Bose T4S ToneMatch Mixer

Bose T4S ToneMatch Mixer

Bose T4S ToneMatch Mixer

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Bose T4S ToneMatch Mixer

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Product Highlights

  • Four High-Quality Preamps
  • Advanced Digital Signal Processing
  • Studio Quality Effects
  • Natural Sounding Vocals & Instruments
  • zEQ for Effective Adjustments On-The-Fly
  • Master Output EQ
  • Compatible with Bose L1 & F1 Systems
  • LED Display with Illuminated Controls
  • Dedicated Reverb on Aux 1 Send
  • Includes Magnetic Cover
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Channels: 4

4 8

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Price: $599.00

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Bose T4S ToneMatch overview

  • 1Description

The Bose T4S ToneMatch Mixer is a compact 4-channel digital mixer featuring a powerful DSP engine and an intuitive user interface, well suited for performers, bars, clubs, and more. The ToneMatch mixer is designed to interface with the Bose L1 or F1 sound system for full end-to-end tonal control.

The integrated ToneMatch processing and zEQ help you get a great sounding mix quickly and effectively. The Bose ToneMatch processor is natural sounding on vocals and instruments, while the zEQ focuses your tone for effective adjustments on-the-fly. The illuminated, tactile controls, and indicators offer quick, spontaneous sound adjustment, even on dark stages. Additionally, the ToneMatch system offers advanced features such as tap tempo delay, a built-in chromatic tuner, and recallable scenes to create a professional on-stage companion for any performing artists.

Each channel offers a trim knob, a channel edit button, an FX mute button, a volume knob, and a dedicated channel mute. The main output features a master volume control, an independent headphone volume control, and phantom power for working with condenser microphones. The Bose T4S ToneMatch Mixer ships with a magnetic cover and a ToneMatch cable.

  • Powerful Audio Processing
    • Updated, studio-quality effects with advanced digital audio processing
    • High-quality effects include compressor, limiter, de-esser, noise gate, chorus, flanger, phaser, tremolo, delay and reverb
    • Bose ToneMatch processing for natural-sounding vocals and instruments
    • zEQ focuses the sound of ToneMatch presets for effective adjustments on the fly
    • Independent ToneMatch, EQ, dynamics, and effects per channel
    • Dedicated reverb on Aux 1 send, and a global shared reverb for use across all channels
    • Master output EQ helps compensate for venue acoustics
    • Full end-to-end tonal optimization when used with Bose L1 and F1 systems
  • High-Density Connectivity
    • Remarkable connectivity and control in a small digital stereo mixer
    • Four high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power
    • Two Aux sends, and two Aux inputs for additional sources
    • Balanced 1/4" TRS stereo outputs
    • USB-A and -B for USB drive playback or PC/Mac interfacing
    • Independent headphone output
  • Seamless Live Control
    • Tactile controls and indicators designed for live, on-stage use
    • Fast-learning user interface
    • Built-in tap tempo delay, chromatic tuner, and recallable scenes
    • LED display and illuminated controls are easy to read and use, even on dimly-lit stages
  • Convenient Gig-Ready Features
    • Rugged enclosure with a protective magnetic cover to protect controls and connectors
    • Bottom insert allows you to use standard mounting accessories to keep your T8S within reach
    • Includes a ToneMatch cable for connecting to a Bose L1 Model II or L1 Model 1S system for digital audio and power
UPC: 017817770910
In the Box
Bose T4S ToneMatch Mixer
  • Cover
  • ToneMatch Cable
  • Limited 2-Year Warranty
  • Table of Contents
    • 1Description

    Bose T4S ToneMatch specs

    Inputs 4 x combo XLR-1/4" / 6.35 mm
    Aux: 2 x 1/4" / 6.35 mm
    Outputs Main Output:
    2 x balanced 1/4" / 6.35 mm TRS
    Aux Send: 2 x 1/4" / 6.35 mm
    Headphone: 1 x 1/4" / 6.35 mm (minimum impedance of 24 Ohms)
    USB Ports 1 x Type-A
    1 x Type-B
    Dimensions (H x W x D) 3.3 x 7.3 x 8.4" / 82.6 x 184.2 x 213.4 mm
    Weight 2.1 lb / 1.0 kg
    Packaging Info
    Package Weight 4.55 lb
    Box Dimensions (LxWxH) 10.0 x 10.0 x 7.0"

