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MOTU M4 Home Vocal Recording Kit

BH #MAM4VRBK (B&H Kit)
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MOTU M4 Home Vocal Recording Kit
Key Features
  • MOTU M4 Desktop 4x4 Audio/MIDI Interface
  • AKG C214 Large-Diaphragm Condenser Mic
  • Closed-Back Studio Headphones
  • Mic Stand, Pop Filter, and XLR Cable
Assembled to create a cost-saving bundle for high-quality vocal and instrument recording on your Mac or Windows computer, this B&H Kit includes the MOTU M4 desktop 4x4 USB Type-C audio/MIDI interface, an AKG C214 large-diaphragm condenser mic, closed-back studio headphones, a mic stand, a pop filter, and an XLR microphone cable. With convenient bus powering, high-performance AD/DA conversion, and an included software pack, this kit is ideal for songwriters, singers, podcasters, and producers.
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Kit Contains:

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Assembled to create a cost-saving bundle for high-quality vocal and instrument recording on your Mac or Windows computer, this B&H Kit includes the MOTU M4 desktop 4x4 USB Type-C audio/MIDI interface, an AKG C214 large-diaphragm condenser mic, closed-back studio headphones, a mic stand, a pop filter, and an XLR microphone cable. With convenient bus powering, high-performance AD/DA conversion, and an included software pack, this kit is ideal for songwriters, singers, podcasters, and producers.

MOTU M4 USB-C Audio-MIDI Interface

Pristine, versatile, and portable, the MOTU M4 desktop 4x4 USB-C audio-MIDI interface combines high-class audio performance, a robust bundle of DAWs, virtual instruments, loops, and samples, and a feature set that makes it equally powerful and user-friendly for musicians, podcasters, and producers, all at a highly affordable price point.

With its two front-panel mic/line/instrument preamps and two rear-panel line inputs, the M4 can record anything from dynamic and condenser microphones to electric guitars and drum machines in distortion-free, sparkling clarity. Equipped with top-notch ESS digital-to-analog converters that drive the main outs and the headphone jack, the M4 lets you monitor through your speakers and headphones with the dynamic range normally found only on much more expensive interfaces.

Use the M4's digital loopback channels to easily route audio from your computer directly into your host software—record remote podcast guests from Skype or any other VoIP software without incurring horrible feedback, or livestream a mix of live inputs and the computer's output.

The M4 is equally suitable for producers, thanks to its MIDI 5-pin I/O. Plug in a MIDI keyboard to control virtual instruments such as the selection of over 100 VIs included with the M4. Or, run MIDI from the M4 to your favorite hardware synth to capture its glorious tones through the M4's pristine analog preamps.

No matter what you do, the M4's specially engineered drivers ensure ultralow-latency monitoring so you can rehearse and record in real time without hearing any distracting echo, and the full-color LCD screen shows you high-resolution metering for all inputs and outputs at all times. Take the M4 anywhere you need to work; it is bus-powered and compatible with Mac/Windows computers and iOS mobile devices.

Professional-Level Audio Quality
Equipped with the same ESS Sabre32 Ultra DAC technology found in audio interfaces the pros use, the M4 delivers 120 dB of dynamic range on its main outputs. ESS converters also drive the headphone output. Ultraclean preamp circuits produce a measured -129 dBu EIN on the mic inputs; this means while recording, you'll only hear the mic, not the mic pre.
Mirrored Monitoring
The M4 has balanced 1/4" outputs for professional-level monitoring, and also features mirrored RCA outputs for feeding receivers and other unbalanced gear. With a 1/4" headphone output, you can also monitor your work privately.
Loopback Channels for Podcast Recording and Live Streaming
The M4's included driver provides convenient loopback channels to your host computer, so you can easily capture your computer's output. Combine computer audio with live mics while recording in your DAW, allowing you to capture guests over Skype or other VoIP programs. You can also use the loopback function while streaming live to sites like Twitch.
Line Inputs and Line Outputs
In addition to the monitor outputs, the M4 offers two 1/4" line outputs and two mirrored RCA line outputs. Use these outputs to feed outboard gear such as compressors, equalizers, stereo-width processors, or whatever else you have in your arsenal. Route audio to channels 3-4, through your favorite hardware pieces, and then back into the two 1/4" line inputs. This makes the unit suitable for hybrid mix engineers.
Low Latency
The M4 provides ultralow latency for monitoring live inputs through your computer, thanks to MOTU's expertly engineered USB drivers. These deliver 2.5 ms of round-trip latency, measured with a 32-sample buffer at 96 kHz.
Hardware Monitoring and Input Mix Knob
The M4 gives you one-touch hardware monitoring for all inputs, including line inputs 3-4. You'll also note the mix knob for balancing live inputs with computer playback; this lets you secure your perfect monitor mix, so you can hear your playing without latency, as well as any playback tracks, all at the same time.
Integrates with MIDI Gear and Analog Synths
The M4 includes traditional 5-pin MIDI input and output ports, so you can connect a MIDI controller, a sound module, or even a keyboard workstation without having to get a separate MIDI interface. The four 1/4" outputs on the M4 are DC-coupled, allowing you to send MIDI data from your DAW as CV to hardware analog synthesizers, Eurorack modules, and sequencers.
Audio Interface or Standalone Operation
The unit is bus-powered over USB for optimal portability and convenience. It includes a USB-C to Type-A cable for compatibility with most computers. If your computer has USB-C ports, simply use a USB-C cable (available separately) to connect the two.

