ARRI ALEXA SXT Plus Camera Body (LDS PL)

ARRI ALEXA SXT Plus Camera Body (LDS PL)

ARRI ALEXA SXT Plus Camera Body (LDS PL)

B&H # ARK1.0006383 MFR # K1.0006383
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Product Highlights

  • 35mm ARRI ALEV III CMOS Sensor
  • 4K UHD 3840 x 2160 (Up-Sampled 3.2K)
  • Multiple 4/2.8/2.6/2K Anamorphic Modes
  • Built-In Remote Camera & Lens Control
  • 4 x Monitor Outs, 3 x RS/Accessory Ports
  • Integrated Tilt & Roll Sensors
  • Wide Color Gamut, Rec 2020 Compatibility
  • Array of ARRIRAW & ProRes Capture Modes
  • 5-358° Electronic Rolling Shutter
  • Internal ND Filter Holder
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  • 1Description

The most versatile of the ALEXA SXT digital cinema cameras, the ARRI ALEXA SXT Plus Camera Body (LDS PL) features built-in, wireless camera and lens control, tilt and roll sensors, a fourth monitor-out port, and a third RS/accessory connector. Wireless lens and camera control is increasingly popular, and the SXT Plus saves time on set by enabling you to plug lens motors directly into the camera, no motor control box is needed.

The SXT Plus is compatible with ARRI controllers like the WCU-4, as well as with the cmotion hand units. The integrated wireless control also eliminates the weight of a motor controller from your camera rig. The built-in tilt and roll sensors are viewed as an electronic horizon in the EVF by the operator, and the information is stored in your recording metadata for VFX and shot-matching uses.

Record in UHD 4K, Cine 4K, 2K, or HD with 16-bit processing for sharp, natural-looking images. The ALEXA SXT Plus provides an array of recording format choices in ARRIRAW and ProRes including 6:5 and 8:9 anamorphic modes (with SUP 3.0). With a base sensitivity of EI 800, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. The ALEXA SXT Plus' Wide Color Gamut exceeds current display standards, and is compatible with the Rec 2020 color space. Full-image frame rates up to 120 fps enable capture for higher-clarity HFR (High Frame Rate) projects.

The ALEXA SXT Plus' improved image-processing system includes the ability to "bake-in" 3D LUTs at capture, a mild noise reduction feature (ANR), and a pixel correction function. ARRIRAW recording is optimized for VFX and archival capture, with uncompressed data available for sculpting with today and tomorrow's latest post-production processing. The look management architecture has been updated with the new ARRI Color Tool (ACT) and ARRI Look File (ALF-2), offering the ability to maintain your look from prep to post with on-set grading. Look files are stored in your recordings' metadata, enabling the automatic application of your on-set look to dailies, proxies, and editing files using popular NLE systems.

User-friendly features include the ability to apply customized settings to each of the ALEXA SXT Plus' outputs (EVF and four monitor outs), enabling the director, DP, DIT, or AC to see just the on-screen information they need, in SDR or HDR, in the color space of their choice. Standard and high-speed recording rates are now accessible in the same mode, eliminating the need to switch to a high-speed mode.

The modular ALEXA SXT family includes the flexibility of recording to the current or future media of your choice for each of your projects. Capture options include XR and SXR Capture Drives with write speeds up to 20 Gb/s, SxS PRO and SxS PRO+ cards, and CFast 2.0 cards. Faster in-camera processing speeds, and capture to SXR drives boost the ALEXA SXT Plus' maximum frame rates. RAID 1 (mirroring) capture provides additional data security for ALEXA SXT ProRes files.

The ARRI LDS (lens data system), the IFM-1 filter holder, shoulder mount, and 15mm LWS rod support are built into the ALEXA SXT Plus. A 5-pin XLR connector supports 2-channel, 24-bit, 48 kHz audio. Choose from separately available Gold or V-mount battery plates, or an AC power supply to power the camera.

Note: An EVF, ND filters, and recording media adapter are not included with the SXT Plus body, and must be ordered separately.