    Bose T4S ToneMatch reviews

    T4S ToneMatch Mixer is rated 4.8 out of 5 by 4.
    Rated 5 out of 5 by from Best of the Best As the CEO of the Boomerang Loop pedal company, I have very high standards for sound quality. The ToneMatch is unparalleled. No other mixer comes close to what the ToneMatch offers in size, ease of use and most importantly sound quality. BEST pre-amps I've ever heard. It's far more than just a mixer.
    Date published: 2018-01-29
    Rated 5 out of 5 by from Obvious Pre-Amp and Effect Upgrades. This thing is an absolute monster for a little mixer. Running it on the L1 Model 2 with great ease. Sounds good to me.
    Date published: 2018-08-16
    Rated 5 out of 5 by from Tone Match cabinet simulation for ampless guitar My problem as a guitarist is how to carry less gear (no amp) and produce a sound that will still have that super clean sonic characteristic similar to my mesa, replate, or two-rock, amps. I use a TC Electronic Nova System for all my pedal needs (it is a monster plus Pete Thorn uses it). The Nova can go directly into the ToneMatch as long as I dial in a ToneMatch sound simulation built into the tonematch. (there are some great varieties to color the sonic possibilities (such as: Miked Amp w SM-57)). The tone was gig-worthy but a bit sterile. (no tubes in the chain) The final component, an Effectrode Blackbird pre-amp pedal with a 600 ohm direct out (dead silent). The Blackbird provided the missing piece. With a 3 tube preamp design in a medium-small pedal, it's provides an astounding tube warmth. Guitar-Nova System-Effectrode Blackbird-Bose ToneMatch-L1 Model II with B2. Plus much easier to pack to gigs. My band switched from a pro-grade JBL SRX PA with QSC amps to two (2) L1 Model 2 with B2 bass sub units.
    Date published: 2018-06-21
    Rated 4 out of 5 by from Great could have been the ultimate... Great piece of kit that could have wiped the floor with everything else - but fundamental user needs have been forgotten in the pursuit of sonic excellence - without the ergonomics. Channels 5/6 are the audio inputs - and there is no volume control knob - volume is controlled by selecting the master selector knob and choosing Pan/Aux>selecting main>selecting 5/6 and then rotating a knob for each individual channel - not an overall option - but this is multi levels down in the menu. Working live on stage that is unsustainable. The excuse given is that most instruments or sound sources will have a volume control on them. That may be the case but THIS is the mixer - not the audio device. No option to select different reverb for each channel - it's still global - small, medium, large etc and then a varying degree for each channel. The lid cannot be used as an on-gig cover - only in transit. Currently the input level settings on channels 5/6 are extremely high compared to the T1. Input sensitivity on the mic channels is extremely high - had to reduce my mic output by 14db to be comfortable on the T4S - where it used to be plus 14db on the T1. No nylon cover supplied with it - so put up with it getting gig scratched. The new "photographic camera tripod" mounting option is frankly introducing clutter - it states in the manual "use a camera tripod and mount" - which will add another tripod on the stage. I'm still searching for a threaded mount option to put a bracket on my existing mic stand. Why couldn't they have put both? The hole for existing Bose mic stand brackets and the new thread for photographically inclined musicians? The new addition of a headphone socket - I'll never ever use. Please - in some firmware update - route volume control for 5/6 through pot 4 as an option. Yeah I know it can't but..... I will be using the T4S with two L1 MKll and 2 B2's and as I don't use 4 mics I'll run with two extra leads; 1. Stereo mini jack to a single XLR - pin 1 hot taking left and right which I'll plug into channel 4 and use as a music control pot. If running stereo I'll go stereo mini jack to two XLR's and use 3 and 4 for the same. Any sudden outbursts I can mute both channels. As usual - sonically - beautiful together with a Shure Beta 87A and QLXD pack - using the presets. Love it - but not enough to sell my T1 - which is sooo much easier to configure and will remain my workhorse. The T4S will be the weapon of choice when running twin L1 stacks tho.
    Date published: 2018-05-24
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