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DPA Microphones ST2015 Compact Wide-Cardioid Condenser Microphone (Stereo Pair)

BH #DPST2015 • MFR #ST2015
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DPA Microphones ST2015 Compact Wide-Cardioid Condenser Microphone (Stereo Pair)
Key Features
  • 2 Instrument Mics for Live Applications
  • For Drum Overheads, Piano, Horns
  • Marimbas, Vibraphones, Large Instruments
  • Wide-Cardioid Pickup for Spacious Sound
The ST2015 from DPA provides sound engineers, producers, and musicians with a stereo pair of versatile wide-cardioid condenser microphones well suited for use on a variety of instruments and built to withstand the rigors of live stage performances. With its ability to handle SPLs up to 147 dB, the 2015 mic can be placed close to instruments when needed or further away to capture more ambient sound. The smooth, uniform wide-cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.
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DPA Microphones 2015 Overview

Two Overhead Mics for Ambient Pickup on the Live Stage
The ST2015 from DPA provides sound engineers, producers, and musicians with a stereo pair of versatile wide-cardioid condenser microphones well suited for use on a variety of instruments and built to withstand the rigors of live stage performances. With its ability to handle SPLs up to 147 dB, the 2015 mic can be placed close to instruments when needed or further away to capture more ambient sound. The smooth, uniform wide-cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.
A Wide-Cardioid Stereo Pair Ready for a Variety of Instruments
  • Equally at home in the orchestra pit, on a live stage, or in the studio, the 2015 is a versatile mic you can use to capture detailed, natural sound from a wide range of instruments, including grand pianos, horn groups, vibraphones, marimbas, xylophones, and other large instruments; it's also an excellent choice for drum overheads.
  • Recording with a stereo pair in an A/B or X/Y configuration provides many good mix options, especially for overhead, ambient, and ensemble recordings.
  • The stereo pairs for DPA's 2000 series pencil microphones are selected with ±1.5 dB sensitivity tolerance.
  • The microphone offers a linear frequency response when positioned about 11.8 inches from the source.
  • A flat on-axis frequency response with a light presence boost in the 5 to 15 kHz range provides faithful reproduction of instrumental performances.
  • The 17mm electret-condenser capsule delivers rich, expressive sound and can handle SPLs up to 147 dB and peak SPLs up to 153 dB with a 10% THD, allowing you to use it on loud sources.
  • The uniform wide-cardioid polar pattern provides 3 dB of attenuation at 90° and 6 dB of attenuation at 135°. This pattern ensures performance that is similar to an omnidirectional microphone from the front, but from the back, it exhibits performance similar to a cardioid mic.
  • The uniform off-axis response ensures that any bleed from other instruments is a truly accurate reflection of the original sound.
Durable, Performance-Ready Build Quality
  • Live performance stages can be difficult environments for equipment, especially for a go-to mic that you'll use on every show.
  • The 2015 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
  • The compact size makes it easier to optimally place the mics, even on cramped stages packed with equipment.
  • The included professional quality holders provide a firm grip to keep the mics in place; foam windscreens are also supplied.
  • Connect each mic's standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.

DPA Microphones 2015 Specs

Key Specs
Microphone Type
Small Diaphragm
Polar Pattern
Subcardioid/Wide Cardioid
Element Type
Electret Condenser
Controls
No
Frequency Response
40 Hz to 18 kHz (at 11.8 " / 30 cm)
Maximum SPL
147 dB (RMS 1% THD)
150 dB (Peak 1% THD)
150 dB (RMS 10% THD)
153 dB (Peak 10% THD)
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Small Diaphragm
Polar Pattern
Subcardioid/Wide Cardioid
Element Type
Electret Condenser
Sound Field
Stereo Pair / Dual-Mono
Diaphragm
0.7" / 17 mm
Orientation
End Address
Controls
No
Pad
No
Circuitry
Solid-State
Performance
Frequency Response
40 Hz to 18 kHz (at 11.8 " / 30 cm)
Maximum SPL
147 dB (RMS 1% THD)
150 dB (Peak 1% THD)
150 dB (RMS 10% THD)
153 dB (Peak 10% THD)
Dynamic Range
132 dB (Typical)
Equivalent Noise Level
18 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Power
Power Sources
Phantom Power
Operating Voltage
48 V
Physical
Color
Black
Mounting Thread Size
5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions
ø: 0.7 x L: 3.7" / ø: 19 x L: 94 mm
Weight
2.9 oz / 83 g
Packaging Info
Package Weight
1.29 lb
Box Dimensions (LxWxH)
10.4 x 6.2 x 2"

DPA Microphones 2015 Reviews

Gamechanger for OH mics

By Piotr
Rated 5 out of 5
Date: 2023-07-14

It's very simple. This microphone completely changes the perspective on distant miking. Thanks to its wide polar pattern, we can achieve a wonderful stereo image of the instrument by placing the microphones a little closer. As a result, bleed is minimal. The sound of this stereo pair, for example, on drum overheads, makes the drums sound like they're from a record! There's a colossal difference compared to large-diaphragm microphones. Yet, there's no issue with unpleasant transients and high frequencies. I don't know how DPA achieved it, but they did it!

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