Wedding photography is a popular and lucrative genre of the industry. After all, weddings are an extravagant, emotionally charged event at which expectations run high. Couples put their trust in you as the photographer to capture this unrepeatable day, and second best just won’t cut it. Wedding photography takes a dedicated, skilled individual.
We all know it’s not the camera that takes the photo; it’s the photographer. That being said, having the right equipment makes all the difference. In this guide, we’re going to explore the tools you’ll need to take your wedding photography up a notch, or to fill the gaps in your current kit.
Full-Frame (Main) Camera
When it comes to choosing a camera for weddings and events, there isn’t much debate. Full-frame interchangeable lens cameras are a must. Larger sensors provide superb detail and perform better in low light. The result is a cleaner photo that can be cropped or enlarged to a greater degree with little to no impact on image quality.
At the higher end, mirrorless cameras like the Sony A7RV, Nikon Z8, and Canon EOS R5 Mark II are common choices among experienced shooters. All three cameras have high-resolution imaging sensors, robust construction, superior weather sealing, and are reliable, even under extreme use.
Enthusiast-level cameras are equally desired among wedding shooters. While lacking some features found in the pro-level models, these cameras have some tricks under their sleeves. Many have a lower resolution sensor. While that may sound like a drawback, it can be quite the opposite. Lower resolution sensors have an even greater advantage in low light thanks to larger individual pixel wells. The bigger the pixels, the better their light gathering capabilities, and the better your images look at higher ISOs.
This is why some photographers prefer cameras like the Canon R6 Mark II, Nikon Z6 III, or the Sony A7S III with just 12 megapixels. If not your main weapon, any of these cameras can make excellent backups.
Second Camera (Backups)
You’ve been tasked with capturing someone’s special day, and your camera goes down. What do you do? Well, most pros have a second or backup body handy for just such an occasion. Some may even have a third for emergencies. This should ideally be a camera that compliments the quality of your main body. It does not have to be the same model. While two of the same bodies guarantee complete consistency between cameras, it’s not a requirement.
If you’re shooting a higher end body like the aforementioned Z8, the Z6 III could make for an appealing second body. Additionally, there are entry-level Full-frame cameras available like the Nikon Z5 II, and the Canon EOS R8 that offer comparable image quality in a smaller, less expensive package.
While it’s commonplace to trade your existing camera in when upgrading, it could be advantageous to keep your old camera as a backup. You’re likely already familiar with the controls, so it’ll be comfortable to switch back to if need be.
Lenses
The faster the glass, the better. Fast zooms and primes are staples of the professional wedding photographer’s bag. Fast or wide apertures let more light reach your imaging sensors which allow you to shoot at lower ISO’s and higher shutter speeds in low light. They also deliver a narrower depth of field, creating buttery smooth backgrounds and greater subject isolation in the frame.
Zooms
The most popular and versatile of all wedding lenses has to be the 24-70 f/2.8. From group portraits at 24mm to detail shots at 70mm, this lens can do it all. Even at the wider focal lengths, this lens can provide stellar backgrounds and exceptional bokeh. A close second has to be the 70-200 f/2.8. At 200mm and f/2.8, this is the perfect lens for tight portraits, intimate details, and candid interactions at a distance. Some newer lenses blend elements of these two lenses into one like the Tamron 35-150mm f/2-2.8 Di III VXD.
Primes
Many photographers also prefer to use prime (single focal length) lenses. They’re generally more compact than their zoom counterparts and offer even wider maximum apertures. 35mm is the ideal focal length for groups while 85mm and even 135mm can be used for tight portraits and details. With primes, you can pack more lenses in your bag and get stunningly rendered backgrounds.
Macro Lenses
Macro lenses have a few shining moments on a wedding job. Rings, floral arrangements, and even details on the dress can be photographed in fantastic detail with a macro lens. Longer telephoto macro lenses can even double as portrait lenses in a pinch.
Wide-Angle Lenses
Wide-angle lenses like a 16-35mm f/2.8 are crucial for large group shots and allow you to get up close and personal for fun and important moments on the dance floor like the first dance. A lesser-known use is for venue shots. The wide field of view gives you the ability to capture ballrooms, churches, and outdoor ceremony spaces from floor to ceiling.
