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by Todd Vorenkamp · Posted
One of the magical aspects of modern photography is the ability to review an image instantly within our EVF (electronic viewfinder) or right on the back of the camera.
Frequently, one possible mistake that digital photographers make is when reviewing an image on their camera—they evaluate exposure based on the reproduced image. Why might this be a mistake? Well, both your camera’s LCD and EVF likely have adjustable brightness. Also, you might be viewing your images in bright sunlight or in the pitch black of night. Just as viewing a computer
by Mathew Malwitz · Posted
As photographers, especially wedding photographers, one of the best parts of a job is delivering the final images to clients. Sure, it comes with the anxious anticipation of waiting for that “we LOVE them” email from the client but, it’s a box to check off in your workflow. Deciding exactly how you deliver those images in the age of instant gratification presents its own set of questions, decisions, and trade-offs. What, then, are the best and worst options for delivering photographs? Well, it’s going to vary from photographer to photographer
by Cory Rice · Posted
Macro photo studios share many of the same basic needs and equipment as traditional photo studios—just on a smaller scale. This reduction in size both lowers the cost of entry into the genre while inviting creativity from resourceful DIY photographers. Below are some tips for expanding your macro studio using items around the house or easily obtained from local art, craft, or hardware stores.
One of the most versatile tools in any photo studio is the
by Zack Young · Posted
Any photographer worth their salt should be familiar with portrait photography, but they’re likely less familiar with high-volume photography, an offshoot of traditional portraiture that focuses on providing large quantities of professional-level headshots. The most common clients for this type of work include schools, sports teams, large corporations, government-run entities, and basically any other organization that needs a sizeable amount of quality headshots in a short amount of time. Because of the economies of scale, high-volume
by Todd Vorenkamp · Posted
When the moon passes directly between Earth and the sun, those on Earth are treated to one of nature’s greatest spectacles—a total solar eclipse. It is a phenomenon that almost every observer would like to capture in a photograph.
Due to the rarity of the event, the short duration in which to capture it, and the dynamic nature of the subject, it is one of those photographic opportunities that requires the proper gear, setup, planning, and practice.
Eclipse and solar
by Todd Vorenkamp · Posted
Why would you use an instant printer to print your photographs? Most people immediately visualize taking a snapshot of a friend or loved one and handing them a photograph—and that is an absolutely perfect answer to the question. However, since many of us have gotten accustomed to the print-free life of digital photography, it might be good to brainstorm and discuss some uses for the photographic print—specifically, but not limited to, the FUJIFILM INSTAX instant
by Allan Weitz · Posted
If the longest telephoto lens you own never seems to get you in tight enough to your subject, you have three choices. The first is to get up and get physically closer to your subject. If you can’t, for whatever reason, do this, you can either take the picture as is and crop it to your liking post-capture, or you can use a teleconverter.
Photographs © Allan Weitz 2021
Either method will work, albeit at a cost. As for the price of cropping versus the price of
by Todd Vorenkamp · Posted
1. Shoot every day Like any skill, the more you do it, the better you can get. The best camera you have is the one in your hand, so if you aren’t out with your full DSLR kit, don’t be afraid to take great photos with your cell phone camera or a point-and-shoot. Photography is photography, make pictures with a camera. Any camera.
2. Always have your camera near Pull up a chair and I can describe two amazing scenes that have been indelibly embedded in my mind. Unfortunately, for the first, my camera was broken (I was at sea, far from
by Todd Vorenkamp · Posted
Thirty? Really? Thirty questions for every photo? The title of this article might make you think there’s a burdensome checklist that must be completed every time you release the camera’s shutter.
There is not.
However, if you want to take your photography to new dimensions, this list of questions—some dealing with the physical act of the photograph and some dealing with the inner thoughts behind the image—might be just what you need to get your head, feet, or camera in the right place, to help make a good photograph great or a great photograph
by Todd Vorenkamp · Posted
So, you just bought a shiny, new, and maybe expensive, lens for your camera, and being the savvy consumer, you did your homework. You pored over customer reviews on the B&H Photo website, read online reviews splattered all over the Internet, grabbed a copy of every photo magazine that reviewed the lens, bookmarked dozens of websites, and now have the lens’s MTF curve charts burned into your retinas.
Now, your lens is here and it is time to go out shooting.
by Shawn C. Steiner · Posted
Even when you’re photographing distant landscapes with wide-angle lenses, you may notice that the image doesn’t look as sharp as you thought it would. Or perhaps some objects are tack sharp, but as you look farther into the foreground or background, it loses some of that detail. One solution is to use a technique known as focus stacking to ensure your images are as sharp as possible throughout the entire image.
What Is Focus Stacking?
A popular technique for macro and product photography, focus stacking is a technique in which multiple images
by Cory Rice · Posted
Portraiture is a collaborative process. Mastering the technical skills necessary to make a successful photo is only half of the job for the portrait photographer. The other half is managing and working with people. The best portraits offer more than just a record of how a person looked on a particular day; they provide a glimpse inside of that person. The challenge for the portrait photographer is in creating an environment and establishing a rapport that can accomplish this goal, often in a very short amount of time. The tips below should
by Bjorn Petersen · Posted
During the times when going out to shoot is either not possible or just not necessary, you can still use your spare, indoor time to refine some other critical skills for your photography practice, namely post-production. In our current photo world, where half of the job is editing and organizing your photos, it really pays to be on top of your editing game, regardless if you’re a working pro or a casual hobbyist. The more familiar and experienced you are with your craft, the easier and more fun it becomes.
For photographers,
by Bjorn Petersen · Posted
Even though printing in the darkroom isn’t nearly as popular as it once was, the popularity of shooting film has been on the rise for the past few years. Rather than printing traditionally, many photographers are turning to scanning as an integral step in their film-based workflow, perhaps before making an inkjet print. This hybrid method is championed by many because it benefits from both schools of photography: you get the distinct filmic look from shooting real film, along with the experience of working with an older camera and lens, but
by Jill Waterman · Posted
The photo community has a unique advantage over other art forms. As the most democratic of the arts, photographs, by their very nature, are among the most easily shared and viewed. This has given rise to an abundance of photographic portfolio reviews. In recent years, the portfolio review has become ubiquitous in the field of photography, providing a venue for photographers of all levels, from students to enthusiasts to accomplished professionals. Opportunities for critique, feedback, and professional connection are also available within a