Luxli Cello² 10" On-Camera RGB LED Light Panel
- For Live Events, Broadcast, and Video
- 1253 Lux at 3.3' (72°)
- 2800 to 10,000K; CCT Color Control
- 9.5 x 3.6"; AC/DC Operation
Godox RS100R RGB LED Light (Projection Attachment Kit)
- Light, Lens & Projection Attachment
- Output: 15,900 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; Full RGB Color Control
- Built-In USB-Rechargeable Battery
Neewer FS600C RGB LED Monolight
- For Film, Broadcast & Video Production
- Output: 52,500 Lux at 3.3' w/ Reflector
- 2500-7500K CCT; RGB Color Control
- AC or Battery Power
Godox LITEMONS LA600Bi Bi-Color LED Monolight Kit (White)
- For Content Creators and Vloggers
- Output: 212,500 Lux at 3.3' with Reflector
- 2800-6500K CCT; Bi-Color Mode
- AC/DC Power
Westcott U60-B Bi-Color LED Monolight with Octabox (3-Light Kit)
- For Content Creators and Vloggers
- Output: 2950 Lux at 3.3'
- 3200-5600K CCT
- AC or Battery Power
GVM P80S LED 4-Light Kit with Umbrellas, Softboxes, and Backdrops
- 4 x P80S Daylight Fixtures & AC Adapters
- 2 x Umbrellas, 2 x Softboxes
- 4 x Light Stands, 3 x Backdrops
- Carry Case
Nanlite Forza 150B Bi-Color LED Monolight
- For Studio & Film/TV Production
- Output: 5121 Lux at 3.3' (5600K)
- 2700-6500K; Bi-Color Control
- Multi-Voltage AC, Optional Battery Power
Godox SL300R RGB LED Light
- For Content Creators & Video Productions
- Output: 43,300 Lux @ 3.3' with Reflector
- 2500-10,000K CCT
- AC Power
Godox KNOWLED TP4R Pixel RGB LED Tube Light (4')
- For Studio, Film & TV Production
- Output: 765 Lux at 3.3' (5600K)
- 2000-10,000K CCT; RGB Mode
- Onboard, DMX, CRMX, Bluetooth Control
Zhiyun Molus X200 RGB COB LED Light with Softbox (Standard Kit)
- Light with Softbox
- Bracket & Power Accessories
- Output: 7780 Lux at 3.3' (5500K)
- 2500-10,000K CCT; RGB Color Control
Zhiyun MOLUS B500 Bi-Color LED Monolight
- For Video Production & Vlogging
- Output: 76,400 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power
Godox Knowled M300D Daylight LED Light
- Color Temperature: 5600K
- 0-100% Dimming, Flicker-Free
- 4 Special Effect Settings
- DMX, Bluetooth, 2.4 GHz Wireless Control
Genaray LF-RGB-65 RGB LED Fresnel with 6.5" Lens
- For Studio, Theater & Film/TV Production
- Output: 17,900 Lux at 3.3' (25° 5600K)
- Output: 11,200 Lux at 3.3' (65° 5600K)
- 2800 to 6500K; RGB Control
GVM Pro SD200B Bi-Color LED Monolight (2-Light Kit)
- Two Lights with Softboxes, Stands & Bags
- Output: 45,400 Lux at 3.3' per Light
- 2700-6800K CCT
- AC or Battery Power
Nanlite PavoTube II 15XR RGB LED Pixel Tube Light (2', 2-Light Kit)
- For Photo, Video & Film Production
- Output: 377 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Godox KNOWLED F600Bi Bi-Color LED Light Panel (4 x 4', Flexible LED Mat Body Only)
- Replacement F600Bi LED Mat Body
- Output: 19900 Lux at 3.3' (5600K)
- 2700-8500K CCT
- 4 x 4' Panel; AC/DC Operation
Dracast X Series LED2000 RGB LED Light Panel
- For Live Events, Broadcast & Video
- Output: 3867 Lux at 3.3' (5600K)
- 2800-8000K CCT; RGB Color Control
- 20.25 x 12.25" Panel; AC/DC Operation
Dracast X Series LED500 Bi-Color LED Light Panel (Travel 3-Light Kit)
- Three Lights with Barndoors & Stands
- Waterproof Hard Case
- Output: 836 Lux at 3.3' per Light
- 3200-5600K CCT
Godox FL150S Flexible LED 2-Light Kit
- Two Flexible LED Lights (23.6 x 23.6")
- Two Controllers, Two AC Adapters
- Two Power Cords, Two DC Cords
- Two X-Mount Holders, Two Stand Brackets
GVM Pro SD300C RGB LED Monolight (2-Light Kit)
- Two Lights with Softboxes, Stands & Bags
- Output: 47,700 Lux at 3.3' per Light
- 2000-10,000K CCT; Full RGB Color Control
- AC or Battery Power
Fiilex P3 Color LED Light with Barndoors, PSU & Extension Cable
- Portable 2 lb 90W LED Fixture
- 2000-10,000K + Magenta/Green Shift
- 95 CRI
- 58° Beam (20° Fresnel Adapter Supported)
CHAUVET Professional Ovation P-56FC Compact Silent RGBAL PAR Light
- For Theatrical and Studio Applications
- 62 LEDS, 6 to 8W
- 0 to 100% Dimming with Four Modes
- 12.8 to 103.7° Beam Angle
Litepanels Astra IP Half Bi-Color LED Light Panel
- For Studio & Film/TV Production
- Output: 13,500 Lux at 3.3' (5600K, 30°)
- 2700 to 6500K; CCT Control
- 17 x 12.1"; AC/DC Operation
GVM SD600D Bi-Color LED Monolight (2-Light Kit)
- 2-Light Kit with Soft Boxes and Stands
- Includes Reflectors and Carrying Case
- For Film, Broadcast and Video Production
- Output: 130,000 Lux at 3.3' w/ Reflector
GVM 1200B-AIO Bi-Color LED Monolight
- For Studio & Film/TV Production
- Output: 56,160 Lux at 3.3' (Bare Bulb)
- 2700-6800K CCT; Bi-Color Mode
- AC Power
Dracast Kala Plus Series LED1000 Bi-Color LED Light Panel (3-Light Travel Kit)
- 3x LED Panel, 3x Light Stand, Rigid Case
- For Studio & Film/TV Production
- Output: 2300 Lux at 3.3' (120°)
- 2800-6500K; Bi-Color Control
Nanlite Forza 300B II Bi-Color LED Monolight (Travel 2-Light Kit)
- Two Lights with Rolling Case
- Output: 68,060 Lux at 3.3' per Light
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
Aputure INFINIMAT LED with Clear Softbox & 400W Control Box Pack (2 x 4', V-Mount)
- Modular Full-Color RGBWW LED Light Mat
- Multiple Mounting & Rigging Methods
- Control Box Pack with Dual V-Mount
- Skirt, Clear Softbox, Air Pump Mini
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


