CAME-TV 1092B Bi-Color LED 3-Panel Kit
- Three 1092B Bi-Color LED Light Panels
- Color Temperature: 3200-5600K, CRI: 96
- Measures 20 x 9"
- V-Mount Battery Plate
Harlowe Avant Max Bi-Color LED Monolight Standard Kit (Midnight Black Faux Leather)
- Light w/ Battery, Power Supply & Handle
- Output: 9005 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Harlowe Avant Max Bi-Color LED Monolight Standard Kit (Brown Faux Leather)
- Light w/ Battery, Power Supply & Handle
- Output: 9005 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
CAME-TV 576D Daylight LED 3-Panel Light Kit P688
- 3 x 576D Daylight LED Lights
- Color Temperature: 5600K, CRI 95
- 3 x Light Stands
- 3 x NP-F Battery Plates with Batteries
ikan Rayden RXW10 1 x 1 Daylight Studio LED Light with DMX
- Daylight-Balanced: 5600K
- 14 x 14 x 3.0"
- 50° Beam Angle
- Single Clean Shadow
ikan Mylo Mini Bi-Color 2-Point Light Kit with 2 MB4 LED Lights
- 2 x Mylo Bi-Color LED Lights
- 2 x Barndoors
- 2 x Individual Light Cases
- 2 x CP Light Stands: 6'
DigitalFoto Solution Limited Helios B200 Studio Video Bi-Color LED Soft Panel with DMX
- 2800-9990K Color Temperature, 95 CRI
- Uses 14.8 Volt V-Mount Batteries
- Multi-Voltage 110 to 220 VAC
- Aluminum Case
Genaray 120W Twin LED Bi-Color Panel (2-Light Kit)
- Twin LED Bi-Color Panel 2-Light Kit
- For Studio & Film/TV Production
- Output: 4402.5 Lux at 3.3' (120°)
- 2700 to 6500K; Bi-Color Control
SWIT FL-C100 Daylight LED Fresnel Light
- For Theater, Stage & Studio
- Output: 60,000 Lux at 3.3' (12°)
- 5600K CCT
- 12-26° Beam Angle
CAME-TV 576B Bi-Color LED 3 Light Kit with NP-F Mounts
- 3 x 576B Bi-Color LED Lights
- Color Temperature: 3200 to 5600K
- 3 x NP-F Battery Plates, 6 x Batteries
- 3 x Yoke Mount with 5/8" Receiver
Litepanels Brick Bi-Color On-Camera LED Light
- Weatherproof, High-Bright, Bi-Color
- Tungsten-to-Daylight Variable Color
- Ideal for On-the-Go Outdoor Shooters
- Surface-Mount LEDs & Paired TIR Optics
SWIT Bi-Color Spot/Flood LED Light (V-Mount)
- Beam Angle: 15-60 Degrees
- Color: 2700 to 8000K, CRI/TLCI: 92/96
- AC or Optional Battery, 3/8" Fresnel
SWIT Bi-Color Spot/Flood LED Light (Gold Mount)
- Beam Angle: 15-60 Degrees
- Color: 2700 to 8000K, CRI/TLCI: 92/96
- AC or Optional Battery, 3/8" Fresnel
Litepanels Brick Bi-Color On-Camera LED Light Kit with Shoe-Mount Ball Head
- Weatherproof, High-Bright, Bi-Color
- Tungsten-to-Daylight Variable Color
- Surface-Mount LEDs & Paired TIR Optics
- 100W Tungsten-Equivalent Output
ProLights EclPar IPMFC IP65 100W RGB-WW/FC LED Spotlight (Black)
Nanlite FC500B Bi-Color LED Spotlight (Projection Attachment Kit)
- Light & Attachment with 25-45° Lens
- Gobo Holder & Four Gobos for Creativity
- Output: 65,640 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
amaran Halo 60x Bi-Color LED Monolight with Light Dome and Stand (3-Light Kit)
- 3 x Halo 60x LED Monolights
- 3 x Light Stands for Mounting
- 2 x Light Domes for Diffusion
- Mini Reflector & Mini Fresnel
Bescor Grip-184KB Gripper Gooseneck Bi-Color 4-Light Kit with Batteries and Light Stands
- 4 x Gripper Clamps
- 4 x Goosenecks
- 4 x FP-180 Bi-Color LED Lights
- 4 x AC Adapters
Fluotec Podcaster Bi-Color LED Light Panel
- For Podcasters, Streamers & Creators
- Output: 3037 Lux at 3.3' (45°)
- 2700 to 6200K CCT
- 20.3 x 4.7"; AC Power
Dracast Pro Series II LED500 Daylight LED Light Panel (2-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 1142 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 5.5" Panel; V-Mount; AC/DC
Dracast Pro Series II LED500 Daylight LED Light Panel (2-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 1142 Lux at 3.3'
- 5600K, Daylight Balanced
- 10 x 5.5" Panel; Gold Mount; AC/DC
Harlowe Sol 100 Bi-Color LED Light (Travel Kit)
- For Film, Broadcast & Video Production
- Output: 6000 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- 16.9 x 15.6" Panel; AC/DC Operation
Godox F7-120D Daylight LED Fresnel Light (Hang Mount)
- For Studio & Film/TV Production
- Output: 71,100 Lux at 3.3' (5600K)
- 5600K CCT
- 15-60° Adjustable Beam Angle
Godox F7-120D Daylight LED Fresnel Light (Stand Mount)
- For Studio & Film/TV Production
- Output: 71,100 Lux at 3.3' (5600K)
- 5600K CCT
- 15-60° Adjustable Beam Angle
Dracast X Series M80D Daylight LED Monolight (V-Mount, 2-Light Kit with Hard Case)
- Two Lights with Stands & Hard Case
- Output: 18,873 Lux at 3.3' per Light
- 5600K CCT
- AC or Battery Power
Dracast X Series M80B Bi-Color LED Monolight (V-Mount, 2-Light Kit with Hard Case)
- Two Lights with Stands & Hard Case
- Output: 16,144 Lux at 3.3' per Light
- 2800-6500K CCT
- AC or Battery Power
Godox AT200Bi KNOWLED Air Bi-Color LED Tube Light (4')
- For Photo, Video & Film Production
- 2700-8500K CCT
- Onboard, DMX, Bluetooth, 2.4GHz Wireless
- CRI 96 | TLCI 96
Nanlite PavoSlim 120C RGB LED Panel (Gold Mount)
- For Studio, Film & TV Production
- Output: 12,830 Lux at 3.3' (5600K)
- 2700-7500K; RGBWW Color Control
- 23.7 x 12.1" Panel; AC/DC Operation
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


