Search results for: photography features ai depth of field
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by Mathew Malwitz · Posted
The most engaging portraits seem to have direct eye contact between subject and viewer, as if the camera were simply a window through which we’re looking. But is it that simple? So much goes into making a good portrait, can success simply come down to eye contact between subject and camera and is it even necessary to concentrate on the eyes for a portrait? There are certainly wonderful portraits that do not focus exclusively on the eyes that illustrate character with other aspects of the body, from posture to hands, but as an introduction to
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In 1972, the OM-1 35mm film camera brought pro performance to a smaller, more compact SLR. Today, OM SYSTEM is launching the digital OM-1, a Micro Four Thirds format flagship camera, and new M.ZUIKO 12-40mm f/2.8 and 40-150mm f/4 PRO zoom lenses. The OM-1 camera and its optics bring eye-watering specs to a smaller, lighter mirrorless interchangeable-lens camera system specifically designed for travel and adventure photography
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Sony’s latest full-frame mirrorless camera, the Alpha a7 IV, seeks to redefine what it means to be an all-around full-frame mirrorless camera. Inheriting a BIONZ XR image processor and AI-based AF from Sony’s Alpha 1 flagship camera while unveiling an all-new 33MP Exmor R image sensor, the a7 IV promises to be an attractive mid-tier entry into Sony’s full-frame mirrorless system. With special attention paid to advancing photo and video functionality, the a7
by Allan Weitz · Posted
Panoramas are visually interesting, and that’s why Panorama modes can be found on many consumer cameras. Simply set the camera to Panorama mode, frame your shot, and follow the panning instructions in your viewfinder. Move slowly, evenly, and keep your camera level with the horizon. If your camera is on a tripod, so much the better. Do it right and you get a terrific panoramic image of up to 360 degrees, depending on how you set your camera.
I have long been a fan of panorama imaging, you can imagine my surprise when I realized my
by Todd Vorenkamp · Posted
How difficult is it to be a virtually brand-new lens-manufacturing company in today’s digital world? I am guessing it is not easy. Luckily, you have the Internet available as a marketing tool, but you are also entering a competitive arena to battle for sales against several companies that are more than 100 years old and have passionate and dedicated brand loyalists as their customers. Enter 7Artisans—a true startup in the world of lens manufacturers. Many “off
by Allan Weitz · Posted
Wide-angle lenses often add depth and drama to landscapes, architectural photographs, still-life, and other genres of photography. When employed judiciously, these lenses make a great addition to the kits of sports, adventure, and wildlife photographers, and are also an important option for portraitists who wish to include an environmental context. For the casual photographer, they are indispensable when shooting groups, such as friends gathered around a table. The wide-angle view can often provide a very short focus distance, allowing the
by Josh Taylor · Posted
Opting for a used camera in excellent condition can be a great way of acquiring a high-quality, high-performance machine at a very attractive price. To give you a heads-up on some of the best deals out there we’ve carefully selected 10 cameras—five digital and five analog—that will give you a substantial bang for your buck and also fit seamlessly into your present system. There’s always an element of subjectivity in compiling an “A-list” like this, and there are certainly many other fine choices available in both categories.
Because digital
by Shawn C. Steiner · Posted
Voigtlander has officially unveiled their latest lens update: the Ultron 40mm f/2 SL IIS Aspherical Lens. Designed for full-frame Nikon F-mount cameras, this slightly-wider-than-normal focal length provides a very natural perspective that makes it a much-loved choice for many shooters. This lens also features a fast f/2 aperture for shallow depth of field and incorporates a double-sided aspherical lens and ultra-high refractive index
by Justin Dise · Posted
Whether you’re assembling a personal lens kit or compiling the equipment-rental list for your next film, selecting a lens package is an important decision. It can also be a daunting one, especially if you’re new to the game. So what lenses should you get? A complete set of primes? A couple of zooms? Both? The answers aren’t always clear. Ask ten DPs what their favorite lenses and focal lengths are, and you’ll likely get about as many answers.
The fact is that everyone has his or her own preferences, from focal length to build quality, to a