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TASCAM FR-AV4 32-Bit-Float Field Recorder Booming Kit

BH #TAFRAV4BK (B&H Kit)
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TASCAM FR-AV4 32-Bit-Float Field Recorder Booming Kit
90-Second Intro
Key Features
  • Field Recorder with Timecode Generator
  • 4 XLR/TRS Inputs, Ultralow-Noise Preamps
  • Sennheiser MKE 600 Shotgun Microphone
  • Boompole with Internal Cable
This Tascam FR-AV4 32-Bit-Float Field Recorder Booming Kit from B&H supplements the portable recorder with a Sennheiser MKE 600 shotgun microphone, boompole with internal cable, XLR cable, shockmount, microSDXC memory card with adapter, batteries, charger, and a sound bag.
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Kit Contains:
TASCAM FR-AV4 4-Channel 32-Bit Float Field Recorder with Mixer, Timecode, and HDMI Sync
Purpose-Built for Camera-Centric Workflows
The TASCAM FR-AV4 brings production-grade audio to modern camera rigs with a slim, aluminum chassis that’s easy to mount and tough enough for demanding location work. A dedicated camera screw mount speeds up setup, while quick-swap BH-4AA battery trays, USB bus power, or an optional AC adapter keep shoots running—from run-and-gun coverage to all-day studio sessions. A 1.9” color touchscreen and jog wheel provide fast access to routing, metadata, and file management, even when you’re on the move. Locked HDMI and USB ports prevent accidental disconnection, giving you confidence in the field.
Clean Gain, Wide Headroom, and Practical Routing
Four XLR/TRS combo inputs feed TASCAM Ultra HDDA microphone preamps (EIN -127 dBu) and dual A/D converters for ultra-low noise capture. With 32-bit float recording and over 133 dB of usable range, the FR-AV4 captures every nuance-from whispers to explosions-without fear of clipping. For tighter file sizes, switch to 24-bit PCM at 48, 96, or 192 kHz. A built-in 4-in/2-out mixer supports isolated channel recording plus a stereo mix to SDXC cards up to 512GB for a total of six tracks (4 channels + stereo mix). The unit's Auto Mixer function is a big time saver for talks and meetings. It uses a gain sharing technique to suppress noise and deliver natural-sounding mixes in situations with multiple speakers.
HDMI and Timecode: Locked to Picture
Tight audio-to-video alignment is built in. The FR-AV4 features an onboard timecode generator and HDMI sync using a shared master clock, with support for Blackmagic, Canon, Fujifilm, Nikon, Panasonic, Sony, and more. Record Trigger lets compatible cameras start and stop the FR-AV4 automatically, minimizing missed takes. A dedicated 3.5 mm TC I/O and CAMERA TC out expand sync options, while Atomos Bluetooth sync is available with the optional AK-BT2 adapter. Cascade two FR-AV4 units over HDMI for up to 8 synchronized inputs. Full 4K/8K video pass-through and embedded multichannel audio allow seamless integration with monitor-recorders.
Advanced Input Processing and Monitoring
Shape audio before it hits the card with onboard EQ, low-cut filter, limiter, and noise gate. Input/output delay (0-300 ms) helps align feeds in complex rigs. Flexible monitoring lets you quickly select channels via a dedicated monitor screen; multiple selections can be blended for real-time checks. Wired and optional Bluetooth wireless monitoring can be used simultaneously with independent volume control-ideal for multi-user sets.
Workflow and Data Security
TASCAM's Auto File Save protects work in progress with updates every 20 seconds. The built-in tone generator speeds device matching, while TASCAM Audio File Manager software enables quick level adjustments to 32-bit float files without round-tripping into a DAW. For VR, AR, and 360° productions, Ambisonics mode captures spatial audio in both A-format and B-format (AmbiX or FuMa).
USB-C Interface and App Control
Back at the desk-or live on stream-the FR-AV4 functions as a 6-in/2-out USB-C audio interface for Mac, Windows, iOS, or Android. Add the optional AK-BT2 adapter for wireless remote control and waveform monitoring via the TASCAM Recorder Connect app. With REC-LINK, you can trigger simultaneous recording across up to five connected TASCAM devices, including the FR-AV4, FR-AV2, and DR-10L Pro.
Camera-Friendly I/O in a Production-Ready Chassis
Alongside four XLR/TRS inputs, the FR-AV4 includes a 3.5mm CAMERA/EXT input (MONO/ST) with plug-in power (+2.5 V / +5 V), a 3.5mm CAMERA/TC/LINE stereo output, and a 3.5mm headphone jack. HDMI I/O and cable-lock designs keep everything secure. Compact, lightweight, and built with a durable aluminum chassis, the FR-AV4 is designed for both mobile and studio environments. Quick-swap BH-4AA battery trays (additional holders sold separately) and optional AC power ensure uninterrupted shooting on long sessions.
Sennheiser MKE 600 Shotgun Microphone

