon D750 DSLR Camera (Body Only) Specs

Imaging
Lens MountNikon F
Camera FormatFull-Frame (1x Crop Factor)
PixelsActual: 24.93 Megapixel
Effective: 24.3 Megapixel
Maximum Resolution6016 x 4016
Aspect Ratio3:2
Sensor TypeCMOS
Sensor Size35.9 x 24 mm
Image File FormatJPEG, RAW
Bit Depth14-Bit
Image StabilizationNone
Exposure Control
ISO SensitivityAuto, 100 to 12800 (Extended: 50 to 51200)
Shutter SpeedElectronic Front Curtain Shutter
1/4000 to 30 Seconds
Bulb Mode
Metering Method3D Color Matrix, Center-Weighted Average, Highlight Weighted, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range0 to 20 EV
White BalanceAuto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
Continuous ShootingUp to 6.5 fps
Interval RecordingYes
Self-Timer2/5/10/20-Second Delay
Mirror Lock-UpYes
Video
Recording ModesMOV/H.264
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p
HD (1280 x 720) at 50p/59.94p
External Recording ModesFull HD (1920 x 1080)
HD (1280 x 720)
Recording LimitUp to 29 Minutes, 59 Seconds for Full HD (1920 x 1080) at 59.94p
Video EncodingNTSC/PAL
ISO SensitivityAuto: 200 to 12800
Audio RecordingBuilt-In Microphone (Stereo)
External Microphone Input
Audio File FormatLinear PCM
Focus
Focus TypeAuto and Manual Focus
Focus ModeAutomatic (A), Continuous-Servo AF (C), Full-Time Servo (F), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsPhase Detection: 51 (15 Cross-Type)
Autofocus Sensitivity-3 to +19 EV
Viewfinder and Monitor
Viewfinder TypeOptical (Pentaprism)
Viewfinder Eye Point21 mm
Viewfinder Coverage100%
Viewfinder MagnificationApprox. 0.7x
Diopter Adjustment-3 to +1
Monitor Size3.2"
Monitor Resolution1,229,000 Dot
Monitor TypeTilting LCD
Flash
Built-In FlashYes
Flash ModesAuto, Auto/Red-Eye Reduction, Fill Flash, Hi-Speed Sync, Off, Rear Curtain/Slow Sync, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Guide Number39' / 11.89 m at ISO 100
Maximum Sync Speed1/200 Second
Flash Compensation-3 to +1 EV (1/3, 1/2, 1 EV Steps)
Dedicated Flash SystemiTTL
External Flash ConnectionHot Shoe
Interface
Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-I)
Connectivity3.5mm Headphone, 3.5mm Microphone, HDMI C (Mini), Mini-B 8-Pin (USB 2.0)
WirelessWi-Fi
GPSNo
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Physical
Battery1 x EN-EL15 Rechargeable Lithium-Ion, 7 VDC, 1900 mAh
Dimensions (W x H x D)5.5 x 4.4 x 3.1" / 140.5 x 113 x 78 mm
Weight1.65 lb / 750 g (Body Only)
Packaging Info
Package Weight4.225 lb
Box Dimensions (LxWxH)8.65 x 7.1 x 5.75"

Nikon AF-S NIKKOR 35mm f/1.8G ED Lens Specs

Battery
Focal Length35mm
Maximum Aperturef/1.8
Minimum Aperturef/16
Lens MountNikon F
Format CompatibilityFull-Frame
Angle of View63°
Maximum Magnification0.16x
Minimum Focus Distance9.84" / 25 cm
Optical Design11 Elements in 8 Groups
Diaphragm Blades7, Rounded
Focus TypeAutofocus
Image StabilizationNone
Filter Size58 mm (Front)
Dimensions (ø x L)2.83 x 2.81" / 71.88 x 71.37 mm
Weight10.8 oz / 305 g
Packaging Info
Package Weight1.26 lb
Box Dimensions (LxWxH)8.4 x 5.1 x 4.95"

