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Apogee Electronics Symphony I/O Mk II 16x16 Special Edition Thunderbolt Audio Interface Kit with 16x2 Summing Mixer

BH #APSYM216X6SK (B&H Kit)
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Apogee Electronics Symphony I/O Mk II 16x16 Special Edition Thunderbolt Audio Interface Kit with 16x2 Summing Mixer
Key Features
  • High-Performance 192 kHz Conversion
  • Ultralow Noise and Distortion
  • Updated 16x16 AD/DA Converter Card
  • 16-Channel Analog Input and Output
Setup a versatile pro studio system, enhanced by the mixing benefits of a true Neve console, with this B&H Kit that bundles an Apogee Electronics Symphony I/O Mk II 16x16 Special Edition Thunderbolt Audio Interface with a 16x2 Rupert Neve Designs summing mixer and a DB25 cable for interconnect. This setup lets you inject your ITB mixes with classy analog Neve processing.
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Setup a versatile pro studio system, enhanced by the mixing benefits of a true Neve console, with this B&H Kit that bundles an Apogee Electronics Symphony I/O Mk II 16x16 Special Edition Thunderbolt Audio Interface with a 16x2 Rupert Neve Designs summing mixer and a DB25 cable for interconnect. This setup lets you inject your ITB mixes with classy analog Neve processing.

Apogee Electronics Symphony I/O Mk II 16x16 Special Edition Thunderbolt Audio Interface

Apogee Electronics sets a new standard with the flagship Symphony I/O Mk II 16x16 Special Edition Thunderbolt, an audio interface that features the latest and greatest conversion technology from Apogee for ultralow latency, noise, and distortion. Loaded with the updated 16x16 SE AD/DA conversion card, this interface sports 16-channel analog DB-25 I/O, plus 2-channel S/PDIF I/O for high-resolution sampling from 44.1 to 192 kHz.

This unit features two Thunderbolt ports for simple integration with Thunderbolt-connected macOS host devices. Like all Apogee Symphony I/O Mk II units, the 16x16 SE is a modular interface, allowing you to expand as you go for a maximum of 32 analog inputs and outputs, as well as numerous other optional modules for different configurations that will suit any application. Control is easy via the bright front-panel touchscreen and the convenient Symphony I/O Monitor Workflow software. This unit includes an AC power cord to get you started.

New with Symphony I/O Mk II 16x16 SE
Hear the Difference
The 16x16 Special Edition is Apogee's best-performing conversion ever. With a greater dynamic range and a lower total harmonic distortion, your listening experience will forever change.
Built for Immersive Audio
Start working with Immersive audio systems without needing an external monitor controller. Thanks to Symphony I/O's Monitor Workflow.
20% More Efficient
In an impressive feat of electrical engineering, the 16x16 SE I/O module has fewer parts than its predecessor while also running about 20% more efficiently. That means a cooler running interface, even if you decide to upgrade to a fully loaded 32x32 chassis.
The Symphony I/O Mk II Family
Front-Panel Touchscreen
All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front-panel touchscreen. Change your input selection, monitoring levels, and mic pre gain, or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system.

A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 inputs and 32 outputs, as well as signal levels, polarity, muting, phantom power, and Soft Limit.

Stay Cool with Dynamic Temperature
Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls can be accessed form the touchscreen and control software and are complemented by an improved fan and chassis-ventilation design, which allows adequate component cooling to occur quietly.
Symphony Control Software
Symphony Control software for macOS gives you comprehensive access to all features and functions of Symphony I/O Mk II Thunderbolt. Manage routing, control output levels, set calibration, set up multiple mixers, and more.

And with Symphony I/O Mk II Thunderbolt’s new Monitor Workflows, you can effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio, and other immersive audio systems, with control of up to 32 speaker outputs.

Note:
Symphony Control also features compatibility with the optional Apogee Control hardware remote. Remote not included.
Standalone Mode
Standalone Routing lets you setup and use Symphony I/O Mk II without a computer. From the front panel touchscreen, you can set up Symphony I/O Mk II for use in hi-fi systems or as a standalone AD/DA converter or preamp module.
ESS Sabre32 DAC Technology
The ESS Sabre32 32-bit Hyperstream DAC with Time Domain Jitter Eliminator offers unequalled dynamic range, ultralow distortion, and unmatched audio clarity free from input jitter. Symphony I/O Mk II’s D/A section has been optimized with a more powerful, robust analog output driver.