Upgrade the audio quality in your video productions by switching from the built-in mic on your camera to the Sennheiser MKE 600 battery- or phantom-powered shotgun microphone. Its focused directional characteristics and resistance to structure-borne noise offer sonic results well suited to a variety of production scenarios from independent films and web series to nature shows and documentaries.

The MKE 600's high sensitivity and low-noise circuitry unlock improved sound quality without extreme gain on noisy camera preamps. With a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz, the MKE 600 can deliver clear intelligibility while attenuating low-frequency noise such as rumble. Plus, its frequency response incorporates a gentle rise in treble to enhance speech clarity.

The lightweight and durable metal housing ensures reliable toughness without weighing down your rig. The included shoe shockmount accommodates mounting the MKE 600 to a camera or tripod. Connect the mic's XLR output to an XLR-equipped mic preamp or use the supplied adapter cable to plug it into the 3.5mm mic input on a camera.

Quality Sound
The 10" long MKE 600 uses an interference tube and a supercardioid/lobar polar pattern to provide pronounced directivity on-axis along with significant attenuation of sound entering at the sides and rear, making the MKE 600 far more effective at capturing distant sources than the omnidirectional mics found in most cameras.
Bass Roll-Off
The MKE 600 naturally reduces sub-bass frequencies below 40 Hz to prevent unnatural bass buildup. Activate the switchable low-cut filter at 100 Hz to roll off more low-frequency noise from common sources such as air conditioners and traffic.
Battery or Phantom Powered
Thanks to its 3-pin XLR output and compliance with 48 VDC phantom powering, the MKE 600 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.

When using devices that don't offer phantom power, the MKE 600 may optionally be powered for up to 150 hours by a single AA battery (available separately). Approximately 8 hours of operating time remain once the low-battery indicator lights up red. Use the on/off switch to prevent unnecessary battery drain.

Ideal for Camera, Tripod, or Boompole Mounting
The MKE 600 includes a shoe shockmount for easy placement on your camera or a tripod. To mount the MKE 600 on a boompole or mic stand, use the Rycote InVision INV-HG mkIII shockmount (available separately), which will also impede the transfer of vibrations between your boompole/stand and the mic.
XLR to 3.5mm TRS Adapter Cable for Cameras
Included with a MKE 600 is a short coiled adapter cable—XLR female to 3.5mm TRS male—that lets you connect the mic directly into a mini-jack mic input on a camera.
Windscreen Minimizes Wind Noise
The MKE 600 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners by up to 25 dB. Enhanced attenuation of wind noise is possible with the addition of an optional windshield such as the Rycote 15cm Super-Softie, which also provides high immunity to rain.

For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider a complete windjammer, windshield, and shockmount suspension system such as the Rycote Super-Blimp NTG or the large Rycote Super-Shield Kit (both available separately).
UPC: 615104223493
Auray BP-47A Aluminum Boompole with Internal Coiled Cable and Bottom Exit (7.5')
The Auray BP-47A is a 4-section, aluminum boompole that combines an anti-twist tube design with ergonomic twist locks to offer smooth telescoping and hassle-free, one-handed operation—great for adjusting the length quickly, on the fly when filming documentary, ENG, or reality-style videos. The boompole has a collapsed length of 2.5', an extended length of 7.5', and weighs only 1.6 lb. The sections are made of lightweight aluminum tubes designed for portability and durability.

An internal, coiled cable with a side-exit XLR connector makes it easy to extend or retract the boompole while streamlining your setup with fewer cables to carry. The custom, removable head tip and drop-through design allow for cable reconfiguration without any soldering required. High-quality Rean and Neutrik connectors are used for reliable signal transfer and uncompromised performance, even in challenging environments.

Durable Aluminum Construction

  • The durable anodized aluminum construction can handle the bumps and impacts of demanding travel and location shoots in all kinds of weather.