Other Lenses
Tilt-shift lenses, fisheye lenses, and even special effect lenses can have a place in your bag. You may only use them for a few shots, but a surprising amount of them will make it to the wedding album.
Lighting
On-Camera Flash
An on-camera flash is an invaluable tool, especially in a dimly lit church or reception hall. This will likely be your primary light source for illuminating and isolating your subject. While there are many options available, stick to units with rechargeable Lithium-Ion batteries like the Godox V860 III or Wescott FJ80 II. Li-ion batteries are longer lasting and have faster recycle times. This means you can fire at full power again and again with little to no delay. Just as you would with your camera body, you’ll want at least two flash units if not more.
Off-Camera Flash
The right off-camera flash can take your photography to the next level. Using powerful strobes like the Westcott FJ400 II or Godox AD300pro, you can produce magazine quality portraits of the bride and groom. During the ceremony and reception, use your on-camera flash in tandem with your strobe. The strobe can illuminate the room itself to produce bright, evenly lit images throughout the wedding.
Stands
For any off-camera light, you’re going to need a light stand. Make sure the stand can get your lights to the desired height and use sandbags to secure the base.
Modifiers
Modifiers are the tools you need to shape light. The most commonly used modifiers are soft boxes or beauty dishes. Soft boxes are great for diffusing light over a large area, but if you’re bringing your light closer to the subject, a beautiful dish is the better option. The octagonal shape of a beauty dish creates a soft but crisp quality of light and natural-looking catchlights in your subjects’ eyes.
Filters
A CPL, or circular polarizer filter, may turn out to be quite handy when photographing reflective surfaces such as water, windows, glassware, or even rings. CPLs have the added ability to make the sky look a bit bluer and can even intensify saturation on certain surfaces by removing glare and reflections. Note that these filters do impact your camera’s light gathering ability by absorbing about 2 stops of light.
Tripod
While not a tool you’ll need often, a tripod is the perfect way to keep your composition consistent while photographing family portraits with the bride and groom. Simply frame up your first shot and make minor adjustments from there. This may very well be the only time you need a tripod during the day, but it’ll allow you to focus on controlling the crowd.
Drones
Drones are relatively new to the wedding world and are becoming more and more popular. Aerial shots add some diversity to your portfolio and will surely give your clients some unique perspectives at their special day. Like some of the less commonly used lenses, you may only use a drone for a few shots, but they’re sure to make it into the album.
Get certified before you fly, and make sure the venue is ok with you flying it around their property before liftoff. Additionally, it’s important to learn more about drone safety and where you can fly them before getting started.
Bags
Wedding pros employ a wide variety of bags to get their gear from point A to point B. There’s a lot of gear to transport, from cameras and lenses to flash units, strobes, light stands, and other accessories. With all bags it’s important to maintain a style of professionalism. Simply put, don’t wear a neon orange bag covered in ornaments and patches onto the dance floor. You’re meant to be a fly on the wall, not a distraction.
Rollers
Rolling cases are the most practical way to get your main arsenal of gear around. They glide across the floor, take the weight off your shoulders, and can easily be stood up under a table or behind the DJ booth. These bags are spacious, well padded, and won’t wrinkle up your attire. The Think Tank Photo Roller Bags are known for their durability and smooth wheels. There’s a reason so many pros choose them as their main bag.
Backpacks
Alternatively, you may opt for backpack. Despite the benefits of a roller, sometimes they’re just not practical. Backpacks often allow you to access your gear without completely removing them, making them great on the move. Bags with side access are especially useful if you need quick access to a lens.
Cross-body bags & Pouches
Once on location, you can get your gear situated as needed. If you’re lucky enough to have spacious pockets, throw an extra battery and memory card in there. If not, invest in a small waist bag or pouch that you can wear or attach to your belt for quick and easy storage. Put any items that you may need in moment’s notice in there to save yourself from a rushed trip back to your backpack or roller.
