Electro-Voice's Variable-D tonal response aides in combating the proximity effect as well as create an even tonal response at 180° of the capsule making it suitable for capturing a wide variety of vocal and instrument sources. Its neodymium capsule handles high SPL levels making it great at capturing transient signals from amplifier cabinets, percussion instruments, horns, loud vocals, and more.
In addition, the microphone features a kick drum curve switch, which automatically adjusts for the frequency response of kick drums. The RE320 ships with a hard case.
- Selecting the left-hand switch position engages a curve specifically designed for use on kick drums. With dips and peaks exactly where kick drums need a little EQ attention, the result is an incredibly tight "insta-kick" sound requiring little if any additional EQ when the microphone is properly positioned at the drum.
- Selecting the right-hand switch position engages a flatter, more linear curve designed to be ideal for other instruments (such as guitar amps, bass amps, low toms, percussion, brass and wind instruments etc.) as well as voice (music and speech) in many applications. The response is smooth, natural, and articulate with a minimum of discolored off-axis bleed from surrounding sound sources.
- Utilizing the same humbucking coil technology found in the RE20 and RE27N/D to arrest electro-magnetic field interference introduced from sources close to the microphone, the RE320 produces an ultraquiet signal path free from the hum and buzz found in other dynamic microphones.
- Electro-Voice’s exclusive solution to the tonal changes associated with the proximity effect found in other directional microphones. Providing balanced and uniform frequency response up to 180° off-axis, the result is always stable and linear tonal performance even when the sound source is moving around the mic.
- Use with noisy or low-gain preamps
- Use with mixers/preamps that negatively impact the sound at higher gain settings
- Use with low-output dynamic microphones and ribbons
- Mic softer sound sources such as acoustic instruments and voice
- Use for long cable runs
- Gives passive mics up to +25 dB additional active output
- Provides 2 distinct stages of clean gain
- Easy to use self-contained design requires only phantom power
- Recommended for use with all passive dynamic microphones
- Compatible with tube, battery, or power-supply-driven microphones
- Safe for all passive ribbons with no transfer of phantom
- Utilizes Patent Pending Class-A, discrete JFET circuitry
- Ideal impedance loading for optimal performance at 3 kilohms
- Rugged, road ready, and portable, for studio, stage, and broadcasting
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (10') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Presented here with a cable length of 3', this Warm Audio Pro Series XLR Cable is designed to provide a high-end connection between balanced gear with XLR jacks. If you care about the details of your sound onstage and in the studio but want to adhere to a wallet-friendly budget, use this cable to preserve the integrity of mic-level and line-level signal.
To guarantee optimal performance, Warm Audio partnered with renowned Swiss company Gotham AG to supply the core wiring of this cable. The XLR connections offer high-quality silver contacts to keep your signal pristine.
Electro-Voice RE320 Variable-D Dynamic Vocal and Instrument Microphone
| Microphone Type | |
| Polar Pattern | |
| Element Type | |
| Controls | |
| Frequency Response | |
| Analog Output | |
| Power Sources |
| Microphone Type | |
| Polar Pattern | |
| Element Type | |
| Sound Field | |
| Orientation | |
| Controls | |
| Pad | |
| Circuitry |
| Frequency Response | |
| Sensitivity |
| Analog Output Connector |
| Power Sources |
| Color | |
| Dimensions | |
| Weight |
| Package Weight | |
| Box Dimensions (LxWxH) |
Electro-Voice RE-320 Reviews
Amateur Radio Never Sounded So Good
I get unsolicited great audio reports every day. The combination of boom, microphone, and shock mount together are a very affordable package compared to similar offerings from amateur radio manufacturers. This bundle is a steal!
clean voice
This mic produces a clean voice for video editing voiceover. I can't imagine getting something for a better bang for my buck.