Alternatively, by using a USB-C power adapter, the M4 can be used as a standalone preamp and basic mixer, no host computer required. Simply engage the monitor button for each input (and 48V phantom power, if needed), and adjust the preamp gain. Connect the main outs to any line-level destination, such as a PA or patch bay.
Software Included
The M4 includes Ableton Live Lite and MOTU Performer Lite, popular and capable DAWs geared for music recording and production. Also included are over 100 instruments for Performer Lite, as well as 6GB of loops, sounds, and one-shot samples for either DAW.
Key Features at a Glance
  • USB-C audio interface with professional-level sound, four inputs, and four outputs
  • Easy-to-read metering for all inputs/outputs, with a full-color LCD
  • Two XLR-1/4" mic/line/Hi-Z guitar inputs and two balanced 1/4" line inputs
  • Individual preamp gain and 48V phantom power for each input
  • Four balanced, DC-coupled 1/4" TRS outputs for feeding monitors, outboard gear, or even hardware synthesizers and sequencers
  • Four mirrored RCA unbalanced outputs
  • One stereo headphone output, driven by ESS converters, with independent volume control
  • Supports resolutions up to 24-bit / 192 kHz
  • USB audio class compliant for plug-and-play operation on Mac or iOS (driver required for Windows)
  • Driver loopback for capturing host output, live streaming, and podcasting
  • MIDI I/O on 5-pin DIN jacks
  • Rugged metal construction
  • Kensington security slot
UPC: 839128006126
AKG C214 Large-Diaphragm Cardioid Condenser Microphone

The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.

With the additions of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shockmount.

 

Sonic Character of the C414
AKG's legendary C414 needs no introduction as it is a tool found in most recording studios and has been used on thousands of hit records. Plus, it has been on stage withartists of every musical genre and is also used by leading broadcast facilities the world over.

The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
Low Noise and High Dynamic Range
The C214 has AKG's legendary large-diaphragm sound and is capable of incredible 143 dB dynamic range for uncompressed, life-like transients while delivering low self-noise of 13 dBA. The C214's edge-terminated capsule delivers a highly detailed, up-front sound that brings out nuances of any voice or instrument.
Pad and Low-Cut Filter
Thanks to its switchable -20 dB attenuation pad and 160 Hz low-cut filter, the C214 can be used in sound fields as high as 156 dB SPL. So, it can be used on stage for close-up miking for even very loud applications like drum overheads, guitar amps, or high-output brass.
Integrated Suspension
The C214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. The double mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting acoustical performance.
Rugged Construction
The C214 has a roadworthy construction quality with a scratch-resistant finish, a dent-resistant metal grille, and a gold-plated XLR output.
Features at a Glance
  • Cost-effective alternative to the C414 family
  • Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design
  • Cardioid polar pattern reduces pickup of stage bleed and room ambience
  • 143 dB dynamic range (pad on)
  • 156 dB maximum SPL (pad on)
  • Switchable -20 dB pad and 160 Hz low-cut filter
  • Integrated capsule suspension to reduce mechanical noise
  • Rugged double-mesh grille for RF immunity but unaffected acoustics
  • Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)
  • Spider-type shockmount and metal carrying case included
  • All-metal die-cast body with shock- and scratch-resistant finish
  • Designed, engineered, and built in Vienna, Austria
UPC: 885038021117
Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (15', Black)

The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (15') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.

Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

98% braided shield offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
UPC: 847628551183
512 AUDIO Microphone Pop Filter with Gooseneck C-Clamp

Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.

Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.

Cleaner Sound
By preventing intrusive pops and plosives caused by bursts of air from p, f, and s sounds, the 512-Pop delivers a clear sound while saving you the time and energy often spent removing such sounds in postproduction.
Enhanced Protection
The 512-Pop features a metal mesh filter that more effectively disperses pops and plosives from speech and vocals compared to ordinary nylon pop filters. With its flexible yet sturdy gooseneck, you'll easily find the perfect placement that reliably stays in place.
Easy Attachment
An adjustable swivel C-clamp ensures a solid grip and attaches securely to any mic stand, boom arm, or custom desk stand.
UPC: 850016400673
Shure SRH440A Closed-Back Over-Ear Studio Headphones

Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.

The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.

The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4" adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.

Ideal for home recording, studio monitoring, and DJ mixing
Foldable design for easy storage and transportation
Large 40mm neodymium dynamic drivers deliver enhanced frequency response from 10 Hz to 22 kHz for accurate audio across an extended range
Closed-back, circumaural design rests comfortably over the ears and reduces background noise
Impedance and power handling optimized for performance with professional audio devices
Adjustable headband and collapsible construction provide comfort and portability
Single-sided coiled cable provides a variable amount of slack and can be detached for easy replacement
Bayonet clip securely locks cable into earcup
Gold-plated 3.5mm TRS stereo mini plug with 1/4" adapter for wide compatibility with mobile devices, audio interfaces, DJ mixers, and more
Replaceable earpads ensure long product life
Carrying bag included
UPC: 042406552110
Auray MS-5230F Tripod Microphone Stand with Fixed Boom

The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

UPC: 847628015586
Pearstone USB-C 3.2 to USB-A Adapter (6")

This USB-C 3.2 to USB-A Adapter from Pearstone is designed for connecting USB-A peripherals and devices to your USB-C equipped system. Adhering to USB 3.2 Gen 2 standards, it can transfer data at speeds of up to 10 Gb/s, so you'll spend less time waiting around. Moreover, it supports up to 3A of power output, which lets you recharge your device via a computer or wall adapter. It's also EM and RF shielded to prevent interference from other nearby devices.

UPC: 847628041509
Kit Contains:

MOTU M4 USB-C Audio-MIDI Interface

Key Specs
Channels of I/O
Analog:
4 Inputs / 4 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2
Analog Audio I/O
2x Combo XLR-1/4" TRS Mic/Line/Hi-Z Input
2x 1/4" TRS Line Input
4x 1/4" TRS Line Output
1x 1/4" TRS Headphone Output
4x RCA Line Output
Digital Audio I/O
No
Host Connection
1x USB-C
Power Requirements
USB Bus Power
General
Display
1x Color LCD
Channels of I/O
Analog:
4 Inputs / 4 Outputs
Built-In DSP
No
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2
Built-In Microphone
No
Input Level Adjustment
2x Knob
Signal Processing
Pad
No
Gain/Trim Range
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
High-Pass Filter
No
Solo/Mute
No
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
4x 1/4" TRS Balanced Line Output
1x 1/4" TRS Unbalanced Headphone Output
4x RCA Unbalanced Line Output
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
No
Host Connection / USB
1x USB-C
Host Connection Protocol
USB 2.0
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
Expansion Slots
No
Wireless
No
Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Inputs:
20 Hz to 20 kHz ±0.07 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Maximum Input Level
Mic Inputs:
+10 dBu (Min Gain)
Line/Hi-Z Inputs:
+16 dBu (Min Gain)
Line Inputs:
+18 dBu (Min Gain)
Maximum Output Level
Line Outputs:
+16 dBu (Balanced)
Line Outputs:
+9.5 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Impedance
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Line Outputs:
100 Ohms
Hi-Z Inputs:
1 Megohm
Dynamic Range
Line/Hi-Z Inputs:
114 dBA
Line Inputs:
115 dBA
Mic Inputs:
115 dBA
RCA Outputs:
119 dBA
Headphone Outputs:
115 dBA
Line/Monitor Outputs:
120 dBA
THD+N
Mic Inputs:
< -97 dB / < 0.0014%
Line/Hi-Z Inputs:
< -100 dB / < 0.001%
Line Inputs:
< -106 dB / < 0.0005%
Line/Monitor Outputs:
< -110 dB / < 0.00032%
RCA Outputs:
< -105 dB / < 0.00056%
Headphone Outputs:
< -110 dB / < 0.0003%
EIN
Mic Inputs:
-129 dB A-Weighted (150-Ohm Source, Max Gain)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
No
Bit Depths
24-Bit
Latency
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
Internal
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.11 or Later / Windows 7 or Later / or Later
Processor Requirement
Mac:
1 GHz Intel
PC:
1 GHz Intel Pentium
RAM Requirements
2 GB, 4 GB Recommended
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Power
Power Requirements
USB Bus Power
Physical
Dimensions
8.25 x 4.25 x 1.75" / 20.96 x 10.79 x 4.45 cm (Chassis Only)
Weight
1.6 lb / 0.7 kg
Packaging Info
Package Weight
2.15 lb
Box Dimensions (LxWxH)
10.6 x 7.3 x 2.8"

