Panasonic Leica DG Elmarit 200mm f/2.8 POWER O.I.S. Lens

BH #PA20028LDG • MFR #H-ES200
Panasonic Leica DG Elmarit 200mm f/2.8 POWER O.I.S. Lens
Key Features
  • Micro Four Thirds System
  • 400mm (35mm Equivalent)
  • Aperture Range: f/2.8 to f/22
  • Two Ultra Extra-Low Dispersion Elements
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A big lens for the Micro Four Thirds system, the Leica DG Elmarit 200mm f/2.8 POWER O.I.S. Lens from Panasonic is a 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling. With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. Ensuring optimal image quality, the design incorporates two Ultra Extra-Low Dispersion (UED) elements that combat aberrations while a Nano Surface Coating is applied to minimize flare.
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Panasonic Leica DG Elmarit 200mm f/2.8 Overview

A big lens for the Micro Four Thirds system, the Leica DG Elmarit 200mm f/2.8 POWER O.I.S. Lens from Panasonic is a 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling. With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. Ensuring optimal image quality, the design incorporates two Ultra Extra-Low Dispersion (UED) elements that combat aberrations while a Nano Surface Coating is applied to minimize flare.

Optimized for the capture of distant and fast-moving subject matter, this lens is equipped with a quiet triple linear motor autofocus system that has a 240 fps sensor drive for exceptionally fast performance in both stills and video. Also, a POWER Optical Image Stabilizer will compensate for camera shake and works with Panasonic's Dual I.S. and Dual I.S. 2.0 in-camera stabilization functions. Along with this, quick access lens controls, including a focus limiter, focus button, and focus memory switch, are available for tactile control over numerous settings.

Further benefitting the professional nature of this optic is a splash, dust, and freezeproof design for use in less-than-ideal weather conditions. It is compatible with teleconverters for added reach and the DMW-TC14 1.4x Teleconverter is included for creating a 560mm-equivalent lens at the cost of one stop of light.

With a 400mm equivalent focal length on Micro Four Thirds cameras, this telephoto prime is well suited to working with distant subject matter.
A fast f/2.8 maximum aperture excels when working in difficult lighting conditions and provides extensive control over depth of field.
Two ultra extra-low dispersion elements minimize various aberrations in order to produce a high degree of clarity, sharpness, and color accuracy.
Nano Surface Coating has been applied to individual elements to reduce flare and ghosting for improved contrast and color neutrality.
A triple linear motor autofocus system delivers smooth, near-silent performance that is especially beneficial to video applications when working in noise-sensitive areas. It is also able to drive the motor at up to 240 fps for high-speed applications and is silent for use in video.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. and Dual I.S. 2.0 functions for increased stabilization performance.
Physical controls located on the lens barrel provide quick access to many commonly adjusted settings. This includes a focus control limiter for changing from full-range focusing or 9.8' to infinity for faster operation in some circumstances. Also, there is a focus button and a focus memory switch that can be set up to store focus position or to recall a specific camera function. In addition to these more unique controls, there is an AF/MF switch and a POWER O.I.S. on/off switch.
Splash, dust, and freezeproof design benefits working in inclement weather conditions down to -14°F.
A quick-shift, two-part rotating tripod collar permits quick switching between horizontal and vertical shooting orientations, and keeps the lens controls in the same place once rotated for more intuitive handling.
The lens comes supplied with a 1.4x teleconverter, providing users with a 560mm-equivalent focal length at a cost of 1 stop of light. For even more reach, an optional 2x teleconverter is available for an 800mm-equivalent focal length.
UPC: 885170327849

Panasonic Leica DG Elmarit 200mm f/2.8 Specs

Focal Length200mm (35mm Equivalent Focal Length: 400mm)
Maximum Aperturef/2.8
Minimum Aperturef/22
Lens MountMicro Four Thirds
Format CompatibilityMicro Four Thirds
Angle of View6.2°
Minimum Focus Distance3.77' / 1.15 m
Maximum Magnification0.2x
Optical Design15 Elements in 13 Groups
Diaphragm Blades9, Rounded
Focus TypeAutofocus
Image StabilizationYes
Tripod CollarRemovable and Rotating
Filter Size77 mm (Front)
Dimensions (ø x L)3.44 x 6.85" / 87.5 x 174 mm
Weight43.92 oz / 1245 g
Packaging Info
Package Weight4.72 lb
Box Dimensions (LxWxH)14.75 x 6.3 x 6.3"
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Are there compatible and shorter lens hoods?

Are there compatible and shorter lens hoods?
Asked by: Raphaël
No, there is only 1 type of hood for this lens.
Answered by: Rob
Date published: 2021-01-19

Is the TC fully compatible with Olympus EM5 Mark ...

Is the TC fully compatible with Olympus EM5 Mark II?
Asked by: Paul
The Panasonic DMW-TC14 1.4x Teleconverter included with the Panasonic Leica DG Elmarit 200mm f/2.8 POWER O.I.S. Lens would be fully compatible for use on the Olympus OM-D E-M5 Mark II Mirrorless Micro Four Thirds Digital Camera.
Answered by: Manzell
Date published: 2020-12-27

Is the 1.4 TC included in the box?

Is the 1.4 TC included in the box?
Asked by: Ann
Yes, the Panasonic DMW-TC14 1.4X Teleconverter is included with the lens.
Answered by: Kirk
Date published: 2020-01-13

question

Does the image stabilization work as well on the Olympus cameras?
Asked by: Clyde
I normally use this lens with the Pana G9 but I did try it with the Oly Pen F and it works well. I think its better on the G9 (dual stabilization) but not by that much. On the Oly's you have a choice of lens OIS, or IBIS if the lens OIS is disabled. Either works well. The two will not work together as they do on a Panasonic body. Its a great lens, I would not let a very small stabilization penalty preclude use with an Oly body.For your info, there is an Oly firmware update dealing with use of the 200f2.8 lens. I have no idea what the issue for Oly was but I recall the needed update was anticipated even before the 200f2.8 was distributed.
Answered by: Randall E.
Date published: 2019-11-26

question

Can you mount the hood in reverse for transporting?
Asked by: Eduardo
The hood, like most other Panasonic-Leica lenses, slides onto the front and secures with a set screw. The hood can be reversed and tightened onto the lens for travel.
Answered by: Dennis A L.
Date published: 2018-08-27

question

In terms of image sharpness, would this lens be considered an upgrade of Olympus 300mm f/4 Pro?
Asked by: ZHOU Y.
Both of these lenses are superb; you cannot be anything but pleased with their image performance, handling and build quality. One review suggests better image quality numbers for the Olympus. However, numbers are not images and the difference, if there is any, I do not think actually impact image quality. The Panasonic has that f/2.8, while less a need than in film days, still helps stopping low light action. I think in terms of image sharpness, it is a tie. Go for the Panasonic if you need the f/2.8.
Answered by: Dennis A L.
Date published: 2020-11-22

question

Are caps for the TC included?
Asked by: Anonymous
Yes. It even has its own little bag.
Answered by: Ed C.
Date published: 2018-08-27

question

I just got this lens. The first thing I noticed is that it seems like the optical stabilization moves around when the camera is off (similar to how the IBIS sensors move when there is no power). When I power on the camera it goes away. Not sure if this is a defect or if it is part of the intentional design. Did anyone else encounter this?
Asked by: Ed C.
Original author here:I did find in the manual that there is a rattle that occurs when the camera is off (it's not a malfunction). It's just quite a bit louder than I expected.
Answered by: Ed C.
Date published: 2018-12-28
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