FotodioX Pro FACTOR LED Ring Light with D-Tap Power Cable (114mm)
- For Lenses with 114mm Front Diameter
- 380 Lux Output at 3.3'
- 2800-6500 Variable Color
- ≥ 95 CRI / 96 TLCI
CAME-TV High CRI Digital 1024 Daylight LED Light
- CRI: 88
- Color Temperature: 5600K
- Beam Angle: 60°
- Dimming from 10-100%
Smith-Victor Edge360 18" Bi-Color LED Light
- Color: 3200 to 5600K, CRI: 95
- 100° Beam Spread, 0 to 100% Dimming
- 100 to 240 VAC Adapter
- Accepts 2 Optional NP-F Batteries
Falcon Eyes ROLL-FLEX RX-718 III RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 4740 Lux at 3.3' (5600K)
- 2500-9999K CCT; RGB Color Control
- 24.4 x 18.5" Panel; AC/DC Operation
FotodioX Pro FACTOR Jupiter12 VR-1200ASVL Bi-Color 12" Dimmable Studio Light
- Variable Color: 3200 to 5600K
- 10 to 100% Dimming
- DMX Control of Color and Dimming
- High CRI of 96 for Accurate Color
Smith-Victor CooLED50K 2-Light LED Kit with Barndoors and Case
- 5200K Daylight-Balanced
- 2 x CooLED 50
- 2 x 90-Degree 8" Reflectors
- Tungsten Equivalent 500W
Yongnuo LUX160 Daylight LED Monolight
- For Content Creators and Vloggers
- Output: 10,120 Lux at 3.3' (5600K)
- 5600K CCT
- DC/Battery Power
Godox Litemons LP1200Bi Bi-Color LED Light Panel (3-Light Kit)
- Three Lights with Light Stands & Case
- 120W Fixtures
- 2800-6500K CCT; Bi-Color Control
- 16.6 x 14.1" Panel; AC/DC Operation
CAME-TV 1092B Bi-Color LED 2-Panel Kit
- Two 1092B Bi-Color LED Light Panels
- Color Temperature: 3200-5600K, CRI: 96
- Measures 20 x 9"
- V-Mount Battery Plate
Godox Litemons LA150D Daylight LED 2-Light Kit with Stands and Softboxes
- Two LA150D Daylight LED Lights
- Two 6.5' Light Stands
- Two 23.6 x 35.4" Softboxes
- Semi-Rigid Hard Carry Case
Yongnuo LUX160 Bi-Color LED Monolight
- For Video Production and Vlogging
- Output: 35,100 Lux at 3.3'
- 3200-5600K CCT, CRI 95
- AC or Optional V-Mount Battery Power
Yongnuo LUX160 Daylight LED Monolight
- For Video Production and Vlogging
- Output: 35,100 Lux at 3.3'
- 5600K CCT, CRI 95
- AC or Optional V-Mount Battery Power
American DJ Entry Level Stream PAK
FotodioX Pro FACTOR LED Ring Light with D-Tap Power Cable (134mm)
- For Lenses with 134mm Front Diameter
- 427 Lux Output at 3.3'
- 2800-6500K Variable Color
- ≥ 95 CRI / 96 TLCI
Aputure LS 600d Daylight LED Monolight (Lamp Head Only)
- For Film, Broadcast and Video Production
- Output: 22,150 Lux at 3.3' (Bare)
- 5600K CCT
- CRI 96 | TLCI 96 | CQS 94 | SSI 72
COLBOR CL100X Bi-Color LED Video Monolight (Studio 3-Light Kit)
- Three Lights with Softbox & Light Stand
- 25,645 Lux at 3.3' (6500K)
- 2700-6500K CCT, CRI: 97+
- AC or Optional V-Mount/NP-F Batteries
Dracast Pro Series II LED1000 Bi-Color LED Light Panel (V-Mount)
- For Film, Broadcast & Video Production
- Output: 2368 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED1000 Bi-Color LED Light Panel (Gold Mount)
- For Film, Broadcast & Video Production
- Output: 2368 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 10 x 10" Panel; Gold Mount; AC/DC
GVM SD200R RGB & Bi-Color LED Studio Video Spotlight (2-Light Kit)
- Two Lights with Softboxes, Stands & Bags
- Output: 62,800 Lux at 3.3' per Light
- 2700-7500K Color Temperature, 200W Each
- 360° RGB Color Selection
Harlowe Max Air 40 Bi-Color LED Light (Starter Kit)
- Light with 23° Lens & Detachable Battery
- Output: 11,080 Lux at 3.3' (23°, 6500K)
- 2700-6500K CCT
- Up to 1.2-Hour Runtime at 100%
ikan Rayden RB5 Bi-Color Half x 1 Studio & Field LED Light
- Adjustable from 5600K-3200K
- 50° Beam Angle
- Removable Gold & V-Mount Plates Included
- Barndoors with Removable Intensifiers
iFootage SL1 320DN Daylight LED Light
- For Video Production and Vlogging
- Output: 56,000 Lux at 3.3'
- 5600K CCT
- External Ballast, Control Box with DMX
Godox UL150 II Bi-Color Silent LED Video Light
- For Video Production
- 3200K to 5600K Color Temperature
- DMX512, RC-A6 Remote, Bluetooth
- 96 CRI, 97 TLCI
ikan Stryder Bi-Color LED Fresnel Light
- For Studio & Film/TV Production
- 2800-6500K; Bi-Color Control
- Output: 11,047 Lux at 3.3' (5600K)
- 3" Fresnel Lens, 30-65° Beam Angle
ikan Rayden RBX5 Half x 1 Bi-Color Studio LED Light with DMX
- Adjustable from 3200-5600K
- 50° Beam Angle
- 14 x 8.0 x 3.0" Panel
- DMX Control of Dimming and Color
ikan Onyx 1x1 Bi-Color LED Light
- Aluminum Construction
- Variable Color Temperature: 3200-5600K
- Dimming: 10 to 99%
- CRI: 96+, Built-In DMX
ikan iLED312-V2 2-Point Bi-Color Flood Light Kit
- Two iLED312-V2 Lights, Stands and Bag
- Variable Color Temperature
- Built-In Dimmer
- 60° Beam Angle
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


