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Sigma has announced three primes for L and Sony E-mount cameras: the 17mm f/4 DG DN and 50mm f/2 DG DN for full-frame cameras and the 23mm f/1.4 DC DN for APS-C format cameras. All members of the Contemporary lineup, the trio pairs compact and intuitive designs with exceptional imaging.
The 17mm f/4 and 50mm f/2 become the eighth and ninth lenses to join Sigma’s illustrious I-series, cherished for their metal housing, tactile controls, and compact builds.
Type the tagline “Pro Quality Amateur Prices” into Google and watch links to the company Neewer float to the top of your feed. Founded in 2010 with an initial set-top flash, Neewer has grown to incorporate inexpensive LED on-camera lighting and ring lights popular with the beauty blogger set, while also expanding into microphones and audio accessories, tripods and stabilization gear, as well as lenses, filters, bags, and various other accessories for photo, video, and audio markets.
Location photographs © Jill Waterman
According to its website
Two new lenses have dropped for FUJIFILM’s mirrorless systems, with one for its outstanding X Series and one for the quickly-growing GFX medium-format system. For APS-C systems, the XF 16-80mm f/4 R OIS WR Lens is a versatile and lightweight option with a 24-120mm equivalent range, while medium-format users gain the GF 50mm f/3.5 R LM WR
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In our first look, the new Canon Rebel T6 combines DSLR power with wireless sharing.
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In this head-to-head comparison, it's the a7R II and a7S II mirrorless still cameras up against the cinema-ready FS7 video camera. With 4K recording in all three cameras, how do still cameras compare to a dedicated video camera in quality, ergonomics
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In this video Allan Weitz and Justin Stailey – Senior Product Manager at Fujifilm, discuss three newly introduced cameras – the Fujifilm X-Pro2, X70, and X-E2s, along with the new XF 100-400mm zoom lens.
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In this video, Larry Becker, of KelbyOne Media, explains the features and functions of Canon’s new flagship mirrorless camera, the EOS M3. This update to the EOS M adds a tilting touchscreen, a larger sensor with a new processor, and a redesigned ergonomic body. Becker also goes over the camera’s easily customizable settings, the autofocus system, Creative Assist Mode, and the line of EF-M mount lenses available for the camera. We hope you enjoy the video, and invite
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In the following video, Larry Becker, of KelbyOne Media, describes his hands-on experience with the 24.2MP EOS Rebel T6s and T6i DSLRs from Canon, which offer significant improvements to the EOS line. The video rolls out the overall image quality obtainable with the DIGIC 6 processor, APS-C CMOS sensor, and the new AF and metering systems
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In the following video, John McQuiston shows off the Sony FE PZ 28-135mm f/4 G OSS lens, and covers a range of topics relating to its design, specs, and image quality. The video begins with a look at the Power Zoom function, and covers its related controls and ability to operate at eight different speeds, as well as manually. From here, McQuiston provides a rundown of the numerous other features of the lens, including the iris and focusing
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In the following video, Allan Weitz welcomes Fujifilm’s XF 16-55mm f/2.8 R LM WR Lens to itsmirrorless lineup. The video covers the versatility of the 24-82.5mm equivalent focal length and constant f/2.8 aperture, as well as the benefits of aspherical and ED lens elements. The lens also features both High Transmittance Electron Beam and Nano-GI lens coatings for maximum control of ghosting and flare, in addition to Twin Linear Motors, which work with X-series cameras’ phase detection AF system for fast, near-silent focusing. Additionally,
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In the following video, Larry Becker presents the Lensbaby 5.8mm f/3.5 Circular Fisheye lens and covers its unique design, broad perspective, and drops some hints about potential uses. The video begins with an introduction to what the lens is, and how it strays from a conventional lens, as well as conventional Lensbaby lens. The video highlights some of the lens's general specifications, including its all-manual control set, its compatibility with both full-frame and
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In the following video, Larry Becker, of Kelby Media, presents an overview of the Sigma 18-35mm f/1.8 DC HSM lens and covers its features, design, and its distinction of being the first constant f/1.8 zoom. Learn about this lens's overall performance, including its specifications, ability to produce notably shallow depth of field, auto-focus attributes, as well as build quality and operational characteristics. Becker also talks about Sigma's position in general and their push to develop the Global Vision series with specifically categorized