Solid Grip and Smooth Telescoping

  • The ergonomic twist locks are covered with rubber grips that are easy on your hands and comfortable to operate, making length adjustment smooth and effortless. Improved shims ensure a firm and secure hold until you loosen the locks.

Anti-Twist Alignment Tubing for One-Handed Operation

  • Quick length adjustment when you're recording on the go is crucial for keeping from interrupting the shoot. With an anti-twist design, adjacent tubes won't twist when you're expanding or retracting the boompole. This allows for one-handed twist lock operation and makes setup and length adjustment fast and easy.

 

Internal, Coiled Cable with Strain Relief

  • The integrated, coiled XLR cable is engineered to minimize unwanted radio frequency (RF) and electromagnetic (EM) interference that can degrade the audio signal. The coiled design allows the cable to smoothly extend and retract with the telescoping tubes.
  • The tip's strain-relief system absorbs tension, secures the cable, and protects the cable from damage at the edges of the tip exit. Additional strain relief at the bottom of the pole protects and preserves the connections between the cable and the TA3 connector.

Bottom-Exit Connector 

  • With a right-angle XLR cable plugged into the bottom-exit connector, the operator can rest the pole on its end without damaging the wiring or connector.
Removable Arrowhead Tip for Solderless Cable Replacement

  • BP Series boompoles feature a removable Arrowhead tip designed to reduce weight at the top of the pole.
  • The tip also allows easy drop-through cable insertion for quick and uncomplicated cable replacement.
  • Thanks to the solderless design, you won't need special tools to replace the XLR cable using the cable replacement kit (available separately).
High-Quality XLR Connectors 

  • The internal cable is equipped with high-quality XLR and TA3 (mini XLR) connectors manufactured by Rean. The connectors ensure flawless signal transfer and secure locking connections, preventing the cable from disconnecting, even if there's stress or an accidental tug on the cable.
  • The Neutrik bottom-exit connector is housed in its own casing and ensures a secure connection to the boompole that won't jeopardize signal flow by twisting or jiggling.

Standard 3/8"-16 Threaded Mount

  • The boompole is outfitted with a standard 3/8"-16 threaded mount to ensure compatibility with most professional shotgun mics and shockmounts.
UPC: 847628037793
Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (6', Black)

The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.

Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

98% braided shield offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
UPC: 847628551169
Lexar 128GB Professional SILVER PLUS UHS-I SDXC Memory Card

The 128GB Professional SILVER PLUS UHS-I SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-I bus to support Full HD and 4K/60p video. It is also well suited for continuous shutter bursts, rapid shooting, and raw and JPEG captures. This card can achieve maximum read speeds of up to 205 MB/s and maximum write speeds of up to 150 MB/s. Thanks to its V30 speed class rating, minimum write speeds are guaranteed not to drop below 30 MB/s.

To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Recovery Tool software that is designed to recover most photo and video files. To further strengthen this card, Lexar built the SILVER PLUS series with resistance to wear, drops, temperature extremes, x-rays, shock, magnets, and vibration.

Performance When It Counts
With max read speeds of 205 MB/s, you can power through transfers and make long wait times a thing of the past. Max write speeds of 150 MB/s let you capture burst photos without missing a shot.
Video Recording As Detailed As You Are
Rated V30, the Lexar Professional SILVER PLUS UHS-I SDXC Card is built to record burst photos without missing a shot and smoothly shoots up to 4K/60 fps Ultra HD.
Extensive Compatibility
Tested to ensure compatibility with a range of camera models from Canon, Nikon, Sony, and more.
Tough Enough
Built for durability, the card is wearproof, temperature-proof, x-ray proof, vibration-resistant, magnet-proof, shockproof, and drop-proof so you can be confident taking it wherever your shoot takes you.
Peace of Mind Included
This card comes with the Lexar Recovery Tool to help you recover accidentally deleted files and is covered by a limited lifetime warranty.
UPC: 843367135479
Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles

The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal handgrips.

UPC: 847628562776
Panasonic eneloop Pro Rechargeable AA Ni-MH Batteries with Charger (2550mAh, 4-Pack)

This pack of eneloop Pro AA Rechargeable Ni-MH Batteries from Panasonic comes with a charger, and the batteries are pre-charged and ready-to-use. They are not subject to any memory effect so you can charge them up to 500 times whether they are fully or partially drained. They maintain 85% of their charge after one year, and remain functional down to -4°F.

