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by Mathew Malwitz · Posted
The most engaging portraits seem to have direct eye contact between subject and viewer, as if the camera were simply a window through which we’re looking. But is it that simple? So much goes into making a good portrait, can success simply come down to eye contact between subject and camera and is it even necessary to concentrate on the eyes for a portrait? There are certainly wonderful portraits that do not focus exclusively on the eyes that illustrate character with other aspects of the body, from posture to hands, but as an introduction to
by Mathew Malwitz · Posted
As you begin to research cameras, you’ll likely hear some technical jargon about sensors. While it’s easy to ignore some elements of any devices, there’s no way to work around sensors. But what is a sensor and what does it do? In this guide, we’re diving into the often confusing world of imaging sensors. By time we’re done, you’ll have a better understanding of the most significant component in our digital camera.
About Sensors
What Is an Imaging Sensor?
At the heart of our digital cameras sits an imaging sensor, which serves as the digital
by Todd Vorenkamp · Posted
Specular out-of-focus highlights have appeared in photographs since the first photos were taken through lenses. In 1997, Photo Techniques magazine introduced the word “bokeh” to the photography world’s vernacular and the out-of-focus areas of photographs have been scrutinized ever since. Before the term, there was certainly discussion about the aesthetics of the out-of-focus specular highlights of a photograph, but until 1997, there wasn’t a good word in the English language to describe the phenomenon. Credit goes to Mike Johnston, article
by Steven Gladstone · Posted
Day for night for color cinematography is an old shooting methodology that relies on a number of techniques regarding human perception, socially accepted convention, and technical qualities of film/sensors. There are a variety of reasons for shooting day for night, and understanding the whys and wherefores can help you create believable images.
Moonlight Is Blue
It isn’t really, any more than sunlight is blue. The reality is that moonlight is reflected sunlight, so why do people think moonlight is blue? Sunlight has a color temperature of
by Jill Waterman · Posted
Ami Vitale has a remarkable affinity for life-changing events. A native of South Florida, Vitale was a self-described shy, gawky child who, like many young girls, possessed little confidence. The assessment of a grade school teacher, who told her she was not very good at English, stuck with her for years. “I just thought that I had no ability as a writer, or as a creative person,” she says. “I remember thinking I was going to become an engineer because I had almost perfect math scores on my SAT.”
Photographs © Ami Vitale
7,919 Views· Posted
In this B&H video, photographer David Flores explores the "trinity" of photography fundamentals: ISO, aperture, and shutter speed. Beyond the immediate goal of proper exposure, learning how to control all three settings to
by BH Event Space… · Posted
In this B&H Event Space video, Canon Explorer of Light Chas Glatzer shares his thought process behind the making of an image and the techniques he uses to produce consistently successful images in the field. Learn how to see and understand light, its quality, physical properties, and other aspects; and grasp how relating these elements to your subject and equipment will allow you to take control of your imagery.
In this presentation, Glatzer covers his proactive in-field work methodology in depth. He identifies four elements as paramount
by Allan Weitz · Posted
Sometimes, the phrases, acronyms and strings of numbers or number-letter combinations used to identify photographic hardware or techniques can be daunting to the uninitiated neophyte photographer.
We've prepared a list of the basic terms. Have we left any out that you think should be added? Please let us know!
0-9 | A | B | C | D | E | F | G | H | I |
by Steven Gladstone · Posted
I have been using filters ever since I first shot Super 8 film with a little Kodak M-22 camera. Just press the funny-looking piece of metal into the top of the camera to drop in (or remove—I can't remember which it was) the Wratten 85 filter that allowed you to use tungsten-balanced film in daylight, and achieve the correct color balance. Over the years, my filter experience has pretty much stayed the same—I use filters to achieve a
by Todd Vorenkamp · Posted
There is a great deal of confusion surrounding crop factor, and it is particularly difficult to explain, but let’s give it a try, shall we?
Before we dive in, let me dispel two vicious rumors related to crop factor that are circulating through the photography (Internet) world today:
Crop factor does NOT affect a lens’s focal length.
Crop factor does NOT affect a lens’s aperture.
Before you scroll to the bottom of the screen to leave a comment to the contrary, let me explain why I am stating these facts…