Video Chat with a Pro Audio Expert - Live

MOTU M6 USB-C Audio Interface with Songwriting Kit

BH #MAM6SWK (B&H Kit)
Print
MOTU M6 USB-C Audio Interface with Songwriting Kit
Key Features
  • For Recording Voice Directly to Computer
  • High-Quality Sound Right Out of the Box
  • Specialized Audio Creation Tools
  • AC and Bus Powered / Mac, Windows
Get your voice on the track with this Songwriting Kit from B&H that bundles a MOTU M6 USB-C Audio Interface with a large-diaphragm condenser microphone, a tripod mic stand with fixed boom, a pair of studio monitoring headphones, an XLR mic cable, a USB-C to USB-A adapter, and a pop filter for absorbing plosives like p's and t's.
More Details
In Stock
Free Expedited Shipping
Protect Your Gear
Add a protection plan from $77.99
Ask an Expert
800-606-6969
Kit Contains:

Learn from B&H Experts

From Manufacturer

Get your voice on the track with this Songwriting Kit from B&H that bundles a MOTU M6 USB-C Audio Interface with a large-diaphragm condenser microphone, a tripod mic stand with fixed boom, a pair of studio monitoring headphones, an XLR mic cable, a USB-C to USB-A adapter, and a pop filter for absorbing plosives like p's and t's.

MOTU M6 USB-C Audio/MIDI Interface

Pristine, versatile, and portable, the MOTU M6 desktop 6x4 (not counting headphone outputs) USB-C audio-MIDI interface combines high-class audio performance, a robust bundle of DAWs, virtual instruments, loops, and samples, and a feature set that makes it equally powerful and user-friendly for musicians, podcasters, and producers, all at a highly affordable price point. With its four mic/line/instrument preamps and two balanced line inputs, the M6 can record anything from dynamic and condenser microphones to electric guitars and drum machines in distortion-free, sparkling clarity. Equipped with top-notch ESS digital-to-analog converters that drive the main outs and the headphone jack, the M6 lets you monitor through your speakers and headphones with the dynamic range normally found only on much more expensive interfaces.

The M6 is equally suitable for producers, thanks to its MIDI 5-pin I/O. Plug in a MIDI keyboard to control virtual instruments or run MIDI from the M6 to your favorite hardware synth to capture its glorious tones through the M6's pristine analog preamps. No matter what you do, the M6's specially engineered drivers ensure ultralow-latency monitoring, so you can rehearse and record in real time without hearing any distracting echo, and the full-color LCD screen shows you high-resolution metering for all inputs and outputs at all times. The MOTU M6 includes Performer Lite and Ableton Live Lite 11, as well as 100+ virtual instruments (Performer Lite), and over 6GB of free loops, samples, and one-shots from industry-leading libraries.

