Search results for: photography tips techniques shallow depth of field
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by Todd Vorenkamp · Posted
Do you want to preserve the memory of that awesome neighborhood fireworks show? Let's discuss the best ways to try to make a memorable photograph commemorating the event.
Before we get started, let me say that there are many ways to accomplish fireworks photography and no technique is usually worse or better than others. The only thing that really matters as you head home after the show is:
You enjoyed the photographic process.
You are left with a photograph or photographs that you personally enjoy.
You enjoyed the fireworks show!
by Mathew Malwitz · Posted
The most engaging portraits seem to have direct eye contact between subject and viewer, as if the camera were simply a window through which we’re looking. But is it that simple? So much goes into making a good portrait, can success simply come down to eye contact between subject and camera and is it even necessary to concentrate on the eyes for a portrait? There are certainly wonderful portraits that do not focus exclusively on the eyes that illustrate character with other aspects of the body, from posture to hands, but as an introduction to
by Todd Vorenkamp · Posted
Great products deserve (and often receive) great product photography. Whether you are photographing items for online sales, Internet auctions, or simply taking still life photos of a prized possession, there are some simple (and relatively inexpensive) gear and tips that can help your photos stand out from the others.
Online Auctions & Internet Marketplaces
We’ve all seen sub-par product images online. Let’s face it, they do not want to make you reach for your credit card or increase your bid. Smartphone snapshots are perfectly fine if you
by Todd Vorenkamp · Posted
One of the first words I learned how to say was, “Moon.” All of my life, I have been fascinated by our natural satellite and I have been photographing it for as long as I have had a camera. My photos have gotten better over the years, but I still search for the perfect photo of the moon. Here are some tips and thoughts for your own lunar photography.
Above photograph: A waxing gibbous moon the day before the full moon. FUJIFILM X-T1; Leica APO-Televid 77 spotting scope @ 1000mm (1500mm, 35mm equivalent); f/13, 1/500-second, ISO 200
by Todd Vorenkamp · Posted
If you are selling a used car online, one great way to make your car stand out from the rest and attract more attention is to up your photo game. You don’t need to be a professional photographer to capture compelling images of the car or truck you are ready to sell—a few simple tips can help your photos grab the attention of possible buyers.
Photographs © Todd Vorenkamp
You’ve seen the standard used-car photo—the boring shot taken outside a dealership, in a driveway or crowded parking lot, midday, from standing eye level, of a sterile-looking
by John Harris · Posted
What can you do with a high-end telephoto lens? Be a boss, is what you can do. I mean, c’mon! Strutting around the sidelines or cuttin’ through the bush with one of these beasts resting on your shoulder―not only do you look tough, but you’re also carrying a lens that you need to get the best photos in sports and wildlife photography. When I say best, let’s not underestimate the greatness of photographers who can create wonderful images with a wide-angle lens or even a telephoto of lesser quality, but to really excel in the disciplines of
by Todd Vorenkamp · Posted
Specular out-of-focus highlights have appeared in photographs since the first photos were taken through lenses. In 1997, Photo Techniques magazine introduced the word “bokeh” to the photography world’s vernacular and the out-of-focus areas of photographs have been scrutinized ever since. Before the term, there was certainly discussion about the aesthetics of the out-of-focus specular highlights of a photograph, but until 1997, there wasn’t a good word in the English language to describe the phenomenon. Credit goes to Mike Johnston, article
by Todd Vorenkamp · Posted
Texture is one of those multi-sensory things that we can feel with our sense of touch and “feel” visually with our eyes. Because texture transcends the senses, we must account for it when we create photographs. Sometimes the goal is to accentuate a specific texture. Sometimes we wish to “smooth” the texture visually. How you light your subject has a lot to do with how you reveal, or hide, texture.
Photographs ©Todd Vorenkamp
by Todd Vorenkamp · Posted
Shallow depth of field (DOF) is one of the visual effects that many photographers seek in their everyday photographs. To accomplish this, there is the grail quest for lenses with larger and larger maximum apertures. In the world of macro and
by Todd Vorenkamp · Posted
Macro and close-up photographers often employ the technique of “focus stacking” to increase the depth of field in their images. While this is often done in a controlled studio environment with a sturdy tripod or support and sometimes the benefit of macro focusing rails, it is possible to use this technique out in the field armed only with a minimal amount of gear. Handheld focus stacking is challenging, fun, and can produce some great results.
by Todd Vorenkamp · Posted
Raise your hand if you, like me, have arrived at a scenic vista and, standing next to the brown sign with a camera on it, have stood exactly where we were supposed to, raised our cameras to eye height, looked though the viewfinder, and taken the perfect postcard shot. While there is nothing wrong with that approach to landscape photography, there are a few techniques that you can employ to give your photographs a bit more visual appeal and, more importantly, make them stand apart from the image(s) you might have remembered when I asked you to
by John Harris · Posted
Bokeh is a word that carries a lot of weight in modern photography circles and can, surprisingly, breed heated conversations, but what does it really mean and how does it apply to portrait photography? As an introduction, consider the word—which is derived from the Japanese term for “blur” or “haze”—to mean the aesthetic quality of the out-of-focus parts of an image surrounding an in-focus subject. It is not simply something not in focus, it is a product of shallow depth of field and can be quite beautiful on its own, but also lends to
by Jill Waterman · Posted
This project has been all these things so far: Nights of no sleep, nights of bone-chilling cold, nights spent under the clouds. But it could also be described as 100 nights of learning. I learn something new every time I head out for a shoot. Time-lapsing is a whole new photographic art form that I have been exploring. I can’t use techniques like focus stacking and exposure blending in the same ways I can while shooting still images, so I’ve had to learn how to get the most out of a single image, or 600 single images all put together.
Photos
by Jill Waterman · Posted
The bright lights and lively bustle of the city at night is especially captivating to photographers, who have long sought to capture this rich spectrum of color, contrast, and motion in images. Yet there is more to consider in the world after dark than just a snapshot approach and automatic camera settings. With this in mind, consider these seven tips to help you get the most out of urban environments in low light.
Establishing time and place
1,791 Views· Posted
In this B&H interview, wedding/portrait photographer Sam Hurd offers five simple tips to help you add a creative element to location portraits in any environment. When shooting with a prime lens and shallow depth of field, mask distracting elements from a scene by holding the side of a basic cell phone in front of your lens, creating a reflection on demand. A six-inch triangular glass