A comprehensive and bright wide-angle zoom, the AF-S Zoom-NIKKOR 17-35mm f/2.8D IF-ED from Nikon is a versatile lens characterized by its constant f/2.8 maximum aperture and advanced design. The optical layout incorporates three aspherical elements and two extra-low dispersion elements, which greatly reduce distortion and aberrations for a high degree of sharpness, clarity, and accurate rendering. A Super Integrated Coating has also been applied to control flare and ghosting for greater contrast and color accuracy in harsh lighting and backlit conditions. Additionally, a Silent Wave Motor enables fast, near-silent autofocus performance, along with full-time manual focus override, to benefit both stills and video applications.
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical and Two ED Elements
- Super Integrated Coating
Nikon AF-S NIKKOR 17-35mm f/2.8D IF-ED Overview
Nikon AF-S NIKKOR 17-35mm f/2.8D IF-ED Specs
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Nikon AF-S NIKKOR 17-35mm f/2.8D IF-ED Reviews
Nikon AFS 17-35 a lens system
I got the 17-35mm f2.8 lens back in the F5 era. Even with newer lenses, this lens holds its place. Even though I've bought many lenses mostly from B&H this is the one that ends up on my camera most of the time. This is one of the few AFS lenses that have the classic f ring, thus sync with every camera from F to D850 to Z9 and remain AF! I love it! PROS1. The 17-35mm has lasted me years of hard use with one servicing.2. The 17-35mm is lighter and smaller than the 14-24mm.3. It takes a protective 77mm filter. In other words you do not have to worry about damage or losing a lens cap.4. The lens is less obtrusive, better for people pictures, than the 14 -24mm.5. At 35mm it focuses very close to 1/4X with nice bokeh. 6. It covers the normal range, so it is incredibly useful and fits into more systems than any other wide-angle zoom. It even performs well at the D800's 1.2x and APS crop settings where it becomes a virtual 42mm and 50mm; so skipping the 50mm, one can go straight to a 70/80-200 2.8, or 85mm f1.4, etc. This means less lenses and less weight to carry. You cannot really do this with the larger and vulnerable 14-24mm; you will need to carry 3 heavy zooms. The 14-24 leaves out 28 and 35mm, which are pretty important in any system, and who wants to switch lenses and lose the shot.7.At a constant f2.8, the17mm is just as hand-holdable as a 35mm at f2.0. At 35mm it is as handholdable as a 50mm f2.4, so it works as a low light normal lens even without VR. That and depth of field are some reasons why many journalists switched to 35mm normal back in rangefinder days with the Nikon SP/S3 35mm f1.8. It's not a 35mm f1.4, but with high digital ISO speeds f1.4 seems less important than with film.8. This lens works with all Nikons because it has an f ring; something that I'd pay extra for on the new lenses; total Nikon compatibility! For me this is serious because I still use rugged, F3T & FM3a film backup cameras that don't totally depend on batteries, along wi
If you like wide & bright lens
Once you go wide you can never go back? Well, at least that's how I feel about this lens. I used to love 20-35, so this was a natural progression towards the wider end of the spectrum. It gives that wow effect when I point it to the sky, nature, and anything else that's worth exaggerating perspectives. However it will not make a boring scenery any better. It weighs a bit more and take up more space in the camera bag. But it's one of the 2~3 lens that Is wasn't around. Now that it more affordable, there's no reason not to get it. The VibrationReduction feature isn't as crucial for wide angle. Also this lens is fully compatible with older SLR because it still conveniently has its aperture ring.