This newly designed high-current low-impedance circuit is capable of driving virtually any input with absolutely no decrease in performance, regardless of the load presented by the connected gear. This becomes especially important when connecting vintage gear with difficult load impedances and elevated operating levels, sometimes over long cables—Symphony I/O Mk II maintains fidelity and punch through it all.

Audiophile-Grade Headphone Monitoring with Constant Current Drive
Symphony I/O Mk II features a single ultrahigh-fidelity DAC and headphone amplifier featuring Apogee's Constant Current Drive technology, first introduced in the Apogee Groove. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response.
UPC: 805676302997
Rupert Neve Designs 5057 Orbit 16x2 Summing Mixer

Give your mixes the analog weight, width, and depth they deserve with the Rupert Neve Designs 5057 Orbit, a 16x2 summing mixer that carries the classic and classy sound of Rupert Neve consoles within its comparatively compact 1 RU chassis. With the Orbit, you'll be closer to achieving a world-class analog sound out of an otherwise digital mix.

The 5057 Orbit comes packed with goodies from proven Rupert Neve pieces. The signal path makes use of the same transformer configuration found in the company's Shelford channels, providing the same Class-A sound at either operated or padded levels (exactingly attenuated at -6 dB, to suit any downstream processors). Additionally, the unit comes stocked with the renowned Silk circuit found the Portico II Master Bus Processor. This circuit allows you to enhance the high midrange, or beef up the lows, so your mix will never sound too dull or too thin. Use this summing mixer to handle 8 stereo pairs of submixes, or expand it with other renowned RND gear. The choice is yours.

Summing, the Rupert Neve Way
Analog summing allows you to get the flavor and separation of an analog console without having to cram a hot, expensive, large-format desk in your house. When you take advantage of outboard coloration by pushing buses of your mix into Neve output transformers to a point of gentle saturation, you take advantage of nonlinear harmonic characterization that glues the mix together and helps bring it to life.

Some analog summing mixers offer an ultraclean signal path, not far off from the in-the-box experience. The Orbit, however, extends the extraordinary richness, harmonic complexity, depth, and weight that Rupert Neve consoles bring to professional mixing engineers all over the world.

Transform Your Sound with Transformers
The Orbit utilizes a custom output transformer configuration originally developed for the acclaimed Shelford Channel, providing both main outputs and -6 dB outputs. The padded output lets you drive the Orbit to achieve more transformer harmonics without clipping the next device in the chain. This transformer drive is a hallmark of Rupert Neve's sound, and has been used on countless hit records.
The Legendary Silk Circuit
The Orbit offers continuously variable texture control with Silk Red and Silk Blue modes to give you complete control over the harmonic density and tonality of your mix. Silk Red accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert's vintage equipment. Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source. Both of these circuits have been used on the master-buses of acclaimed mixing and mastering engineers. You can also opt to leave them off entirely for a cleaner sound.

Unlike EQ, these Silk and texture controls saturate the output transformers, adding compound and musical harmonics to the source material in accordance with the amount of Texture applied. Drive the mix bus hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe; or, disengage Silk entirely for clear, wide-open sonic beauty. The choice is yours.

Expandable and Flexible
While the Orbit is an extremely effective tool on its own, multiple units can be combined through the Bus Link for a higher channel count. The 5057 Orbit can also be used as a building block in an expandable summing system utilizing the 5059 satellite for flexible summing and routing, and the 5060 centerpiece for additional mixing and monitoring features. These units create the core of a world-class analog mixer.
Channel Separation and Accuracy
The Orbit makes use of high-quality stepped switching to ensure precisely fixed channel levels and accurate mix bus attenuation. Furthermore, the mixer's signal path exhibits exceedingly low crosstalk, and offers channels matched to within ±0.1 dB. Achieve the stereo width and dimensional depth your mixes deserve with the Orbit.
Easy to Recall
Frequent recalls can be a pain for modern mix engineers. The Orbit's elegant simplicity and fixed-level accuracy provides rapid, repeatable DAW-based recall from mix to mix, while adding the rich sound quality of a Rupert Neve class-A transformer-coupled mix bus. Keep your mix plug-in focused before it hits the Orbit, and let the Orbit handle the solidity, density, and clarity which distinguishes analog from the digital domain.
UPC: 763854076774
Warm Audio Premier DB25 to DB25 8-Channel Analog Breakout Cable (6')

Ideal for connecting together pro audio equipment in live and studio environments, the 6' Premier DB25 to DB25 Breakout Cable from Warm Audio delivers eight channels of balanced, analog audio from numerous inputs and outboard gear to interfaces and mixers. With high-end Gotham cabling and gold-plated connectors, this cable snake offers pristine audio quality.

