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MuxLab 500026 MonoPro XLR (Female)

BH #MUMPXLRF • MFR #500026
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MuxLab 500026 MonoPro XLR (Female)
Key Features
  • Connects Analog/Digital Audio Channel
  • Transmission via Cat5e/6 UTP
  • Transmits Line Analog Audio up to 5000'
  • Transmits Digital Audio up to 1400'
The MuxLab 500026 MonoPro XLR (Female) transmits standard AES analog up to 5000’ (1.5km) via Cat 5 and digital audio up to 1400’ (426m) via Cat5e/6. It features a heavy-duty cable strain relief for harsh environments and locking XLR3-F connectors for providing versatile cabling solution. As the wires terminate inside the balun, the MonoPro XLR can be used as a solderless connection point for standard shielded audio cable.
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MuxLab MonoPro Overview

The MuxLab 500026 MonoPro XLR (Female) transmits standard AES analog up to 5000’ (1.5km) via Cat 5 and digital audio up to 1400’ (426m) via Cat5e/6. It features a heavy-duty cable strain relief for harsh environments and locking XLR3-F connectors for providing versatile cabling solution. As the wires terminate inside the balun, the MonoPro XLR can be used as a solderless connection point for standard shielded audio cable.

Transmits standard AES analog audio up to 5000' (1.5km) via Cat 5
Transmits digital audio up to 1400' (426m) via Cat5e/6
Supports UTP or STP
Features a heavy-duty cable strain relief for harsh environments
Locking XLR3-F connectors - for providing versatile cabling solution
2 screw terminals for signal
1 screw terminal for optional shield (ground)
Can be used as a solderless connection point for standard shielded audio cable
Robust design for professional use
Fire-retardant plastic (UL94-V0)
FCC and CE regulatory standards
UPC: 627699000267

MuxLab MonoPro Specs

Environment
Analog Audio: Balanced line level or microphone analog audio
Digital Audio: Balanced line level digital audio
Signal Amplitude
Analog Audio: Phase polarity sensitive
Digital Audio: Not polarity sensitive
Impedance
Analog Audio: Output: 600 Ω / Input: 600-20kΩ
Digital Audio: 110 Ω
Signal
Analog Audio: Professional balanced analog line level or microphone
Digital Audio: Professional balanced digital line level
Maximum Distance
Analog Audio
Line level: 5,000' (1.5 km)
Mic level: 3,000' (914m)

Digital Audio
32 kHz: 1,400' (426m)
44.1 kHz: 1,300' (396m)
48 kHz: 1,250' (381m)
96 kHz: unspecified
Frequency Response
DC to 6 MHz
Transmission
Transparent to the user
Insertion Loss
Less than 1 dB/pair from DC to 6 MHz - per balun pair
Return Loss
Less than 15dB from DC to 6 MHz
Common Mode Rejection
Greater than 45 dB
UTP
24 gauge or lower solid copper twisted pair wire
Impedance: 100 Ω at 1 MHz
Maximum capacitance: 20 pf/foot
Attenuation: 6.6 dB/1000' (305m) at 1 MHz
Connectors
Audio: XLR female (3 pin)
UTP: 3 screws (2 signal, 1 ground)
Pins
XLR Pin 1: Shield
XLR Pin 2: Positive
XLR Pin 3: Return

UTP Pin 1: Ground (optional)
UTP Pin 2: Tip [T]
UTP Pin 3: Ring [R]
Strain Relief
Threaded and tapered cable grip mechanism
Temperature
32 ~ 131°F (0 ~ 55°C)
Enclosure
Fire retardant plastic. UL94-V0
Dimensions
1 x 1.9" (25 x 48mm) - plus 5" (127mm) lead
Weight
2.6 oz (75g)
Packaging Info
Package Weight
0.14 lb
Box Dimensions (LxWxH)
7.9 x 6 x 0.8"

MuxLab MonoPro Reviews

Noisy

By Ivan
Rated 1 out of 5
Date: 2021-02-04

Useless...

Works great

By Jimmy
Rated 5 out of 5
Date: 2014-09-19

I bought both this and the XLR male side, so this review is for both items. In short they work great, I've used some older audio to UTP adapters in the past with good results but they were for unbalanced connectors and were clunky. These have good build quality, and have a terminal style connect for the UTL cable, requiring only 1 pair of wires. I just put a couple of RJ45 ends on both sides as that suited my needs, but its nice to have the option to just go straight to whatever wire you are using. In this case I was working on an install where the original integrators thought it would be a good idea to run all their audio right on top of power, so I needed another way to feed audio from one side of a building to another. Running new cable was not an option, but luckily there was a spare cat5e cable which I was able to use and patch throughout the building to where the feed was needed. Using these adapters cleared up a long standing sound quality issue and left everyone very happy with the solution. For reference the total length of the cable used was around 500'.

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