Smith-Victor Acies RGB Strip Light (32")
- For Studio, Film, and TV Production
- 2800 to 8000K CCT, RGBW Mode
- Wireless App Control
- CRI 97 | TLCI 98
Nanlite PavoTube II 30XR RGB LED Pixel Tube Light (4')
- For Photo, Video & Film Production
- Output: 746 Lux at 3.3' (5600K)
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Lowel TOTA LED XL Daylight LED Flood Light (2-Light Kit)
- 2 x LED XL Daylight LED Flood Lights
- 2 x Air-Cushioned Light Stands
- 11,200 Lux at 3' (60° Beam Angle)
- 5600K Color Temperature
Genaray Spectro LED Essential 500IIB Bi-Color LED Light Panel (2-Light Kit with Batteries)
- Includes LED Lights, Stands, & Batteries
- For Video Production and Vlogging
- Output: 1960 Lux at 3.3' (5600K, 45°)
- 3200K to 5600K; Bi-Color Control
CAME-TV 1806B Bi-Color LED 1 Light Kit
- 1x 1806B Bi-Color LED Light
- 35 x 11.4 x 2.17"
- Color Temperature: 3200-5600K
- 1x V-Mount for Battery Operation
Smith-Victor LED Cine-Flood 1500 with Bowens Mount
- For Film, Broadcast & Video Production
- Output: 5900 Lux at 3' (5500K) | 95 CRI
- Color Temperature: 5500K Daylight
- Multi-Voltage AC Operation
Aputure LS C300d II Daylight LED Monolight (Lamp Head Only)
- For Film, Broadcast & Video Production
- Output: 11,000 Lux at 3.3' (Bare)
- 5600K CCT
- CRI 96 | TLCI 96 | CQS 95
Bescor LED220TB 900W 3-Light Daylight LED Kit with Batteries
- 3 x LED220 LED Light Panels, 5500K
- Measures 12 x 11"
- 3 x SLM-5ATM Batteries and Chargers
- 3 x Multi-Voltage AC Power Supplies
Luxli Cello² 10" On-Camera RGB LED Light Panel (with Honeycomb Grid)
- LED Light Panel Kit with Honeycomb Grid
- For Live Events, Broadcast, and Video
- Output: 1500 Lux at 3.3' (72°)
- 2800 to 10,000K; CCT Color Control
Nanlite 1200BSA Bi-Color LED Panel
- Variable Color: 3200 to 5600K
- CRI/TLCI: 95/93
- Measures: 18.5 x 15 x 3.4"
- 0 to 100% Dimming
GVM RGB LED Soft Video Light Panel Kit R50R288-2L
- Panel Surface Area: 12 x 12"
- Color Temperature from 2800-10,000K
- Hue and Saturation Control
- CRI: 97
FotodioX Pro FACTOR LED Ring Light with D-Tap Power Cable (95mm)
- For Lenses with 95mm Front Diameter
- 298 Lux Output at 3.3'
- 2800-6500 Variable Color
- ≥ 95 CRI / 96 TLCI
GVM 520S-B Bi-Color LED 3-Panel Kit
- 3 x 520S-B Panels with 4-Way Barndoors
- 3 x Universal AC Adapters
- 3 x Diffusers
- 1 x Wireless Remote Control
Impact Soft n' Natural 3-Light LED Kit with Case
- 3 x 4-Socket Fixtures
- 3 x Softboxes (20 x 27.5")
- 12 x Daylight-Balanced LED Lamps
- 3 x Light Stands (6')
ikan Rayden RW5 Daylight Half x 1 Studio & Field LED Light
- Daylight Balanced Color Temperature
- 50° Beam Angle
- Removable Gold & V-Mount Plates Included
- Barndoors with Removable Intensifiers
ikan Rayden RXW5 Half x 1 Daylight Studio LED Light with DMX
- Daylight-Balanced: 5600K
- 14 x 8.0 x 3.0"
- 50° Beam Angle
- Single Clean Shadow
Digital Sputnik Voyager (2')
- LED Light Source, Battery, Remote Combo
- 25.5 x 2.5 x 2" Tubular Fixture
- Submersible to 30' for 24 Hours
- Rail QR Mount 1/4" & 3/8" Female Threads
GVM 50SM Double-Sided Bi-Color & RGB LED Light Panel (3-Light Kit)
- Three Lights, Barndoors, Grids & Stands
- Output: 6000 Lux at 3.3'
- 3200-5600K, RGB Mode
- 14.5 x 13.2" Panel, AC/DC Operation
BB&S Lighting Pipeline Reflect (5600K, 2')
- 1-Inch Diameter LED Pipes
- 90-Degree Beam Spread without Spill
- 3-Pin XLR Male
- 2 x Sliding Threaded Mount Plates
Genaray Endeavor ML-33K Daylight LED Monolight 2-Light Kit
- 2 Endeavor Daylight LED Monolights
- BoomBox 36" Octagonal Softbox
- 2 Heavy-Duty 9.5' Air-Cushioned Stands
- Daylight-Balanced 5600K
Genaray Torpedo Bi-Color LED 2-Light Kit with Case
- 2 x Torpedo Bi-Color Fresnels
- 2 x Four-Way Barndoor Sets
- 1 x Waterproof Hard Case
- Fresnel Lens: 15- to 75-Degree Focusing
Zhiyun FIVERAY F100 RGB LED Light Stick (Black, 19.8", 2-Pack)
- For Content Creators and Vloggers
- Output: 1200 Lux at 3.3' (6200K)
- 2700-6200K CCT; RGB Mode
- Onboard Control
Genaray PX4-RGB Pixel RGB LED Tube Light Kit (4', 2-Light Kit)
- 2 x Pixel RGB LED Tube Light with Case
- 1 x 5-Pin and 1 x Mini 3-Pin DMX Cables
- For Photo, Video & Film Production
- Output: 635 Lux at 3.3'
GVM PD60C RGB Pocket LED Monolight (2-Light Kit)
- Two Lights with Softboxes & Stands
- Output: 6280 Lux at 3.3' per Light
- 2700-6800K CCT; Full RGB Color Control
- Built-In Rechargeable Battery; AC Power
Dracast Pro Series II LED1000 Daylight LED Light Panel (V-Mount)
- For Film, Broadcast & Video Production
- Output: 2531 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED1000 Daylight LED Light Panel (Gold Mount)
- For Film, Broadcast & Video Production
- Output: 2531 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 10" Panel; Gold Mount; AC/DC
GVM SD500B-ARO Bi-Color LED Monolight (500W)
- For Film, Broadcast & Video Production
- Output: 19,240 Lux at 9.8' (5600K)
- 2700-6800K CCT; Bi-Color Mode
- AC Power
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


