An Auto Gain button sets the perfect gain level for your microphones and instruments, hassle-free. You also get two reamp outputs, so you can send audio from your DAW and experiment with amps and effects to sculpt your sounds. A built-in DSP monitor mixer plus loopback audio make creating monitor and streaming mixes quick and easy. Route an external A/D converter into the ADAT I/Os to record and playback up to 16 more channels of audio. You can even utilize the Universal control app to record straight to your mobile device or remotely control the Quantum HD 2. Professional recording software is included to get your productions started right away.
- Presonus' custom low-latency driver provides exceptionally low audio latencies when recording.
- High-performance converters with 124 dB dynamic range let you hear and capture audio with stunning clarity and fidelity.
- The Quantum HD 2 features two all-new, next-generation PreSonus MAX-HD preamps, which provide transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance of today’s most popular microphones for modern recording and broadcast.
- These proprietary high-definition MAX-HD preamps are transparent, low-noise, and can be digitally controlled from the Studio One DAW or the Universal Control app.
- Discreet phantom power means consistent, full power for microphones that require it, so you’ll get the most from your high-performance studio microphones.
- Built by the best ears in the business, guitarists and bassists will love the Hi-Z instrument inputs, codeveloped with Fender engineers—industry experts who designed them specifically for guitar and bass.
- 2 reamp outputs let you send audio from your DAW to your favorite outboard gear or guitar and bass amp and record it again, so you can experiment with different amps, pedals, and mic placements to get the exact sound you want without cutting multiple takes.
- An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
- 2 balanced 1/4" TRS main outputs plus 2 balanced 1/4" TRS line outputs, and one high-power headphone output give you flexible monitoring, while built-in speaker switching allows you to check your mix on multiple sets of studio monitors.
- 16 channels of ADAT optical input (up to 48 kHz) plus stereo S/PDIF I/O make connecting your digital gear fast and easy.
- Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes—whether on your phone, tablet, or in your home studio.
- Control your Quantum HD 2 right from Studio One and the Universal Control app—in addition to hardware. You can adjust preamp gain, toggle phantom power, channel settings, and more without looking away from your recording session. Perfect for dialing in optimal gain staging.
- A full-color, high-resolution display lets you keep an eye on your input and output meters, while an illuminated push encoder provides fast, intuitive control over channel and output settings.
- Leap into 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.
- 20x24, 32-bit / 192 kHz USB-C desktop audio interface
- Record on desktop, laptop, phone, tablet
- 2 balanced combo XLR-1/4"mic/line inputs
- 2 1/4" Hi-Z instrument inputs codeveloped with Fender engineers
- High-performance converters with 124 dB dynamic range
- Custom low-latency driver provides exceptionally low audio latencies
- 2 next-generation PreSonus MAX-HD preamps, +75 dB of gain
- Switchable +48V phantom power
- 2 1/4" reamp outputs
- 2 balanced 1/4" TRS main outputs, 2 balanced 1/4" TRS line outputs
- 1 high-power headphone output
- 16 channels of ADAT I/O (up to 48 kHz)
- Stereo S/PDIF I/O
- Auto gain
- DSP monitor mixer plus loopback audio
- Full-color high-resolution display
- Control settings via Universal Control app
- Includes Studio One Pro, Studio One+ software
Merging acclaimed features of the M-Series headphones with a foldable, travel-friendly design, and one-ear monitoring capability, the black Audio-Technica ATH-M40x monitor headphones offer pro-grade build quality and audio performance for studio-based production, location recording, DJing, and daily listening. Outfitted with 40mm dynamic drivers and an over-ear, closed-back design, the ATH-M40x headphones deliver a flat, accurate response and wide bandwidth (15 Hz to 24 kHz) while isolating you from outside sounds.