At a Glance
  • 6-in / 4-out USB audio interface with studio-quality sound
  • Best-in-class audio quality driven by ESS Sabre32 Ultra DAC Technology
  • Best-in-class speed (ultralow latency) for host software processing
  • Best-in-class metering for all inputs/outputs with a full-color LCD
  • 4 mic / line / Hi-Z guitar inputs on combo XLR/TRS
  • Individual preamp gain and 48V phantom power for each mic input
  • 2 balanced 1/4-inch line inputs
  • Hardware (direct) monitoring for all inputs
  • Monitor mix knob to balance live inputs and computer playback
  • A/B switch to compare mix output on two sets of studio monitors
  • Measured -129 dB EIN on mic inputs
  • 4 balanced DC-coupled 1/4-inch TRS outputs
  • Measured 120 dB dynamic range on the 1/4-inch balanced TRS outputs
  • 2 headphone outputs (driven by ESS converters) with independent volume control
  • Switch for optional headphone monitoring through line outputs 3-4
  • MIDI in/out (16 channels to/from USB host)
  • Support for 44.1 to 192 kHz sample rates
  • USB audio class compliant for plug-and-play operation on Mac (no driver required)
  • Windows driver with 2.5 ms roundtrip latency (32-sample buffer at 96 kHz)
  • Mac driver (optional, for 2.5 ms RTL at 32/96 kHz and loopback feature)
  • iOS compatible (USB audio class compliant)
  • Driver loopback for capturing host output, live streaming, and podcasting
  • Bus powered USB-C (compatible with USB-A) with power switch (USB cables included)
  • Multiblade international DC power adapter for standalone operation without a computer
  • Rugged metal construction (extruded case, faceplates, and knobs)
  • Workstation software included (MOTU Performer Lite and Ableton Live Lite 11)
  • 100+ instruments (in Performer Lite)
  • Over 6GB of included free loops, samples, and one-shots from industry leading libraries
  • Kensington security slot
  • Two-year warranty
Professional-Level Audio Quality
Equipped with the same ESS Sabre32 Ultra DAC technology found in audio interfaces the pros use, the M6 delivers 120 dB of dynamic range on its main outputs. ESS converters also drive the headphone output. Ultraclean preamp circuits produce a measured -129 dBu EIN on the mic inputs; this means while recording, you'll only hear the mic, not the mic pre.
Balanced Monitoring
The M6 has balanced 1/4" outputs for professional level monitoring. With two 1/4" headphone outputs, you can also monitor your work privately, plus the 3-4 switch allows for headphone monitoring through line ouputs 3-4.
Loopback Channels for Podcast Recording and Live Streaming
The M6's included driver provides convenient loopback channels to your host computer, so you can easily capture your computer's output. Combine computer audio with live mics while recording in your DAW, allowing you to capture guests over Skype or other VoIP programs. You can also use the loopback function while streaming live to sites like Twitch.
Line Inputs and Line Outputs
In addition to the monitor outputs, the M6 offers two 1/4" line outputs. Use these outputs to feed outboard gear such as compressors, equalizers, stereo-width processors, or whatever else you have in your arsenal. Route audio out channels 3-4, through your favorite hardware pieces, and then back in through the two balanced 1/4" line inputs. This makes the unit suitable for hybrid mix engineers.
Low Latency
The M6 provides ultralow latency for monitoring live inputs through your computer, thanks to MOTU's expertly engineered USB drivers. These deliver 2.5 ms of roundtrip latency, measured with a 32-sample buffer at 96 kHz.
Hardware Monitoring and Input Mix Knob
The M6 gives you one-touch hardware monitoring for all inputs, including line inputs 3-4. You'll also note the mix knob for balancing live inputs with computer playback; this lets you secure your perfect monitor mix, so you can hear your playing without latency, along with playback tracks, all at the same time.
Integrates with MIDI Gear and Analog Synths
The M6 includes full-sized 5-pin DIN MIDI input and output ports, so you can connect a MIDI controller, a sound module, or even a keyboard workstation without having to get a separate MIDI interface. The four 1/4" outputs on the M6 are DC coupled, allowing you to send data from your DAW as control voltage (CV) to hardware analog synthesizers, Eurorack modules, and sequencers.
Audio Interface or Standalone Operation
With the included multiblade international DC power adapter, the M6 can be used as a standalone preamp and basic mixer with no host computer required. Simply engage the monitor button for all six inputs (and 48V phantom power, if needed) and adjust the preamp gain as needed. Connect the main outs to any line-level destination such as a PA or patch bay.
Software Included
The M6 includes Ableton Live Lite and MOTU Performer Lite, popular and capable DAWs geared for music recording and production. Also included are over 100 instruments for Performer Lite, as well as 6GB of loops, sounds, and one-shot samples for either DAW.
UPC: 839128006263
AKG C214 Large-Diaphragm Cardioid Condenser Microphone

The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.

With the additions of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shockmount.

 

Sonic Character of the C414
AKG's legendary C414 needs no introduction as it is a tool found in most recording studios and has been used on thousands of hit records. Plus, it has been on stage withartists of every musical genre and is also used by leading broadcast facilities the world over.

The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
Low Noise and High Dynamic Range
The C214 has AKG's legendary large-diaphragm sound and is capable of incredible 143 dB dynamic range for uncompressed, life-like transients while delivering low self-noise of 13 dBA. The C214's edge-terminated capsule delivers a highly detailed, up-front sound that brings out nuances of any voice or instrument.
Pad and Low-Cut Filter
Thanks to its switchable -20 dB attenuation pad and 160 Hz low-cut filter, the C214 can be used in sound fields as high as 156 dB SPL. So, it can be used on stage for close-up miking for even very loud applications like drum overheads, guitar amps, or high-output brass.
Integrated Suspension
The C214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. The double mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting acoustical performance.
Rugged Construction
The C214 has a roadworthy construction quality with a scratch-resistant finish, a dent-resistant metal grille, and a gold-plated XLR output.
Features at a Glance
  • Cost-effective alternative to the C414 family
  • Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design
  • Cardioid polar pattern reduces pickup of stage bleed and room ambience
  • 143 dB dynamic range (pad on)
  • 156 dB maximum SPL (pad on)
  • Switchable -20 dB pad and 160 Hz low-cut filter
  • Integrated capsule suspension to reduce mechanical noise
  • Rugged double-mesh grille for RF immunity but unaffected acoustics
  • Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)
  • Spider-type shockmount and metal carrying case included
  • All-metal die-cast body with shock- and scratch-resistant finish
  • Designed, engineered, and built in Vienna, Austria
UPC: 885038021117
Enova NXT True Mold XLR Microphone Cable (16.4')

The Enova NXT True Mold XLR Microphone Cable (16.4') is a flexible and reliable cable built for connecting mics to mixers, preamps, audio interfaces, and recorders. True Mold technology fully integrates the cable and connectors, providing strain relief that withstands a higher force than conventionally manufactured XLR cables to ensure outstanding strength and durability that stands up to the rigors of live stage and studio applications. This is a weather and Moisture Resistant Cable.

