Frezzi Eylight Hairlight/Backlight Kit (5000K)
- 1 x Eylight Fixture with Battery
- 1 x 5000K Bulb
- 1 x Charger, 1 x Adapter Stud
- 1 x Stud to Shoe Mount Adapter
FotodioX Pro Warrior 600 Daylight LED Light (5600K)
- Color: 5600K, CRI/TLCI: 96/96
- 11 Special FX, 100 to 240 VAC
- AC Adapter or Optional Battery
- Bowens Front Accessory Mount
Genaray Contender LED Focusing Spot 3-Light Kit with Battery Module Kit (Daylight)
- Three Light Fixtures with Batteries
- LED 5600K Light Source
- 25 to 55° Spot Focusing
- CRI: ≥95
ikan CB8 Canvas Bi-Color 3-Point LED Light Kit
- 3 x Canvas Bendable LED Panels
- 3 x Controllers with Power Cords
- 3 x Power Supplies
- 3 x Softboxes, 3 x Grids
Blizzard Aria Profile LED Ellipsoidal Spot Fixture (WW)
ikan Mylo Mini Bi-Color 3-Point Light Kit with 3 MB4 LED Lights
- 3 x Mylo Bi-Color LED Lights
- 3 x Barndoors
- 3 x Individual Light Cases
- 3 x CP Light Stands: 6'
Aputure INFINIMAT LED & Clear Softbox Pack (1 x 4')
- Modular Full-Color RGBWW LED Light Mat
- Multiple Mounting & Rigging Methods
- Skirt, Clear Softbox, Air Pump Mini
- Air Pump, Diffusion Cloths, Grid
Altman Spectra Cube 50W 3000K White LED Light (Silver)
Altman Spectra Cube 50W 3000K White LED Light (White)
Altman Spectra Cube 50W 3000K White LED Light (Black)
Godox Litemons LA300Bi Bi-Color LED Monolight Kit (3 Lights, Black)
- 3 Lights with Carry Bag
- 330W Fixture with Black Housing
- 2800-6500K CCT
- AC or Optional Battery Power
VELVETlight VELVET Mini 1 Studio IP51 Panel
- For Studio and Film/TV Production
- IP51 Half 1×1 Panel
- Output: 1200 Lux / 111 fc at 3'
- 2700-6500K Color Temp, 98 TLCI at 5600K
BB&S Lighting Compact Fresnel Bi-Color Light (Casambi Dimmer, White)
Godox LED1000Bi II / S30 LED 3-Light Kit with Stands
- 2 Bi-Color LED1000Bi IIs w/ Barndoors
- S30 Daylight LED Focusing Light
- 3 Light Stands, Case, 2 Remotes, DMX
- LED1000Bi II 3200-5600K, CRI/TLCI: 96/98
Genaray SSL-50B Bi-Color 50" Soft Strip 2-Light Kit with Boom Arm
- Two Bi-Color 50" Soft Strip Lights
- Two Impact Air-Cushioned Stands
- Impact 86" Chrome-Plated Boom Arm
- Color Temperature Range: 3000 to 5600K
Kino Flo FreeStyle Air Mini RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 1970 Lux at 3.3' (6500K)
- 2500-9900K CCT; RGB Color Control
- 21 x 13 x 2" Panel; AC/DC Operation
Dracast Pro Series LED1000 Daylight LED Light Panel (V-Mount, Interview 2-Light Kit)
- Two Lights with Stands
- Output: 6480 Lux at 3.3' per Light
- 5600K CCT
- 12 x 12" Panel; AC/DC Operation
Astera Pluto RGB LED Fresnel Light
- For Studio & Film/TV Production
- 1750-20000K CCT
- Beam Angle: 15 to 60°
- AC & Battery Power
BB&S Lighting Reflect Bi-Color 4F1B (Casambi Dimmer, Black)
FotodioX Pro FACTOR 1x2 V-4000ASVL Bi-Color Kit with Grid and Travel Case
- 1 x Bi-Color 1x2 V-4000ASVL
- 1 x 90-Degree Grid
- 1 x Soft-Sided Kit Case
- Variable Color: 3200 to 5600K
Lupo Actionpanel Dual Color Soft LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- 2800 to 6500K CCT
- 8 x 8"; AC or Optional Battery Power
- CRI 96 | TLCI 98
Lupo Actionpanel Dual Color Hard LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 13,000 Lux at 3.3'
- Color: 3200 to 5600K
- AC or Optional Battery Power
Godox Litemons LA150R RGB LED Monolight (3-Light Kit)
- Three Lights with Light Stands
- 165W Fixtures
- 1800-10,000K CCT; Full RGB Color Control
- AC Power
Godox Litemons LA150R RGB LED Monolight (3-Light Kit with Stands, Black)
- Three Lights with Light Stands & Case
- 165W Black Housing Fixtures
- 1800-10,000K CCT; Full RGB Color Control
- AC or Optional Battery Power
Hedler Profilux Daylight LED650 Flood Light
- 70° Flood
- Daylight Balance: 5600K
- CRI: 96, 5 to 100% Dimming
- Multi-Voltage: 100 to 240 VAC
Genaray Quad Sun 1 x 4 Soft Bi-Color LED Panel
- For Studio and Film/TV Production
- Output: 8437 Lux at 3.3' (120°)
- 3200 to 5600K: Bi-Color Control
- 15 x 46.3"; AC/DC Operation
Nanlite PavoSlim 240B Bi-Color LED Panel
- For Studio, Film & TV Production
- Output: 22,990 Lux at 3.3' (5600K)
- 2700-6500K
- 24 x 24" Panel; AC/DC Operation
ARRI Omnibar 2 Single Set (Blue/Silver)
- For Film, Broadcast & Video Production
- Linear IP65 LED Light
- Magnetic Optics and Mounting
- RGBAM Color Mixing, 1700-20,000K CCT
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