Nikon AF-S NIKKOR 50mm f/1.8G Lens Specs

Battery
Focal Length50mm
Maximum Aperturef/1.8
Minimum Aperturef/16
Lens MountNikon F
Format CompatibilityFull-Frame
Angle of View47°
Maximum Magnification0.15x
Minimum Focus Distance1.48' / 45 cm
Optical Design7 Elements in 6 Groups
Diaphragm Blades7, Rounded
Focus TypeAutofocus
Image StabilizationNone
Filter Size58 mm (Front)
Dimensions (ø x L)2.84 x 2.06" / 72.1 x 52.4 mm
Weight6.5 oz / 185 g
Packaging Info
Package Weight1.04 lb
Box Dimensions (LxWxH)6.8 x 5.1 x 4.9"

Nikon AF-S NIKKOR 85mm f/1.8G Lens Specs

Battery
Focal Length85mm
Maximum Aperturef/1.8
Minimum Aperturef/16
Lens MountNikon F
Format CompatibilityFull-Frame
Angle of View28° 30'
Maximum Magnification0.12x
Minimum Focus Distance2.62' / 80 cm
Optical Design9 Elements in 9 Groups
Diaphragm Blades7, Rounded
Focus TypeAutofocus
Image StabilizationNone
Filter Size67 mm (Front)
Dimensions (ø x L)3.15 x 2.87" / 80 x 73 mm
Weight12.3 oz / 350 g
Packaging Info
Package Weight1.505 lb
Box Dimensions (LxWxH)8.6 x 5.15 x 4.95"

Nikon EN-EL15 Lithium-Ion Battery (1900mAh) Specs

Battery
Amp-Hours1900 mAh
ChemistryLithium-Ion
Output Voltage7.0 VDC
Dimensions (W x H x D)1.5 x 2.25 x 0.87" / 3.8 x 5.7 x 2.2 cm
Weight3.1 oz / 88 g
Packaging Info
Package Weight0.25 lb
Box Dimensions (LxWxH)3.1 x 2.2 x 1.4"

Nikon ME-1 Stereo Microphone Specs

Battery
TypeBack-electret condenser microphone (unidirectional)
Channels2 - stereo
Frequency Response70-16,000 Hz
Sensitivity-42 dB +/- 3 dB / 0 dB=1 V/Pa, 1 kHz
Signal to Noise Ratio60 dB or more
Output Impedance2.2k Ohm or less
PowerSupplied by camera
PlugGold-plated, L-shaped stereo mini-pin plug (3.5 mm)
FilterControlled by low-cut filter switch (ON/OFF)
Dimensions1.5 x 3.0 x 3.2" (38 x 79 x 87 mm)
Additional InfoUnidirectional
Supplied accessories: microphone body, wind screen, soft case
Packaging Info
Package Weight0.575 lb
Box Dimensions (LxWxH)7.15 x 4.6 x 2.45"

Nikon HC-E1 HDMI Cable (9.6') Specs

Battery
Connector 1Male Type C Mini HDMI
Connector 2Male Type A HDMI
Length9.6' (292.6 cm)
Packaging Info
Package Weight0.37 lb
Box Dimensions (LxWxH)5.05 x 4.9 x 1.4"

Atomos 4.3" Ninja 2 Video Recorder (Full Version) Specs

Battery
InputVideo input: uncompressed 10/8-bit 4:2:2
HDMI 1.4 x1

Audio input:
2 channels on HDMI video input
2 analog channels with gain controls
OutputVideo output:
HDMI 1.4 x1 (reclocked, ultra low jitter)

