Lupo SuperpanelPRO Dual Color 30 Soft LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Output: 4200 Lux at 3.3' (5600K)
- 2800 to 6500K; Dual Color
- 13.7 x 13.8" Panel; Multi-Voltage AC
Lupo SuperpanelPRO Dual Color 30 Hard LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Output: 36,000 Lux at 3.3' (40°, 5600K)
- 2800 to 6500K; Variable Color Control
- 13.7 x 13.8" Panel; Multi-Voltage AC
FotodioX Pro FACTOR Jupiter24 VR-4500ASVL Bi-Color 24" Dimmable Studio Light
- Variable Color: 3200 to 5600K
- 10 to 100% Dimming
- DMX Control of Color and Dimming
- High CRI of 96 for Accurate Color
Genaray SSL-50B Bi-Color 50" Soft Strip 3-Light Kit
- Three Bi-Color 50" Soft Strip Lights
- Three Impact Air-Cushioned Stands
- Color Temperature: 3000 to 5600K
- Light Panels Measure 50 x 4.2 x 1.9"
Aladdin Bi-Flex M7 Bi-Color Kit with V-Mount Battery Plate
- 1 x Bi-Flex M7 Bi-Color Flexible Panel
- 1 x Dimmer, 1 x Diffuser
- 1 x V-Mount Battery Plate
- 1 x 100-240 VAC Power Supply
BB&S Lighting Compact Fresnel Bi-Color Light (Manual Dimmer, White)
BB&S Lighting Compact Fresnel Bi-Color Light (DMX Dimmer, White)
Nanlite FS-300B & FS-300C LED Monolights (Bundle 3-Light Kit)
- Two FS-300B & Single FS-300C Fixtures
- Two Softboxes & Projection Attachment
- Softboxes for Diffused Light Output
- Attachment with 25-45° Lens & Gobos
ALZO 1916 16 x 9 Bi-Color LED Panel
- For Film, Broadcast & Video Production
- Output: 7000 Lux at 3.3' (60°)
- 3200 to 5600K; Bi-Color Control
- 16 x 9.5" Panel; AC/DC Operation
FotodioX SkyFiller Wings Prizmo Edition RGBW+T LED Disc (35.4")
- CCT Color Mode: 2800 to 6500K, DMX512
- RGB Mode: 2800 to 10,000K, 360° HSI
- CRI/TLCI: 98/97, 120° Beam Spread
- Special Effects, Gel-Matching Mode
ProLights EclProfile FW TU IP20 Full White Tungsten LED Profile Light (3,200K, Black)
ProLights EclProfile FW DY IP20 Full White Daylight LED Profile Light (5,600K, Black)
Genaray Spectro LED 800B1 Bi-Color LED Light Panel (3-Light Kit with Softboxes and Case)
- Lights, Diffusion, Remotes & Cases
- Includes Softboxes and Kit Case
- For Studio & Film/TV Production
- Output: 4600 Lux at 3.3' (4400K, 45°)
Luxli Timpani² 1x1 RGB LED Light Panel (2-Light Kit with Travel Case)
- For Studio & Film/TV Production
- Output: 6600 Lux at 3.3' (78°)
- 2800 to 10,000K CCT Color Control
- 17.6 x 15.75" Panel; AC/DC Operation
Videssence ExceLED Series 25W 3200K 120V Optical Module with Phase Control
Godox KNOWLED P300R RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 14,580 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 22.2 x 19.6" Panel; AC Power
COLBOR CL600 Bi-Color LED Monolight
- For Video Production & Studio Use
- 13,200 Lux at 3.3' with Fresnel Lens
- 2700-6500K CCT, CRI 97
- DMX & Wireless IP Control, App Control
Dracast X Series M80RGB RGB LED Monolight (V-Mount, 3-Light Kit with Nylon Case)
- Three Lights with Stands & Nylon Case
- Output: 12,290 Lux at 3.3' per Light
- 2800-6500K CCT; Full RGB Color Control
- AC or Battery Power
Dracast X Series M80D Daylight LED Monolight (V-Mount, 4-Light Kit with Nylon Case)
- Four Lights with Stands & Nylon Case
- Output: 18,873 Lux at 3.3' per Light
- 5600K CCT
- AC or Battery Power
Dracast X Series M80B Bi-Color LED Monolight (V-Mount, 4-Light Kit with Nylon Case)
- Four Lights with Stands & Nylon Case
- Output: 16,144 Lux at 3.3' per Light
- 2800-6500K CCT
- AC or Battery Power
Nanlite Lindsay Adler Color Portrait Kit
- Includes Forza 60C RGB LED Monolight
- Includes Four PavoTube II 15C RGB Lights
- Includes FL-11 Fresnel Lens
- Includes Accessories & Padded Carry Case
Sirui 300W RGBCAL 6-Color Full-Spectrum LED Monolight
- For Film and Video Production
- Output: 19,000 Lux at 3.3'
- 2000-20,000K CCT
- AC and Optional Battery Power
Dracast Pro Series II LED500 RGB LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 1327 Lux at 3.3' (10000K)
- 2700-10000K CCT, RGB Color Control
- 10 x 5.5" Panel; V-Mount; AC/DC
Dracast Pro Series II LED500 RGB LED Light Panel (3-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 1327 Lux at 3.3' (10000K)
- 2700-10000K CCT, RGB Color Control
- 10 x 5.5" Panel; Gold Mount; AC/DC
Dracast Pro Series II LED2000 RGB LED Light Panel (V-Mount)
- For Film, Broadcast & Video Production
- Output: 5774 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 19.3 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED2000 RGB LED Light Panel (Gold Mount)
- For Film, Broadcast & Video Production
- Output: 5774 Lux at 3.3' (10,000K)
- 2700-10,000K CCT, RGB Color Control
- 19.3 x 10" Panel; Gold Mount; AC/DC
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


