An Auto Gain button sets the perfect gain level for your microphones and instruments, hassle-free. The loopback audio makes creating monitor and streaming mixes quick and easy. You can utilize the Universal control app to record straight to your mobile device or remotely control the Quantum ES 4. Professional recording software is included to get your productions started right away.
- Presonus' custom low-latency driver provides exceptionally low audio latencies when recording.
- High-performance converters complete the front end to ensure that you sound your best throughout the entire signal chain.
- The Quantum ES 4 features four all-new next-generation PreSonus MAX-HD preamps that provide transparency and accuracy across the frequency range with +75 dB of gain, to maximize the performance of today’s most popular microphones for modern recording and broadcast.
- These proprietary high-definition MAX-HD preamps are transparent, low-noise, and can be digitally controlled from the Studio One DAW or the Universal Control app.
- Discreet phantom power means consistent, full power for microphones that require it, so you’ll get the most from your high-performance studio microphones.
- Built by the best ears in the business, guitarists and bassists will love the Hi-Z instrument inputs, codeveloped with Fender engineers—industry experts who designed them specifically for guitar and bass.
- An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
- 2 balanced 1/4" TRS main outputs, 2 balanced 1/4" TRS line outputs, and two high-power headphone outputs give you flexible monitoring, while built-in speaker switching allows you to check your mix on multiple sets of studio monitors.
- Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes—whether on your phone, tablet, or in your home studio.
- Control your Quantum ES 4 right from Studio One and the Universal Control app—in addition to hardware. You can adjust preamp gain, toggle phantom power, channel settings, and more, without looking away from your recording session. Perfect for dialing in optimal gain staging.
- Leap into 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.
- 4x4, 24-bit / 192 kHz USB-C desktop audio interface
- Record on desktop, laptop, phone, tablet
- 2 1/4" Hi-Z instrument inputs co-developed with Fender engineers
- 4 balanced combo XLR-1/4" mic/line inputs
- 4 next-generation PreSonus MAX-HD preamps, +75 dB of gain
- Switchable +48V phantom power
- Custom, low-latency driver provides exceptionally low audio latencies
- 2 balanced 1/4" TRS main outputs, 2 balanced 1/4" TRS line outputs
- 2 high-power headphone outputs
- Auto gain
- Loopback audio for streaming
- 3.5mm MIDI Type-B I/O
- Bright LED display
- Control settings via Universal Control app
- Additional USB-C port provides power via wall plug/external battery when recording to a device that doesn't provide enough power via USB
- Includes Studio One Pro, Studio One+ software
The AT2020's extended, linear frequency response enables the flexibility to accurately reproduce signals from a wide variety of sources such as vocals, speech, and instruments. High SPL handling and wide dynamic range allow the AT2020 to capture loud signals with minimal noise and distortion. Since the AT2020 is a solid-state condenser with an XLR output, it should be mated to an XLR-equipped mic preamp capable of sending 48V phantom power.
- B&H is proud to be partnering with Audio Test Kitchen, the world’s most comprehensive online audio product comparison platform, to improve the resources provided to our customers shopping for the right microphone for their given application.
- This provides you with the ability to listen to a growing selection of microphones with spoken word recordings captured in a standardized environment, with levels matched by the talented engineers at Audio Test Kitchen in its impressive reference studio.
- Audio Test Kitchen records microphones under identical conditions so you can compare them, apples-to-apples. The source, signal chain, and level never change. The only differences you will hear are between the microphones.
- Custom-engineered 0.6" low-mass diaphragm
- Extended frequency response and superior transient response
- High SPL handling and wide dynamic range provide great versatility
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source
- Stand mount allows placement in tight spots
- Operates on 48 VDC phantom power from a range of devices such as portable mixers, desktop audio interfaces, or external mic preamps
- Balanced XLR 3-pin output connector
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
Thanks to the 15° swiveling earcups, high-quality materials, and generous cushioning on the headband and earpads, the headphones are both durable and comfortable to wear. Exiting from the left earcup, the attached 9.8' cable reduces tangles and simplifies channel identification. The cable sports a 3.5mm mini plug for use with mobile devices and computer soundcards, and a 1/4" snap-on adapter is included for easy hookup to audio interfaces, mixers, and stereo receivers.
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (15') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.