The 286s from dbx is a full featured channel strip that includes a studio quality microphone/instrument preamplifier, and four processors that can be used independently or in any combination. The hassle of patching together multiple processors for use on one track can be frustrating. The unit delivers the entire microphone processing chain needed in a single box, with the shortest, cleanest signal path.
Features include wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. The dbx OverEasy compressor can transparently smooth out uneven acoustic tracks, or deliver the classic "in your face" vocal performance. Vocal sibilance can be tamed or even eliminated and high frequency distortion removed from instruments such as cymbals with the frequency tunable De-Esser.
The Enhancer provides both HF Detail and LF Detail controls that can add sparkle and crispness to vocals, while making adjustments to the low frequencies for adding fullness and depth to vocals and bass instruments. Muddy low midrange frequencies can be cleaned and the separate threshold and ratio controls on the Expander/Gate allow for subtly reducing headphone leakage, or radically gate noisy guitar amplifiers.
The channel strip provides a full complement of metering and status LEDs. The XLR microphone input accepts balanced or unbalanced inputs, allowing for easily connecting professional or home studio microphones. The 1/4" TRS line input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mix-down, while an insert jack provides access to the signal flow between the preamp and the processing sections for connection to external processors.
The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.
The shockmount is equipped with a standard 5/8"-27 threaded socket and fits most mic stands and broadcast arms. Its locking knob and protective inner ring secure your mic in place while protecting its finish. The swiveling basket allows for precise microphone placement.
The black Auray WBF-BDM foam windscreen is tailored to fit most broadcast dynamic microphones with a 2" diameter such as the Rode PodMic and the Shure SM7B. It's a practical and simple solution that minimizes vocal plosive sounds of announcers and singers who work up close to the microphone.
In recording or podcast studios, it will also reduce noise from moving air produced by air conditioning, fans, or ventilation systems, up to 8 dB with only minimal high-frequency loss. The hypoallergenic and washable foam also shields your microphone from dust, debris, and moisture that can damage your microphone's capsule.
- Rode PodMic
- Electro-Voice RE20
- MXL BCD-1
- Shure SM7B
- Broadcast dynamic microphones with a 2" diameter
The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.
The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.
The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.
Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige)
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Electro-Voice RE20 Reviews
Lives Up To The Hype
If you're looking to upgrade for streaming or podcasting, don't overthink it and just get this mic, sound rejection is great, responsiveness is smooth and sounds great even before adding minimal EQing for some resonance. I've added the BSW RE-POP (black) as a pop filter and while expensive, it's worth it. Looking to add the HEIL PRSMB shock-mount instead of Electro-Voice's giant shock-mount to save space.
Great Mic, bad Kit
No one can dispute the RE20s quality, and I have no issue with it. The Broadcaster Kit package B&H spec'd out is different story. The included Auray boom and shock mount are terrible. The boom is incredibly stiff and difficult to position without two hands. I hadn't realized it initially, but it is identical to a generic boom I received for evaluation for free but that retails for about 35 dollars. I think Auray may have just contracted an mfg and paid them to slap an auray label on the cheapest boom they make. The shock mount is woefully under-built for the RE20. It's a big heavy mic, and the bands on the mount are not strong enough to secure it without it sagging to within a millimeter of the frame. I expect the mic will be resting on the metal frame in a few weeks as the bands begin to stretch. My advice, get the RE20, skip the B&H kit and instead spec your own. I have a Rode RODE PSA1 boom that is excellent, and the same price as the Auray.