Cambo U-1 UST Column
- Length: 7'
- Weight: 125.6 lb
- Compatible with U-0 or UCB Base
- Compatible with U-4 or UBA Crossarm
Cambo MST-4 Kit for Mono Track
- Designed for Use on Single-Track System
- Working Height Range: 33.5 to 49.6"
- Self-Locking Height-Adjustment Crank
- Maximum Load Capacity: 88 lb
Cambo U-2 UST Column
- Length: 9'
- Weight: 132.3 lb
- Compatible with U-0 or UCB Base
- Compatible with U-4 or UBA Crossarm
Cambo U-3 UST Column
- Length: 12'
- Weight: 141.1 lb
- Compatible with U-0 or UCB Base
- Compatible with U-4 or UBA Crossarm
Cambo Mono-1 Column/MBX-0 Base Kit
- Load Capacity: 6.6 to 11.0 lb
- Counter-Balanced Sliding Collar
- Geared Lateral Cross-Arm
- Movable 3/8"-16 Camera Mount
Cambo MONO-2 and MBX-0 Monostand Kit
- For Studio Photography
- Geared Lateral Crossarm
- Couterbalanced Sliding Collar
- Load Capacity: 6.6 to 11 lb
Cambo MBX Midrange Studio Stand (7' Height)
STUDIO TITAN AMERICA C01-360 Studio Product and Reproduction Stand
- Load Capacity: 22 lb
- Extendable Column Travel Range: 21.7"
- Overall Height: 79.9"
- Maximum Working Height: 69.3"
Cambo MBX Midrange Studio Stand (9' Height)
Cambo UBS-1 Column
- Height: 7'
- Fits U-0 or UCB Base
- Fits UBA Crossarm
- Sliding and Rotating Collar
Cambo UBS-2 Column
- Height: 9'
- Fits U-0 or UCB Base
- Fits UBA Crossarm
- Sliding and Rotating Collar
Cambo UBS-3 Column
- Height: 12'
- Fits U-0 or UCB Base
- Fits UBA Crossarm
- Sliding and Rotating Collar
STUDIO TITAN AMERICA High-Load Rotating Commercial Studio Stand
- Load Capacity: 35 lb
- Working Height Range: 31.5 to 70.9"
- Carriage Arm Extension: 32.8"
- Camera Plate with 3/8"-16 Mount
Cambo MBU-11 Studio Stand (6.4')
- Total Height: 6.4'
- Counter-Balanced Sliding Collar
- Geared 3.3' Lateral Cross-Arm
- Movable 3/8"-16 Camera Mount
Cambo MBU-22 Studio Stand (7.9')
- Total Height: 7.9'
- Counter-Balanced Sliding Collar
- Geared 3.3' Lateral Cross-Arm
- Movable 3/8"-16 Camera Mount
STUDIO TITAN AMERICA Rotating Commercial Studio Stand with Leg Weight Set (10')
- For Professional Photographers
- For Studio & Manufacturing Environments
- Load Capacity: 22 lb
- Precise 3-Axis Movements
STUDIO TITAN AMERICA 3-Arm Commercial Studio Stand
- Studio Stand with Three Extension Arms
- Load Capacity: 11 lb / Arm, 33 lb Total
- 2x 32.8", 1x 21.6" Arm Extension
- Working Height Range: 19.7 - 86.6"
STUDIO TITAN AMERICA STA 01-500-TRI Extreme Load/Rotation Commercial Studio Camera Stand
- Load Capacity: 79.4 lb
- Working Height Range: 31.5 to 55.1"
- Column Maximum Height: 78.7"
- Horizontal Working Width: 50.8"
STUDIO TITAN AMERICA Super Commercial Studio Camera Stand
- Load Capacity: 55 lb
- Working Height Range: 19.7 to 106.3"
- Column Maximum Height: 119 "
- Horizontal Working Width: 52.5"
Camera Stands
Camera stands are essential for professional studios. From tripods to extension shooting poles, you can customize your studio, gear bag, or even your shoot, to meet the creative demands of a changing market.
Choosing the Right Camera Stand
Stands are available in a range of styles. They offer some of the same benefits that tripods do, but have a more substantial base of support, and as a result they are more stable. A counterbalance platform rests in the back to compensate for the gear attached to the front. Consider functionality when choosing the best camera stand for your needs. Camera stands may have casters that deliver mobility. In addition, you can outfit them with an extension pole, a utility tray, a laptop platform, or any combination to make a single-source photography workstation.
Camera Stand Heads
Choosing the right tripod camera stand heads depends on your camera stand model and how you need the head to function.
Ball Heads
Ball heads are ball-joint mounts that can swivel 360 degrees, giving you the flexibility to get the ideal angle for your shot.
Pan/Tilt Heads
Pan/tilt versions are the most popular heads. They give you the ability to pan left to right or tilt front to back, and a grip allows you to move the head quickly and easily.
Gimbal Heads
A gimbal head is made for heavy cameras, and it adjusts the tripod's center of gravity for stability. The pan/tilt functions are smooth, reducing the risk of tipping.
Other Heads
Fluid heads are hydraulic heads that move with more fluidity than pan/tilt heads do, and are well suited for use with smaller camcorders. Pistol grips have a joystick-style grip that you squeeze to rotate, and offer the precision of a ball head. Other camera stand heads are available to meet many of your studio's needs. Mini camera stands are scaled down versions of larger ones, and can be tripods or monopods.