MOTU M4 Reviews

Best interface and best service

By Jack
Rated 5 out of 5
Date: 2026-06-10

The MOTU M4 is the best recording interface in its price range. It has metal jacks and is the only box that has usable meters. B&H has the best price on this unit and the free, fast shipping can't be beat.

on time and as described

By Emek
Rated 5 out of 5
Date: 2025-04-08

Great! thank you very much!

See any errors on this page?

Can you actually record true 32 Bit Float through ...

Can you actually record true 32 Bit Float through this interface?
Asked by: Adam
No, the M4 does not offer 32-bit floating point recording.
Answered by: Lisa S
Date published: 2022-06-07

is it possible to listen to a microphone plugged ...

is it possible to listen to a microphone plugged into the left channel through both left and right sides of my headphones, or send one mic into both channels?
Asked by: STEVEN
It is possible to monitor channel one through both sides of your headphones with this interface. The Input Monitor Mix button will send a mono input to both channel outputs. As well, if monitoring from a DAW, a mono channel in the DAW will playback in both ears.
Answered by: Daniel
Date published: 2021-05-17

Is there a mobile app for controlling the ...

Is there a mobile app for controlling the monitoring mix like on FocusRite interfaces? Or is that available only on the higher end interfaces?
Asked by: Alan
No, a mobile control app is not available for use with the M4. MOTU does offer mobile apps for several of their larger, higher-end interface models.
Answered by: Lisa S
Date published: 2021-01-14

What's the round trip latency with 64 samples @ ...

What's the round trip latency with 64 samples @ 44.1kHz ?
Asked by: Walid
5.62358 ms RTL 64 samples @ 44.1 using Core Audio driver. 3.14583 ms RTL 64 samples @ 96 with Core Audio driver.
Answered by: Anonymous
Date published: 2020-12-15

Looking for an audio interface in the $200-$1k ...

Looking for an audio interface in the $200-$1k range that records in 32bit float, that works effectively on windows using FL Studio. Does this exist?
Asked by: Kevin
Yes, the MOTU M4 Desktop 4x4 USB Type-C Audio/MIDI Interface offers 32-bit float capabilities and is compatible for use with Windows as well as FL Studio.
Answered by: Matt Z
Date published: 2022-06-07

Can you send one microphone signal to both ...

Can you send one microphone signal to both channels at the same time?
Asked by: STEVEN
Yes, depending on your DAW software.
Answered by: Donald
Date published: 2021-07-22

Is this a half-rack size?

Is this a half-rack size?
Asked by: David
This interface is 8.25 inches wide, which is just a bit more than half-rack size.
Answered by: Steven M
Date published: 2020-06-26

Can I connect 4 XLR Mics to this interface?

Can I connect 4 XLR Mics to this interface?
Asked by: Oscar
This interface offers just two XLR microhone inputs.
Answered by: Mark S
Date published: 2021-12-15
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