Audio output:
2 channels on HDMI video output
Stereo x1
Headphone x1
Supported FormatsHD 1080i60, 1080i59.94, 1080i50, 1080p30, 1080p25,
1080p24, 1080p23.98, 1080p30(60i), 1080p25(50i),
1080p24(60i), 1080p23.98(60i), 720p60, 720p59.94,
20p50, SD 480i, 576i
EncodingRealtime hardware encoding, 1920 x 1080 8/10-bit 4:2:2 to:

Apple ProRes:
HQ - 220Mbps (10-bit)
422 - 150Mbps (10-bit)
LT - 100Mbps (10-bit)

Avid DNxHD:
Avid DNxHD-220X - 220Mbps (10-bit)
Avid DNxHD-220 - 36 Mbps (8-bit)
Avid DNxHD-145 - 36 Mbps (8-bit)
Screen4.3" diagonal (11 cm)
Resolution: 800 x 480
Aspect ratio: 16:9 native / 4:3 letterbox / SMPTE color specification
Native frame rate playback (48 - 60Hz)
Remote Start / StopHDMI start/stop flags (Canon compatible);
LANC trigger via optional LANC adapter
Customizable Remote Controls(control all Ninja functions): System integrator custom controls available on request from ATOMOS
TimecodeSony and Canon compatible HDMI timecode in and out
Recording TimeRecords for the same amount of time whether onto HDDs or SSDs

Edit formats: I-frame only, 422, 8/10-bit

ProRes HQ (10-bit, 220Mbps):
250GB = 2.5 hrs, 500GB = 5 hrs, 1TB = 10 hrs

Avid DNxHD-220x (10 bit, 220Mbps):
250GB = 2.5 hrs, 500GB = 5 hrs, 1TB = 10 hrs

ProRes 422 (10 bit, 150Mbps):
250GB = 4 hrs, 500GB = 8 hrs, 1TB = 16 hrs

Avid DNxHD-145 (8 bit, 145Mbps):
250GB = 4 hrs, 500GB = 8 hrs, 1TB = 16 hrs

ProRes LT (10 bit, 100Mbps):
250GB = 5.5 hrs, 500GB = 11 hrs, 1TB = 22 hrs
Operating PowerMonitoring: 3W
Rec, Mon & Play: 6W
BatteriesAll 7.4V
7.2V - 14.4V battery system compatible: 2600mAh - up to 10 hours
Any source: 5200mAh - up to 20 hours
NP series: 7800mAh - up to 30 hours
DTap: AC power via adapter plate (option)
Supporting accessories: DTap dummy battery (cables sold separately)
Continuous PowerPrimary-secondary battery system
Change batteries without losing power
Loop batteries continuously
ConstructionAircraft grade aluminum
Fanless for silent operation
Dimensions4.5 x 3.4 x 1.6" (11.5 x 8.7 x 4.1 cm)
WeightWithout batteries and HDD: .8 lbs (.37 kg)
With batteries and HDD: 1.48 lbs (.67 kg)
Packaging Info
Package Weight3.9 lb
Box Dimensions (LxWxH)9.1 x 8.7 x 5.2"

Tiffen 58mm Variable Neutral Density Filter Specs

Battery
Filter TypeVariable ND
Density0.6 (2 Stops) to 2.4 (8 Stops)
ShapeCircle
Circular Size58 mm
Front Accessory Thread / BayonetUnthreaded
Filter Thickness0.35" / 9 mm
Filter MaterialGlass
CoatingsNone
Packaging Info
Package Weight0.2 lb
Box Dimensions (LxWxH)4.7 x 4.5 x 1"

Tiffen 67mm Variable Neutral Density Filter Specs

Battery
Filter TypeVariable ND
Density0.6 (2 Stops) to 2.4 (8 Stops)
ShapeCircle
Circular Size67 mm
Front Accessory Thread / BayonetUnthreaded
Filter Thickness0.35" / 9 mm
Filter MaterialGlass
CoatingsNone
Packaging Info
Package Weight0.24 lb
Box Dimensions (LxWxH)4.7 x 4.5 x 1.05"
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