The ATM450 Cardioid Condenser Instrument Microphone from Audio-Technica is designed with a side-address capsule, allowing for easy placement and flexible positioning on percussion, guitar cabinets, piano, and similar applications. The cardioid polar pattern is effective in reducing off-axis noise and feedback, and the wide frequency response results in rich, natural detail. There is a low frequency roll-off switch for reducing low frequency ambiance and noise and a -10 dB Pad switch for providing additional headroom and minimizing noise caused by transient peaks. The package includes an isolation clamp, an adapter, a windscreen, and a soft protective pouch.
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Key Features
- Cardioid Polar Pattern
- Side-Address Microphone
- Integral 80 Hz HPF Switch and 10 dB Pad
- Rugged, All-Metal Construction
The ATM450 Cardioid Condenser Instrument Microphone from Audio-Technica is designed with a side-address capsule, allowing for easy placement and flexible positioning on percussion, guitar cabinets, piano, and similar applications. The cardioid polar pattern is effective in reducing off-axis noise and feedback, and the wide frequency response results in rich, natural detail. There is a low frequency roll-off switch for reducing low frequency ambiance and noise and a -10 dB Pad switch for providing additional headroom and minimizing noise caused by transient peaks. The package includes an isolation clamp, an adapter, a windscreen, and a soft protective pouch.
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Audio-Technica ATM450 Overview
Side Address Capsule
Side-address stick design maximizes placement options with minimal obstructions
80 Hz High Pass Filter
Integral 80 Hz HPF switch minimizes low frequency noise
10 dB Pad
-10 dB pad switch provides additional headroom and minimizes noise caused by peaking audio signal
Audio-Technica ATM450 Specs
Key Specs
| Microphone Type | |
| Polar Pattern | |
| Element Type | |
| Controls | |
| Frequency Response | |
| Maximum SPL | |
| Analog Output | |
| Power Sources |
Microphone
| Microphone Type | |
| Polar Pattern | |
| Element Type | |
| Sound Field | |
| Orientation | |
| Controls | |
| Pad | |
| Filter & EQ | |
| Circuitry |
Performance
| Frequency Response | |
| Maximum SPL | |
| Sensitivity | |
| Dynamic Range |
Connectivity
| Analog Output Connector |
Power
| Power Sources | |
| Operating Voltage |
Physical
| Color | |
| Mounting Thread Size | |
| Dimensions | |
| Weight |
Packaging Info
| Package Weight | |
| Box Dimensions (LxWxH) |
Audio-Technica ATM450 Reviews
A Great Go To Microphone - Using it for High Hat
By James
Rated 5 out of 5
Date: 2016-09-13
This is an ideal mic from the high hat and that is how it is performing for me. I appreciate the settings for this mic. My knowledge was initially built from other reviewers who obviously were not wrong in their assessment. Totally fit for purpose.
The next Neumann KM-184
By Carlos
Rated 5 out of 5
Date: 2008-06-01
sound really good on overheads, acoustic guitar, piano, hat, for me is side by side with neumann km-184 for just $200
See any errors on this page?
question
what applications are best for this mic?
I have 24 of these microphones that I use to mic an orchestra that tours with a trio of tenors singing with it.
The side address makes micing the strings super easy as with all of the other instruments. Violins, violas, cello, and bass are all wonderful sounding and the look with the side address mics is a lot cleaner than a regular front address mic.
I put away all of the 184s and now use the ATM450 with exceptional results.
Date published: 2024-01-08
