Updating a classic for today's imaging standards, this Nokton 50mm f/1.2 Aspherical from Voigtlander is a fast normal-length lens for full-frame Sony E-mount mirrorless cameras. Distinguished by its bright f/1.2 maximum aperture, this lens excels in low-light conditions and also offers enhanced control over depth of field. The advanced optical design incorporates a pair of aspherical elements and one partial dispersion elements, which, together, help to suppress both spherical and chromatic aberrations for greater sharpness, clarity, and color rendering. The lens's manual focus design permits working with subjects as close as 1.5' away, and a Selective Aperture Control System allows you to de-click the manual aperture ring for smooth, silent exposure adjustment to suit filmmaking applications. Additionally, a 12-blade diaphragm contributes to a pleasing bokeh quality.
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.2 to f/22
- Two Aspherical Elements
- One Partial Dispersion Element
Voigtlander 50mm f/1.2 Nokton Aspherical Overview
Voigtlander 50mm f/1.2 Nokton Aspherical Specs
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Voigtlander 50mm f/1.2 Nokton Aspherical Reviews
Fantastic lens
It takes a bit of practice to get the focus down right since it's manual (even the focus peaking on the Sony doesn't always get it right) but when you get it right, the images are pretty good.
A great balance of speed, ergonomics, and rendering!
This lens performs very well, even below f/1.7. Chromatic aberration is not negligible full open, but that is of course easily correctable (if you care more about CA than speed, check out the 50mm f/2 APO-Lanthar of course). It renders a rather dreamy image at f/1.2 but stopped down to something actually sane gets great results thanks to the aspherical design. This is prime portrait glass material, the rendering is reminiscent of my favorite Nikkors but with vastly smoother and more modern ergonomics (though I do miss heptagonal/hexagonal bokeh!). My only complaint about the 40mm & 50mm Noktons is that they are a little chunky for me in the hand, compared to the 35mm f/2 APO-Lanthar, but that I assume is simply the price of speed. They're all quite a bit smaller than the 65mm APO-Lanthar and a lot of modern fast lenses, so it's barely a complaint. My primary use case is for interior fixed-angle video for multi-cam recording. Having this kind of speed when you need it can absolutely save a dark or poorly lit shot in terms of cutting back ISO when you have no other options! Some example shots straight out the camera (no correction) below, f/1.2 to f/1.6.
