An Auto Gain button sets the perfect gain level for your microphones and instruments, hassle-free. You also get two reamp outputs, so you can send audio from your DAW and experiment with amps and effects to sculpt your sounds. A built-in DSP monitor mixer plus loopback audio make creating monitor and streaming mixes quick and easy. Route an external A/D converter into the ADAT I/Os to record and playback up to 16 more channels of audio. You can even utilize the Universal control app to record straight to your mobile device or remotely control the Quantum HD 2. Professional recording software is included to get your productions started right away.
- Presonus' custom low-latency driver provides exceptionally low audio latencies when recording.
- High-performance converters with 124 dB dynamic range let you hear and capture audio with stunning clarity and fidelity.
- The Quantum HD 2 features two all-new, next-generation PreSonus MAX-HD preamps, which provide transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance of today’s most popular microphones for modern recording and broadcast.
- These proprietary high-definition MAX-HD preamps are transparent, low-noise, and can be digitally controlled from the Studio One DAW or the Universal Control app.
- Discreet phantom power means consistent, full power for microphones that require it, so you’ll get the most from your high-performance studio microphones.
- Built by the best ears in the business, guitarists and bassists will love the Hi-Z instrument inputs, codeveloped with Fender engineers—industry experts who designed them specifically for guitar and bass.
- 2 reamp outputs let you send audio from your DAW to your favorite outboard gear or guitar and bass amp and record it again, so you can experiment with different amps, pedals, and mic placements to get the exact sound you want without cutting multiple takes.
- An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
- 2 balanced 1/4" TRS main outputs plus 2 balanced 1/4" TRS line outputs, and one high-power headphone output give you flexible monitoring, while built-in speaker switching allows you to check your mix on multiple sets of studio monitors.
- 16 channels of ADAT optical input (up to 48 kHz) plus stereo S/PDIF I/O make connecting your digital gear fast and easy.
- Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes—whether on your phone, tablet, or in your home studio.
- Control your Quantum HD 2 right from Studio One and the Universal Control app—in addition to hardware. You can adjust preamp gain, toggle phantom power, channel settings, and more without looking away from your recording session. Perfect for dialing in optimal gain staging.
- A full-color, high-resolution display lets you keep an eye on your input and output meters, while an illuminated push encoder provides fast, intuitive control over channel and output settings.
- Leap into 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.
- 20x24, 32-bit / 192 kHz USB-C desktop audio interface
- Record on desktop, laptop, phone, tablet
- 2 balanced combo XLR-1/4"mic/line inputs
- 2 1/4" Hi-Z instrument inputs codeveloped with Fender engineers
- High-performance converters with 124 dB dynamic range
- Custom low-latency driver provides exceptionally low audio latencies
- 2 next-generation PreSonus MAX-HD preamps, +75 dB of gain
- Switchable +48V phantom power
- 2 1/4" reamp outputs
- 2 balanced 1/4" TRS main outputs, 2 balanced 1/4" TRS line outputs
- 1 high-power headphone output
- 16 channels of ADAT I/O (up to 48 kHz)
- Stereo S/PDIF I/O
- Auto gain
- DSP monitor mixer plus loopback audio
- Full-color high-resolution display
- Control settings via Universal Control app
- Includes Studio One Pro, Studio One+ software
The Focal Alpha 50 Evo Monitor is all about one thing: giving any engineer access to a stellar sound at a relatively wallet-friendly price point. With its bass-reflex rounded cabinet, versatile filtering, clean class-D amplification, and its bevy of connection points, this monitor can suit a wide variety of mixing rooms, giving mixing and post-production engineers a sound they can rely upon.
Between its frequency range of 45 Hz to 22 kHz, the monitor is neutral and accurate. You can drive it with unbalanced or balanced audio and adjust the sensitivity to match. Mount it against the wall or on the wall itself for multichannel immersive audio formats. An IEC power cable is included, as is a protective grille for the woofer.
The 5' Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable from Hosa Technology is a professional audio cable that's perfect for touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.
The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other.
The small IP-S Isolation Pad from Auray is a monitor speaker isolation pad made from high-density acoustic foam. It is designed to decouple your monitor speakers from its resting surface by absorbing the monitor's vibrations. This stops reverberation through the desk or speaker stands, therefore preventing unwanted resonance. Removing these unwelcome vibrations results in greater depth of field, tighter low end and transient response, and a higher level of detail across the frequency spectrum.