Thanks to the 90° swiveling earcups, pro-quality materials, and generous cushioning on the headband and earpads, the headphones are both durable and comfortable to wear. Two detachable, single-sided cables—one coiled and one straight—are included for optimal operation in the studio or on the go. Each cable sports a gold-plated 3.5mm mini plug for use with mobile devices and computer soundcards, and a 1/4" screw-on adapter is included for easy hookup to audio interfaces, mixers, and stereo receivers. A carrying pouch is supplied with the ATH-M40x for convenient storage and transport of the headphones.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (20') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Great for recording in untreated rooms, the Auray RF-5P-R Five-Panel Reflection Filter isolates your microphone from its surrounding environment to minimize distracting noises and diffuse unwanted acoustic reflections. The five, multilayered panels with perforations and high-density acoustic foam combine to absorb ambient noise without adding coloration to your sound, enhancing the clarity and presence of your voice for professional-sounding podcasts, voiceovers, and vocal recordings at home or in the studio.
The RF-5P-R is compatible with most microphone stands and it has integrated feet for standalone desktop recording. A sliding bracket allows you to mount any condenser, dynamic, or USB microphone and easily adjust the depth of the mic's position inside the filter for precise placement. The panels are made of sturdy, yet lightweight plastic and fold up to a tight ring for convenient storage and travel.
- Five adjustable panels, each with a fold-down top panel enable you to configure the filter to meet your acoustic needs. Spread the panels to form a filter wall for miking speaker cabinets, or fold them to create a narrow, 300° enclosure for maximum isolation and dry, clean vocals.
- The panels feature a stylish black finish with red accents.
- The high-density acoustic foam absorbs acoustic reflections and minimizes room ambience.
- The perforated screens diffuse sound as it passes through the shield, preventing sound reflections from bouncing off surfaces and back into the microphone.
- The RF-5P-R is equipped with flip-down top panels that help minimize noise coming from above the microphone including overhead air ducts and fluorescent light fixtures.
- Built-in feet let you mount the RF-5P-R on a desktop for recording podcasts at home or in the office.
- The 5/8"-27 thread enables you to mount the filter on a standard studio mic stand.
- Whether you’re using a large-diaphragm studio condenser or a handheld dynamic mic, the sliding bracket lets you position your microphone inside the filter for the ideal isolation.
- Auray SHM-SCM1 suspension shockmount for large diaphragm condenser microphones
- Auray Clamping Suspension Shockmount for side-address microphones
- Auray Suspension Shockmount for broadcast, podcast, large-diaphragm condenser microphones
- Auray MC-57DM Mic Clip for Shure SM57, SM58, and similar microphones
- Auray MC-44WM Slide-In Mic Clip
PreSonus Quantum HD 2 USB-C Audio Interface
| Channels of I/O | |
| Maximum Sampling Rate | |
| Number of Microphone Inputs | |
| Analog Audio I/O | |
| Digital Audio I/O | |
| Host Connection | |
| Power Requirements |
| Display | |
| Channels of I/O | |
| Built-In DSP | |
| Maximum Sampling Rate | |
| Number of Microphone Inputs | |
| Built-In Microphone | |
| Input Level Adjustment |
| Gain/Trim Range | |
| Solo/Mute |
| Analog Audio I/O | |
| Phantom Power | |
| Digital Audio I/O | |
| Host Connection / USB | |
| Host Connection Protocol | |
| USB (Non-Host) | |
| Sync I/O | |
| Network I/O | |
| MIDI I/O | |
| Expansion Slots | |
| Wireless |
| Frequency Response | |
| Maximum Input Level | |
| Maximum Output Level | |
| Impedance | |
| Dynamic Range | |
| THD | |
| EIN |
| Sample Rates | |
| Sample Rate Conversion | |
| Bit Depths |
| Media/Memory Card Slot |
| OS Compatibility |
| Power Requirements | |
| AC/DC Power Adapter |
| Dimensions | |
| Weight |
| Package Weight | |
| Box Dimensions (LxWxH) |