Offering podcasters, show hosts, and broadcasters the impactful sound of FM radio voices along with smooth, professional-looking mic positioning, this B&H Kit features the fawn beige Electro-Voice RE20 dynamic broadcast announcer microphone, the dbx 286s preamp/channel strip, a suspension shockmount, a foam windscreen, and a two-section broadcast arm with internal springs and an integrated XLR cable.
The RE20 delivers voice-tailored frequency response, minimal proximity effect, and sonic performance akin to a studio condenser mic, and the foam windscreen helps control noise from blasts of air such as plosives. The dbx 286s provides up to 60 dB of gain along with all the functions you need to achieve a robust and present sound; its compressor, de-esser, high-pass filter, enhancer, and expander/gate are effective and easy to use. The combination of the suspension shockmount and the broadcast arm yields low noise as you adjust the mic's placement while providing the appearance of a video-ready setup.
Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige)
A broadcast industry standard, the RE20 Broadcast Announcer Microphone with Variable-D from Electro-Voice is a cardioid dynamic microphone that delivers reliable, low-noise performance with exceptional clarity and definition. This model is styled in the classic fawn beige finish.
True Cardioid Pattern
Bass Tilt-Down Switch
Flat Frequency Respone
dbx 286s - Microphone Preamp/Channel Strip
The 286s from dbx is a full featured channel strip that includes a studio quality microphone/instrument preamplifier, and four processors that can be used independently or in any combination. The hassle of patching together multiple processors for use on one track can be frustrating. The unit delivers the entire microphone processing chain needed in a single box, with the shortest, cleanest signal path.
Features include wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. The dbx OverEasy compressor can transparently smooth out uneven acoustic tracks, or deliver the classic "in your face" vocal performance. Vocal sibilance can be tamed or even eliminated and high frequency distortion removed from instruments such as cymbals with the frequency tunable De-Esser.
The Enhancer provides both HF Detail and LF Detail controls that can add sparkle and crispness to vocals, while making adjustments to the low frequencies for adding fullness and depth to vocals and bass instruments. Muddy low midrange frequencies can be cleaned and the separate threshold and ratio controls on the Expander/Gate allow for subtly reducing headphone leakage, or radically gate noisy guitar amplifiers.
The channel strip provides a full complement of metering and status LEDs. The XLR microphone input accepts balanced or unbalanced inputs, allowing for easily connecting professional or home studio microphones. The 1/4" TRS line input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mix-down, while an insert jack provides access to the signal flow between the preamp and the processing sections for connection to external processors.
Auray SSM-BC10 Microphone Suspension Shockmount (Black Matte)
The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.
The shockmount is equipped with a standard 5/8"-27 threaded socket and fits most mic stands and broadcast arms. Its locking knob and protective inner ring secure your mic in place while protecting its finish. The swiveling basket allows for precise microphone placement.
Swiveling Basket with Tension Knobs
Locking Knob with Inner Ring
Heavy-Duty Elastic Bands
Black Matte Finish
For Front-Address Microphones
Auray WCF-UB440 Foam Windscreen for Large Diaphragm Condenser Mics
The Auray WCF-UB440 Foam Windscreen for the Senal UB-440 is made from specialty acoustic foam designed to reduce broadband wind noise with minimal high frequency loss. The density of the foam is optimized to help protect the microphone element from vocal plosives and wind pressure without dramatically muffling the sound.
This windscreen is effective indoors for protection against drafts caused by air conditioners and can be used in calm to light outdoor breeze conditions (0 to 7 mph). It also reduces vocal plosives in close microphone placement situations. Users can generally expect a 4 to 8 dB reduction in wind noise, with very slight dampening of high frequencies. For most applications, the very slight high frequency dampening is a worthwhile exchange for the notable wind noise reduction.
The WCF-UB440's foam is hypoallergenic and washable and helps prevent moisture and dirt from damaging your microphone. The windscreen has a height of 3.5" and is designed to fit over the Senal UB-440 as well as mics from AKG, Shure, Neumann, Mi-Tek, MXL, Behringer, SE Electronic, Rode, and most other large diaphragm condensers with a grill diameter of larger than 2".
The WCF-UB440 Foam Windscreen for the Senal UB-440 is an effective solution for basic wind protection.
Fits these and other similar sized microphones:
Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.
The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.
The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.