Excellent Image Quality & High Dynamic Range
  • The ALEXA SXT family combines the powerful image processing of the ALEXA 65 with the familiar design of the original ALEXA user interface, producing sharp, natural-looking footage.
  • A base sensitivity of EI 800 with a dynamic range of 14 plus stops effectively future-proofs your output for compatibility with HDR displays.
  • The ALEXA SXT records in a WCG (Wide Color Gamut) exceeding current displays, and compatible with the Rec 2020 color space.
  • Record up to 120 fps for compatibility with HFR (High Frame Rate) display outputs.
SXT Plus Features
  • Wireless or wired remote lens and camera control
  • Plug-and-play with ARRI Electronic Control System (ECS)
  • Compatible with cmotion cvolution lens control systems
  • Integrated tilt and roll sensors with an EVF-viewable horizon, and stored position metadata
  • Additional (fourth) monitor output (1.5G HD-SDI), and third RS accessory port
Wide Array of Recording Formats
  • Choose from 14 in-camera recording formats, all of which are available in both full-fledged ARRIRAW, and smaller file ProRes options.
  • Format options include 16:9 ProRes 4K UHD, Open Gate ProRes 4K Cine, economical 6:5 ProRes 2K Anamorphic and 6:5 ProRes 4K Cine Anamorphic, the VFX-friendly 4:3 ProRes 2.8K, the high-res Open Gate ProRes 3.4K, and the versatile 16:9 ARRIRAW 3.2K.
Anamorphic Solutions
  • The ALEXA's tall sensor is sized almost the same as 35mm film, enabling anamorphic lenses to maintain their native fields of view.
  • The ALEXA SXT'S efficient 6:5 sensor mode is equivalent to 1.194:1 image area, the same as half of the classic 2.39:1 CinemaScope aspect ratio. Use this mode to capture only the image area needed for a 2.39 output, with higher frame rates, higher ProRes resolutions, and fewer steps in post than the earlier 4:3 mode.
  • ALF-2 files are stored in your recording's metadata, enabling your dailies and proxy editing files to display the same look as your master files. Supported systems include DaVinci Resolve, Colorfront OSD, Codex Production Suite, Pomfort Silverstack, and Filmlight Daylight.
Consistent Look Management
  • A new ARRI Color Tool (ACT) and ARRI Look File (ALF-2) enable you to create new looks in-camera. For easy multicamera coordination, these looks are compatible with ALEXA Mini and AMIRA cameras.
  • Lock in your look on set with the ALEXA SXT's live, on-set grading in Rec 709 or Rec 2020. Compatible third-party systems include Pomfort LiveGrade, Codex Live, Colorfront On-Set Live, Filmlight Prelight, Technicolor DP Lights, and more.
  • The same look management can be automatically applied when using NLE systems such as Avid Media Composer, Apple Final Cut Pro X, and Adobe Premiere Pro.
Features
  • Use with the adapter of your choice to record to SxS PRO or SxS PRO+ cards, CFast 2.0 cards, XR or SXR Capture Drives
  • Multiple control options including Ethernet-based browser control, and compatibility with the optional RCU-4 and WCU-4 control units
  • The built-in IFM-1 filter holder accepts one of eight separately available ND filters
  • Use with separately available Gold or V-mount battery plates
  • Integrated shoulder arch, and 15mm LWS rod support
In the Box
ARRI ALEXA SXT Plus Camera Body (LDS PL)
  • LDS PL Lens Mount
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description
    Image Sensor
    Image Sensor Size Super35
    Sensor Type CMOS
    Sensor Resolution Not Specified by Manufacturer
    Color Filter Bayer
    Shutter Type Not Specified by Manufacturer
    ISO 160 to 3200
    Advertised Dynamic Range 14 Stops
    Camera
    Lens Mount PL Mount
    Lens Communication Yes, ARRI LDS
    Shutter Angle 5 to 358
    Built-In ND Filter None
    Built-In Microphone Type Not Specified by Manufacturer
    Recording Media None
    Internal Recording
    Raw Recording ARRIRAW:
    3168 x 1782 
    2880 x 1620 
    2578 x 2160 
    2880 x 2160 
    3424 x 2202 
    Recording Modes ProRes 422 4:2:2:
    1920 x 1080p 
    2048 x 1152p 
    3200 x 1800p 
    3840 x 2160p 
    2048 x 858p 
    4096 x 1716p 
    2880 x 2160p 
    3424 x 2202p 
    4096 x 2636p 
    ProRes 4444 4:4:4:
    1920 x 1080p 
    2048 x 1152p 
    3200 x 1800p 
    3840 x 2160p 
    2048 x 858p 
    4096 x 1716p 
    2880 x 2160p 
    3424 x 2202p 
    4096 x 2636p 
    ProRes 4444XQ 4:4:4:
    1920 x 1080p 
    2048 x 1152p 
    3200 x 1800p 
    3840 x 2160p 
    2048 x 858p 
    4096 x 1716p 
    2880 x 2160p 
    3424 x 2202p 
    4096 x 2636p 
    ProRes 422HQ 4:2:2:
    1920 x 1080p 
    2048 x 1152p 
    3200 x 1800p 
    3840 x 2160p 
    2048 x 858p 
    4096 x 1716p 
    2880 x 2160p 
    3424 x 2202p 
    4096 x 2636p 
    Gamma Curve Log C, Rec709
    Interfacesrdrqddzezfysbzwyfbtrxb
    Video Connectors 4 x BNC (HD-SDI) Monitor Output
    1 x BNC (HD-SDI) Input
    Audio Connectors 1 x 5-Pin XLR Line Level Input
    1 x 1/8" (3.5 mm) Stereo Headphone Output
    Other I/O 1 x 16-Pin LEMO 
    1 x 16-Pin LEMO Monitor Output
    2 x 5-Pin Fischer Control 
    1 x 10-Pin LEMO LAN 
    3 x 3-Pin Fischer Control Input/Output
    1 x 5-Pin Fischer Data 
    1 x 12-Pin Fischer Control 
    1 x 5-Pin LEMO Timecode Input/Output
    Display
    Display Type LCD
    Screen Size 3"
    Screen Resolution 400 x 240
    Power
    Power Connectors 1 x Barrel (12 VDC at2.2 A) Input
    Environmental
    Operating Temperature -4 to 113°F / -20 to 45°C
    Operating Humidity 95%
    General
    Accessory Mount Not Specified by Manufacturer
    Tripod Mounting Thread Not Specified by Manufacturer
    Dimensions 13 x 7.4 x 6.2" / 331 x 189 x 157.8 mm
    Weight 15.2 lb / 6.9 kg
    Packaging Info
    Package Weight 19.35 lb
    Box Dimensions (LxWxH) 17.8 x 11.9 x 11.9"
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