The DB25 connectors sport an all-metal shell with balanced metal thumb screws for a durable and reliable attachment to mixers, stage boxes, patch bays, and interfaces, while the jacket features a woven nylon design that provides excellent dexterity and resilience to wear and tear. Gotham shielding ensures ultralow-noise operation, rejecting RFI and EMI. The Warm Audio Premier cables include a lifetime warranty for peace of mind.

High-End Gotham Cabling
Warm Audio Premier DB25 cables use custom cable stock from Gotham, Switzerland. The design and build quality of the cable reduces RFI/EMI with pristine shielding and insulation.
Superior Gold-Plated Connectors
Not just for show, Warm Audio Premier DB25 cables use gold plating for the connectors. Gold is a superior conductor of electricity, surpassing copper and silver as the ideal choice for passing clear audio signals with the lowest possible noise. Gold is also highly resistant to corrosion and immune to oxidation, improving the longevity of the connectors.
Hand Tested in Austin, TX
Like all Warm Audio gear, the Premier DB25 cable family is meticulously hand tested and inspected by trained technicians in Austin, TX USA.
UPC: 850031640245
Kit Contains:

Apogee Electronics Symphony I/O Mk II 16x16 Special Edition Thunderbolt Audio Interface

Key Specs
Channels of I/O
16 Input / 16 Output
Maximum Sampling Rate
192 kHz / 16-Bit
Number of Microphone Inputs
No
Analog Audio I/O
2x DB-25 Mic/Line Input
2x DB-25 Mic/Line In/Out
Digital Audio I/O
RCA Coaxial S/PDIF Input
RCA Coaxial S/PDIF Output
Host Connection
2x USB-C
Power Requirements
AC/DC Power Adapter (Included)
General
Display
1x Color TFT Touchscreen
Channels of I/O
16 Input / 16 Output
Maximum Sampling Rate
192 kHz / 16-Bit
Number of Microphone Inputs
No
Built-In Microphone
No
Connectivity
Analog Audio I/O
2x DB-25 Balanced Mic/Line Input
2x DB-25 Balanced Mic/Line In/Out
Phantom Power
No
Digital Audio I/O
1x RCA Coaxial S/PDIF Input
1x RCA Coaxial S/PDIF Output
Host Connection / USB
2x USB-C
Host Connection Protocol
Thunderbolt 3
USB (Non-Host)
No
Sync I/O
1x BNC Word Clock Input
1x BNC Word Clock Output
Network I/O
No
MIDI I/O
No
Expansion Slots
No
Wireless
No
Performance
Frequency Response
A/D Converters:
1 Hz to 20 kHz 0.05 dB
D/A Converters:
Hz to 20 kHz ±0.05 dB
Maximum Input Level
+24 dBu (+4dB setting)
+6 dBV (-10dB setting)
Maximum Output Level
+24 dBu
Headphone Output Power
1/4":
80 mW
Impedance
Inputs:
10 Kilohm
Outputs:
50 Ohms
Dynamic Range
A/D Converters:
122 dBA
D/A Converters:
126 dBA
THD+N
A/D Converters:
-115 dB / 0.0002%
D/A Converters:
-119 / 0.00014%
Digital Audio
Sample Rates
44.1 to 192 kHz
Sample Rate Conversion
No
Sync Sources
Word Clock
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.11 or Later
Mobile Device Compatibility
No
Required Hardware
Thunderbolt Port, USB-C Port
Power
Power Requirements
AC/DC Power Adapter (Included)
AC Input Power
90 to 240 VAC, 50 / 60 Hz
AC/DC Power Adapter
Included
Power Consumption
150 W
Physical
Rackmount Size
1 U (with Included Hardware)
Dimensions
17.7 x 11.5 x 3.5" / 45 x 29.2 x 8.9 cm (with Rack Ears)
Packaging Info
Package Weight
18.3 lb
Box Dimensions (LxWxH)
23.1 x 18.4 x 9.9"

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