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by Mathew Malwitz · Posted
If there’s one question fledgling photographers often ask, it’s “How did you get such a nice background?” Backgrounds are an essential element of a photograph that are often neglected. In fact, it’s safe to say that a background is as important to a composition as the subject itself. After all, a distracting one will detract from an image.
In this guide, we’re going to cover the many methods used to capture clean, smooth backgrounds in our images. This will encompass the settings and gear involved as well as the in-the-field techniques you can
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Composition in photography refers to the way in which we arrange visual elements in an image. It's how we position the subject in the frame and how all elements combine to create a visually appealing photograph.
All photographs © Mathew Malwitz
Expensive cameras and long lenses can only get us so far. It's not the gear that makes the photo, but the photographer. A creative and observant eye is the key to making visually pleasing photographs. These skills can be learned, and with practice, you'll be well on your way to creating strong
Posted
How central is your personal drive and unique creative vision to the pictures you make? If these characteristics strike a chord or are traits to which you aspire, then you won’t want to miss our inspiring chats with photographers Ashok Sinha and Anabel DFlux. We caught up with both of these accomplished creatives earlier this year at B&H’s 2023 Depth of Field Conference.
Above photograph © Ashok Sinha
We begin with architectural
by Todd Vorenkamp · Posted
Welcome to Part 2 of our deep dive into the world of Intentional Camera Movement (ICM) photography. In this second part of the three-part series of articles, we look at the kinds of gear that ICM artists recommend, as well as the technical side of the art including camera settings and techniques.
Above image © Ceri Herd
Camera
Gear is not a limiting factor in exploring ICM photography—you can even use a smartphone, provided you have a way of controlling the shutter speed. For repeatable, deliberate results, you will want to have a camera that
by John Harris · Posted
At the B&H Photography Podcast, we pride ourselves on the wide variety of photo-related topics we cover, including the art, history, science, techniques, and the gear of photography. Over the course of 180 episodes, we have discussed wildlife photography on more than one occasion. Below are a few of our favorite episodes on the subject. Also, tune in to this week’s new episode of the podcast, which features the incredible wildlife photographer Frans Lanting and zoologist and
by Jill Waterman · Posted
To succeed as an underwater photographer, one needs to cultivate a subtle balance of preparedness and patience. For more than two decades, underwater conservation photographer Keith Ellenbogen has done just that, to offer us rare glimpses of the elusive marine life he photographs within the short window of his air supply. In the following interview, Ellenbogen sheds light on how his early training in diving, photography, and the marine environment have contributed to his success, while also discussing his camera and lighting gear, and offering