UPC: 073096902244
ORCA OR-270 Sound Bag for Sound Devices MixPre-3M / 6M

The Orca OR-270 Sound Bag is designed to protect and carry the Sound Devices MixPre-3, 3M, 6 or 6M recorder together with the MX-L battery mount. The lightweight case provides access from all sides and includes back and font pockets for holding small accessories, batteries, and wireless receivers. The Orca OR-270 includes a detachable shoulder strap.

  • Designed for the Sound Devices MixPre-3, 3M, 6, and 6M portable multitrack music recording mixers
  • Accommodates MX-L battery mount
  • Holds and protects while traveling and during stage or field use
  • Lightweight
  • Access from all sides
  • Front and back pockets
  • Internal straps for wireless receivers
  • Includes removable shoulder strap
Kit Contains:

TASCAM FR-AV4 4-Channel 32-Bit Float Field Recorder with Mixer, Timecode, and HDMI Sync

Key Specs
Form Factor
Field Recorder
Number of Channels
4
Number of Tracks
6
Maximum Sampling Rate
192 kHz / 32-Bit Float
Microphone
No
Audio Interface Capability
Multi-Track: /
Timecode
In & Out
Analog I/O
Combo XLR-1/4" / 1/8" (3.5 mm) / 1/8" (3.5 mm) Headphone
Bias/Plug-In & Phantom Power
2.5 to 5 V Bias/Plug-In Power
48 / 24 V Phantom Power
Digital Audio I/O
No
Form Factor
Field Recorder
Primary Use Applications
Audio-for-Video
Number of Input Channels
4
Number of Microphone Inputs
5
Number of Tracks
6 (4 Inputs + Stereo Mix)
Maximum Sampling Rate
192 kHz / 32-Bit Float
Display
Backlit LCD Touchscreen
Built-In Speaker
No
Special Features
Audio Mixing, Remote Control Capable, Slate Function
Microphone
Microphone
No
Recording
Audio File Formats
Ambisonics A, Ambisonics B (FuMa/AmbiX), BWF, WAV
Sample Rates
48 to 192 kHz
Bit Depth
24-Bit, 32-Bit Float
Audio Interface Capability
Multi-Track: /
Signal Processing & FX
Delay, EQ, Limiter, Low-Cut Filter
Timecode
In & Out
Frame Rates Supported
23.98 / 29.97 / 29.97 DF / 30
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC [512 GB Maximum]
Internal Storage
No
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Mic/Line Input
1x 1/8" / 3.5 mm TRS Line/Camera Input
1x 1/8" / 3.5 mm TRS Line/Camera Output
1x 1/8" / 3.5 mm TRS Headphone Output
Bias/Plug-In & Phantom Power
2.5 to 5 V Bias/Plug-In Power
48 / 24 V Phantom Power
Digital Audio I/O
No
Network I/O
No
Sync I/O
1x 1/8" / 3.5 mm TRS Timecode Input
1x 1/8" / 3.5 mm TRS Timecode Output
1x 1/8" / 3.5 mm TRS Timecode Output (Shared with Line Out)
USB
1x USB-C
Wireless
Bluetooth
*Via Optional Adapter
Mobile App Compatible
Yes: Android & iOS
Performance
Frequency Response
20 Hz to 20 kHz (at 48 kHz)
20 Hz to 40 kHz (at 96 kHz)
20 Hz to 60 kHz (at 192 kHz)
Maximum Input Level
+4 dBu (Mic Input)
+24 dBu (Line Input)
Headphone Output Power
50 mW per Channel
SNR/Noise
≤ 127 dB EIN
THD/Distortion
≤ 0.1% THD+N (Headphone Output)
Dynamic Range
133 dB
Power
Power Options
Battery, USB Bus Power, AC/DC Power Adapter
Battery Type
4x AA
AC/DC Power Adapter
5 VDC at 2 A (Not Included)
Physical
Mounting Options
1/4"-20 Female
Operating Conditions
32 to 104°F / 0 to 40°C
Dimensions
7.2 x 1.7 x 5.1" / 184 x 42 x 130 mm
Weight
1.5 lb / 660 g (without Batteries)
1.7 lb / 756 g (with Batteries)
Packaging Info
Package Weight
1.85 lb
Box Dimensions (LxWxH)
9.1 x 6.7 x 2.8"

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