Enova True Mold cables are made from 24 AWG wire with a 98% copper spiral outer shield that makes the cable resistant to EMI and RFI noise. The Swiss-made EnovaNxt connectors are gold-plated to provide a high level of connectivity, and all the solder connections are protected by heat-shrink tubes. The modern and slick design of the body allows for enhanced handling and the tapered design puts an end to drooping cables.

Key Features
The True Mold technology merges the connectors and the cable to a fully integrated, ready-made-cable. Only the essential components of the XLR connectors are used and as a result overcoming the weaknesses of the individual connectors.
Manufactured in Europe, the EnovaNxt cable is designed for on-stage applications and offers an improved production again dust and water.
Gold-plated XLR contacts ensure an optimal conductivity, better corrosion protection and increased durability when mating frequently.
98% copper spiral shield offers protection from EMI and RFI noise.
To avoid short-circuit faults, the solder joints are protected and secured by a true injection mold.
The cable features an interchangeable color coding ring; with this feature, event technicians and musicians can change the color coding of the cable at any time making cumbersome rewiring obsolete.
Environmentally friendly manufacturing and packaging.
Lifetime Warranty—Made in Europe.
512 AUDIO Microphone Pop Filter with Gooseneck C-Clamp

Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.

Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.

Cleaner Sound
By preventing intrusive pops and plosives caused by bursts of air from p, f, and s sounds, the 512-Pop delivers a clear sound while saving you the time and energy often spent removing such sounds in postproduction.
Enhanced Protection
The 512-Pop features a metal mesh filter that more effectively disperses pops and plosives from speech and vocals compared to ordinary nylon pop filters. With its flexible yet sturdy gooseneck, you'll easily find the perfect placement that reliably stays in place.
Easy Attachment
An adjustable swivel C-clamp ensures a solid grip and attaches securely to any mic stand, boom arm, or custom desk stand.
UPC: 850016400673
Shure SRH440A Closed-Back Over-Ear Studio Headphones

Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.

The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.

The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4" adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.

Ideal for home recording, studio monitoring, and DJ mixing
Foldable design for easy storage and transportation
Large 40mm neodymium dynamic drivers deliver enhanced frequency response from 10 Hz to 22 kHz for accurate audio across an extended range
Closed-back, circumaural design rests comfortably over the ears and reduces background noise
Impedance and power handling optimized for performance with professional audio devices
Adjustable headband and collapsible construction provide comfort and portability
Single-sided coiled cable provides a variable amount of slack and can be detached for easy replacement
Bayonet clip securely locks cable into earcup
Gold-plated 3.5mm TRS stereo mini plug with 1/4" adapter for wide compatibility with mobile devices, audio interfaces, DJ mixers, and more
Replaceable earpads ensure long product life
Carrying bag included
UPC: 042406552110
Auray MS-5230F Tripod Microphone Stand with Fixed Boom

The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

UPC: 847628015586
StarTech USB Type-C Male to USB Type-A Female Adapter Cable (6")

Convert your USB Type-C port into a USB Type-A port using this 6" USB Type-C Male to USB Type-A Female Adapter Cable from StarTech. This adapter allows you to use legacy USB Type-A cables or flash drives with your USB Type-C device. This USB 3.0 cable supports transfer rates up to 5 Gbps, making it up to 10x faster than USB 2.0, and is compatible with Thunderbolt 3 ports.

UPC: 065030860789
Kit Contains:

