Search results for: photography tips solutions 10 stop nd filter photography
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by Mathew Malwitz · Posted
As you begin to experiment with exposure, you’re likely to find many creative tricks. For example, one of the most visually stunning compositions you can capture is one where moving water is blurred while the rest of the scene remains tack sharp. You know the look. It’s a much sought-after effect that is quite easy to capture, once you know how. In order to achieve this look, your exposure must go on for a
by Mathew Malwitz · Posted
For macro photographers, having the right gear is essential. Magnification and lighting are key, but you don’t necessarily need the biggest, priciest macro lenses out there to get close-up shots. If you’re a macro photographer yourself or buying a gift for one, we have some excellent recommendations for every budget.
Gifts Under $50
1. Close-up macro filters (like this Macro Lens
by Todd Vorenkamp · Posted
Is the solar-photography filter a one-trick (or eclipse) pony? After the solar eclipse, does your solar-photography filter become a paperweight, a forgotten photo accessory in the bottom of your drawer, or is it destined for the classified section of a local newspaper in the path of the next eclipse? Before you retire your solar filter, know that you can use it for a few interesting things before the next eclipse!
Generally, a neutral density (
by Stepan Andranikian · Posted
Following its electrifying debut in 2020, the Sony FX6 quickly established itself as a true powerhouse in the world of compact cinema cameras—thanks, in part, to its exceptional image quality, low-light dominance, and feature-packed design. Today, Sony's Cinema Line is more robust and well-rounded than ever, with the FX6 sitting firmly between the tried-and-true FX9 and the more recent FX3.
by Todd Vorenkamp · Posted
When the moon passes directly between Earth and the sun, those on Earth are treated to one of nature’s greatest spectacles—a total solar eclipse. It is a phenomenon that almost every observer would like to capture in a photograph.
Due to the rarity of the event, the short duration in which to capture it, and the dynamic nature of the subject, it is one of those photographic opportunities that requires the proper gear, setup, planning, and practice.
Eclipse and solar
by Shawn C. Steiner · Posted
Time lapses feel a lot like photography during capture stages and a lot like video during the editing process. Creating them is a common progression for photographers looking to dip their toes into video and motion because you can start making high-quality time lapses with your current still photo equipment. If you are starting to tackle time-lapse projects, applying some video tricks can help smooth out your final product.
The Absolute Basics
I’m hoping that by the time you make it to this article you already have a basic understanding of how
by Jill Waterman · Posted
Each autumn, as the days get shorter and the weather cools, chlorophyll production slows in hardwood trees and bushes, causing leaves to lose the vibrant green of summer. As these conditions overtake the map, nature puts on a brilliant show of color in many parts of the United States. The changing of the leaves follows a rough pathway from north to south, starting in early September and often lasting into November in southern locales.
Above photograph: Colorado Gold, Maroon Bells Scenic Area © Bryan Carnathan
Fall foliage season is a big draw
by Allan Weitz · Posted
Image sharpness is an important part of the equation when purchasing a new lens. Who among us has purchased a lens without first inquiring about, among other things, how sharp the lens is? Anybody?
Don't get me wrong. Lens sharpness is an important piece of criteria when it comes to purchasing a new lens and that's because, just like you, I only want sharp lenses regardless of whether the lens is a pricier OEM lens or a lower-priced, third-party lens. If the lens isn't sharp, "Feh—I don't want it."
Photographs ã Allan Weitz 2020
by Mary Latvis · Posted
When I’d perform a camera package checkout as a camera assistant, if there was any chance that we’d be shooting outside during the day, guess which filters I would add to the order? Neutral Density filters (aka NDs)! Even if they were not part of the original order, any production office coordinator (P.O.C.) worth their salt would approve this addition by the A.C. Read on to discover why, next to a polarizer, these are the filters most essential to your video shoot.
Shallow depth of field, daylight
ND Basics
Neutral: meaning there’s no
by Bjorn Petersen · Posted
As wintertime approaches and temperatures begin to drop, certain precautions and preparations should be taken in to improve your photographing experience during this most beautiful time of the year. Wintertime provides a unique opportunity to photograph your surroundings, either nearby or whilst traveling, in a manner unlike any other time of the year.
The quality of light and activities taking place during this season are undeniably special, as are the weather-related conditions that bring an extra challenge to your everyday shooting. Unlike
by Dawn Wayand · Posted
Generally, photographers are taught to shoot in the early morning hours, or around the “Golden Hour” (sunset/twilight hour) for the best light, because the light of midday afternoon is too harsh or too bright for making well-balanced exposures. However, if we were limited to just those nominal number of hours per day to capture a photo, we would miss many opportunities for great photos and decisive moments.
by Theano Nikitas · Posted
The smell of fresh sea air, miles of beautiful sandy beaches, and the lulling sound of the ocean may make for a perfect vacation spot, as well as an idyllic setting for a wedding. As beautiful as beach weddings may be, photographers face many challenges when capturing a couple’s special day by the sea. To assist you in troubleshooting this refreshing wedding photography niche, we spoke to several photographers who shared many of the challenges (and some of the rewards) that they face when shooting beach weddings.
Above photograph © Christina
by Todd Vorenkamp · Posted
Many of us have been there. We get into photography and then we start getting more serious about the art, craft, hobby, or profession. Eventually, the “kit lenses” don’t seem to cut it any longer. Regardless of your path through the world of photography, it is likely that you set your gaze on the camera bag of a professional photographer and saved your hard-earned nickels to buy a set of “pro” lenses. Those lenses usually include the triad of f/2.8 aperture zooms covering wide (14-24mm), mid-range (24-70mm), and telephoto (70-200mm) needs.
by Allan Weitz · Posted
As a working photographer, the center of the universe is your camera bag and its contents. Your cameras and lenses are the tools of your trade. As you may have noted, both are mentioned in plural because just as you wouldn’t jump out of an airplane without a backup parachute, you shouldn’t attempt to photograph an emotionally spiked, non-repeatable event armed with only one camera. The same applies to lenses, too. The many aspects that comprise shooting weddings—portraits, the ceremony, dimly lit environs, tight, crowded quarters and bright
by Daniel Wagner_1 · Posted
There are several schools of thought regarding whether or not a Rolleiflex TLR is a good camera for street photography. On the negative side, the exposures per roll are limited to 12, the vintage design often attracts attention, and it takes longer to advance the film to the next frame. On the positive side, the camera can be operated stealthily by shooting from the waist and/or aiming the camera perpendicular to the direction you’re facing; the 120 negative is much larger than its 35mm counterpart; and the leaf shutter is quieter and has