Designed as a complete microphone setup for location recording in film work, broadcasting, electronic news gathering (ENG), and field production applications, this B&H Kit eliminates the guesswork in configuring a shotgun microphone system that delivers pristine quality and low noise for a variety of indoor and outdoor environments.
It features the Sennheiser MKH 416-P48U3 moisture-resistant shotgun microphone, an Auray furry windshield, a universal shoe/pole shockmount, a pistol grip, a cabled graphite boompole, a boompole bag, and short and long right-angled XLR cables to provide you with everything necessary for capturing audio for video, film, and sound design applications.
Achieve superb audio capture in demanding conditions for your next professional film, TV, or location recording with the Sennheiser MKH 416-P48U3 moisture-resistant shotgun microphone. Mix-ready sound quality is provided by its sharp directivity, low noise, and strong output. Plus, there are no controls to worry about; the MKH 416-P48U3 delivers the reliability you need for high-pressure gigs.
The microphone exhibits a hypercardioid polar pattern at low to midrange frequencies and transitions to a lobar pattern in high frequencies, allowing it to attenuate 125 Hz to 2 kHz by approximately 10 dB at the 90° off-axis points. Your dialogue, foley, and sound effects can be recorded with full dynamics and clarity, thanks to the MKH 416-P48U3's wide frequency response, enhanced consonant articulation, and high SPL handling.
The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal handgrips.
The Auray WSS Series Professional Windshields deliver superior 360° wind protection with acoustic transparency. They are engineered for dramatic reduction of unwanted broadband wind noise and vocal pops with very little high-frequency loss, for exceptionally accurate recordings.
This WSS-2018 Professional Windshield has an inside depth of 7" and is designed for use with many shotgun microphones. It features a specially manufactured open-cell foam matrix surrounded by a layer of 0.9" thick simulated fur. This diffusion technology lowers wind velocity in a controlled air space around the microphone, thereby reducing wind noise without muffling the sound. It also features an airtight tapered rubber base that seals out wind from the rear of the microphone, greatly improving isolation and rear-wind protection.
When used on a shotgun microphone, this slip-on windshield is effective in minimizing wind noise and plosive sounds. It is most effective in light breeze to strong breeze conditions (4 to 25 mph), and you can generally expect a 24 to 40 dB reduction in wind noise with negligible dampening of high frequencies.
In addition to superior 360° wind protection, the WSS-2018 helps prevent moisture and dirt from damaging your microphone. The windscreen is designed to fit microphones from Rode, Sennheiser, Sanken, Sony, and others.
The WSS-2018 Professional Windshield for Shotgun Microphones is an advanced solution for outstanding wind protection with acoustic transparency.
The K-Tek KEG-100CC Avalon Series Graphite Boompole provides a moderately priced, lightweight boompole solution for ENG, EFP, and other field recording applications. Its sturdy graphite design is tough enough to endure the rigors of road use while remaining lightweight and travel worthy. This pole features an internally coiled cable and an XLR connection at the base of the pole. A total of 5 sections telescope between 2.2 to 8.8', and will easily store in any standard equipment case. The captive-collet coupling system locks each section in place for even further reliability.
The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (20') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.
Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (1.5') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.
Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
The Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie is a case designed to hold up to a 34" closed boompole with shotgun microphone, softie, and shock mount. Its interior end cap is strengthened to protect the bag from punctures. It features a zipper closure with protective interior lining to prevent snags and scratches. The bag is built with an interior pocket for accessories that opens or closes with hook and loop fasteners. An adjustable shoulder strap is included with a nametag holder.
The Auray Universal Microphone Pistol Grip is a handheld grip that features an ergonomic cushioned handle. This grip is great in "run & gun" situations in which a boom pole would be cumbersome, and in video scenarios in which the cameraman is also responsible for audio recording. The grip can be held with one hand, as opposed to a boom pole which requires two. It also provides the option of being able to record audio from a different direction than the camera is pointing, an advantage over camera mounting the mic. Furthermore, having the mic mounted off the camera prevents it from picking up motor noise from the lens focusing.
In addition, the grip features standard 3/8" threads on both ends. This allows you to attach your shotgun mic (with shockmount) to one end of the grip and mount the other end to a boom pole. This gives you the flexibility of being able to quickly detach the pistol grip and the attached shotgun mic from the boom, an option that can come in handy for entering areas that are too small for a boom pole.