MOTU M6 USB-C Audio/MIDI Interface

Key Specs
Channels of I/O
Analog:
6 Inputs / 4 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
4
Analog Audio I/O
4x Combo XLR-1/4" TRS Mic/Line/Hi-Z Input
2x 1/4" TRS Line Input
4x 1/4" TRS Line Output
2x 1/4" TRS Headphone Output
Digital Audio I/O
No
Host Connection
1x USB-C
Power Requirements
AC/DC Power Adapter (Included)
General
Display
1x Color LCD
Channels of I/O
Analog:
6 Inputs / 4 Outputs
Built-In DSP
No
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
4
Built-In Microphone
No
Input Level Adjustment
4x Knob
Signal Processing
Pad
No
Gain/Trim Range
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
High-Pass Filter
No
Solo/Mute
No
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
No
Host Connection / USB
1x USB-C
Host Connection Protocol
USB 2.0
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
Expansion Slots
No
Wireless
No
Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Inputs:
20 Hz to 20 kHz ±0.07 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Maximum Input Level
Mic Inputs:
+10 dBu (Max Level In)
Line Inputs:
+16 dBu (Max Level In)
Maximum Output Level
Line Outputs:
+18 dBu (Balanced)
Line Outputs:
+16 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Impedance
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Line Outputs:
100 Ohms
Hi-Z Inputs:
1 Megohm
Dynamic Range
Line Inputs:
114 dBA
Mic Inputs:
115 dBA
Headphone Outputs:
115 dBA
Line/Monitor Outputs:
120 dBA
THD+N
Mic Inputs:
-97 dB
Line Inputs:
< -100 dB / < 0.001% (@ 14 dBu)
Line/Monitor Outputs:
< -110 dB / < 0.00032% (@ -1 dBFS, Unweighted, 1 kHz)
Headphone Outputs:
< -110 dB
EIN
Mic Inputs:
-129 dBu A-Weighted (@ Max Gain, 150 Ohms)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
No
Bit Depths
24-Bit
Latency
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
Internal
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.11 or Later / macOS 10.13 or Later / Windows 10 or Later
Processor Requirement
Mac:
1 GHz Intel Core i3 (64-Bit)
PC:
1 GHz Intel Pentium
RAM Requirements
2 GB, 4 GB Recommended
Storage Requirements
500 GB
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Power
Power Requirements
AC/DC Power Adapter (Included)
Physical
Dimensions
9.21 x 4.75 x 1.8" / 23.39 x 12.06 x 4.6 cm (Chassis Only)
Weight
2.2 lb / 1.0 kg
Packaging Info
Package Weight
3.21 lb
Box Dimensions (LxWxH)
13.9 x 7.8 x 3.2"

MOTU M6 Reviews

See any errors on this page?

Are there separate buses for the two headphone ...

Are there separate buses for the two headphone amps, or do they share buses with the line outs?
Asked by: Warren
The Headphone outs on the MOTU M6 USB-C Audio/Midi Interface are mirroring the Line Outs (1/2 and 3/4). You can toggle between monitoring line out 1/2 or 3/4.
Answered by: Alex D
Date published: 2024-11-09

I have 250ohm headphones, can this unit power a ...

I have 250ohm headphones, can this unit power a pair of them?
Asked by: Paul
Thanks Roman! I've attached a 250ohm and another 250ohm and it worked nicely.
Answered by: Paul
Date published: 2025-11-30

It appears that the Monitor 1/2 and Line 1/2 both ...

It appears that the Monitor 1/2 and Line 1/2 both only output Channels 1 and 2. Is that correct? Can Channels 3/4 be outputted
Asked by: James
Both the Monitor 1 and 2, and Line Out 3 and 4 connectors on the MOTU M6 USB-C Audio/MIDI Interface can be used for connecting monitor speakers or sending line level output to another destination, carrying the output signal from all four input channels. Additionally, the Monitor 1 and 2 outputs are labeled as "A" to use for primary monitor speakers, while the Line Out 3 and 4 connectors are labeled as "B" to use for a secondary pair of monitor speakers.
Answered by: Lisa S
Date published: 2024-11-09

Can I connect this to an M2 mac mini using ...

Can I connect this to an M2 mac mini using thunderbolt 4??
Asked by: Michael
The MOTU M6 USB-C Audio/MIDI Interface uses a USB-C connection, so it is compatible with both Thunderbolt 3 and 4.
Answered by: Calvin M
Date published: 2024-11-09

Can this be used as a decent field ...

Can this be used as a decent field mixer/recorder? Given the rear XLR's and USB, it seems to have potential!
Asked by: Echo
Regarding the DC power issue in BHs response to your question, in some cases the M6 (and the M2 and M4) can be powered via USB. The following is copied from the user manual: When the M6 is connected to a USB-C host computer or iPad, it can be powered by its USB connection to the host. When connected to a USB-A host computer, youll need to connect the DC power adapter to supply enough power.
Answered by: eric
Date published: 2023-06-01
  • y_2026, m_6, d_4, h_10CST
  • bvseo_bulk, prod_bvqa, vn_bulk_3.0.46
  • cp_1, bvpage1
  • co_hasquestionsanswers, tq_5
  • loc_en_US, sid_1909600, prod, sort_[SortEntry(order=HAS_STAFF_ANSWERS, direction=DESCENDING)]
  • clientName_bhphotovideo
Whatever You Need, We've Got It