Search results for: photography tips solutions macro photography rails
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by Mathew Malwitz · Posted
For macro photographers, having the right gear is essential. Magnification and lighting are key, but you don’t necessarily need the biggest, priciest macro lenses out there to get close-up shots. If you’re a macro photographer yourself or buying a gift for one, we have some excellent recommendations for every budget.
Gifts Under $50
1. Close-up macro filters (like this Macro Lens
by Todd Vorenkamp · Posted
Macro photography is one of those technical subsets of photography that leans heavily on the photographer having the proper gear. While you don’t truly need a macro lens and tripod, they are almost essential to successful macro photography. If you have a macro lens and tripod and you have embarked on the awesome exploration of the tiny world around you, you may have noticed that precision macro focusing is one of the challenges of macro photography. No worries, however! There is
by Tim Ireland · Posted
Macro photography allows photographers to explore the intricate details of subjects at a 1:1 or greater magnification ratio. However, capturing sharp, stable, and well-lit macro shots can be challenging, due to factors like camera shake, focusing difficulties, and lighting issues. This comprehensive guide will delve into the support systems and related tools that can enhance your macro photography experience, addressing specific challenges that may arise.
Stabilization Tools
Studio Stands: Studio stands are large, stable support systems
by Todd Vorenkamp · Posted
Macro and close-up photographers often employ the technique of “focus stacking” to increase the depth of field in their images. While this is often done in a controlled studio environment with a sturdy tripod or support and sometimes the benefit of macro focusing rails, it is possible to use this technique out in the field armed only with a minimal amount of gear. Handheld focus stacking is challenging, fun, and can produce some great results.
by Todd Vorenkamp · Posted
The art of photographing the wristwatch is known as one of the most challenging aspects of still life photography. Between the relatively small size of the timepiece, reflective sapphire and acrylic crystals, shiny elements on the watch face, matte leather or nylon straps, etc., there are a multitude of surfaces with different properties and reactions to light and the camera.
Photographs ©Todd Vorenkamp
If you are a lover of the wristwatch or a horologist, you
by Cory Rice · Posted
When it comes to product photography, few items can be as frustrating as jewelry. Reflective surfaces, tiny details, and amorphous shapes are just a few of the challenges confronting photographers brave enough to tackle this subject. Luckily, with the right tools and a little planning, many of the headaches associated with jewelry photography can be greatly reduced.
Choosing the Right Camera Setup
Most cameras fitted with normal-length to telephoto lenses can produce passable results photographing jewelry. However, if you want the best-quality
by Todd Vorenkamp · Posted
For some reason, any web search for “extreme macro photography” takes you on an express train to the land of bugs. But, if you are like me, and not a fan of close-up macro photos of bugs, you might enjoy this guide on how to do extreme macro photography because we will not be seeing any bugs here! Sorry, entomologists, I prefer non-organic subjects for my extreme macro work.
by Todd Vorenkamp · Posted
I don't know what it is like in your home, but the person I live with only temporarily tolerates my photographic filth. I have issues with putting my camera bag away in a closet—that seems sacrilegious—so it stays out most of the time, but when lenses, lens hoods, tripods, lens caps, memory cards, nodal rails, macro rails, dust blowers, and adapters end up strewn across the place, there is the potential for Marie Kondo-like interventions. Maybe you are a minimalist shooter with everything camera-related you own in one small shoulder bag. But
by Todd Vorenkamp · Posted
I like shiny things, but I have never really had a reason to buy or own jewelry—I’d rather buy camera gear. I have, however, always wanted to photograph beautiful diamonds and rings. Unwilling to enter the jewelry business for photographic purposes, the arrival of the new Fujifilm XF 80mm f/2.8 R LM OIS WR macro lens and super-generous access from the very nice people at Ken and Dana Design in