All LED Lights
Lume Cube Panel Go RGB LED Light
- Compact On-Camera RGB LED Light
- 3200 to 5600K Color Temperature, 96+ CRI
- 360 RGB Colors and 5 x Special Effects
- Vertical and Horizontal 1/4"-20 Mounting
amaran Ace 25x Bi-Color LED Light Panel All-in-One Creator Kit (Charcoal)
- For Content Creators and Vloggers
- Output: 1636 Lux at 3.3' (5600K)
- 2300 to 6500K CCT
- 4.6 x 3" Panel; USB-C Rechargeable
Genaray RGB-8X5M On-Camera RGB LED Light Panel
- For Content Creators and Vloggers
- Output: 577 Lux at 3.3' (120°, 5600K)
- 2500 to 9900K CCT; RGB Control
- 7.9 x 4.8"; Internal Li-Ion Battery
COLBOR CL60R RGB COB LED Monolight
- For Video Production and Vlogging
- 22,974 Lux at 3.3' @ 6500K
- 2700-6500K CCT, CRI: 97+
- 360° Color Adjustable RGBWW
SmallRig RC 60C RGB LED Video Light (Power Bank Clamp Edition)
- For Video Production & Vlogging
- Wide 2500-10,000K CCT Range
- RGB, Color Filters, HSI, G/M Settings
- Wireless App and Onboard Controls
Lume Cube Cordless Ring Light Pro (17")
- Edge-Lit Technology
- 17" Diameter
- Internal Rechargeable Lithium Battery
- Runtime: 70 Minutes
GVM LS-150D LED Daylight Video Light
- Measures 9 x 12.4 x 6"
- Color: 5600K, CRI/TLCI: 95/97
- Dimmable, Optional Wireless Remote
- AC Adapter, Aluminum Construction
Zhiyun MOLUS G200 Bi-Color LED Monolight
- For Video Production & Vlogging
- 60,700 Lux at 3.3' with Reflector
- 2700-6500K CCT
- AC Power
Aputure Nova P600c RGB LED Light Panel (Travel Kit)
- For Studio & Film/TV Production
- Output: 17,520 Lux at 3.3' (5600K)
- 2000 to 10,000K; RGB Color Control
- 31.6 x 18.96" Panel, AC/DC Operation
SmallRig Vibe P96L RGB Video LED Light
- Ultrathin On-Camera RGB LED Light
- 2500 to 8000K Variable Color Dial
- Full 360° RGB Color Output
- 21 Lighting FX, 0 to 100% Dimming
Genaray Torpedo LED Daylight Focusing Flood Light
- Fresnel Lens: 15 to 75° Focusing
- 12,026 Lux at 3' and 15°
- 4131 Lux at 3' and 75°
- 5600K, CRI/TLCI: 95/96
Nanlite FC120B Bi-Color LED Spotlight
- For Content Creators & Vloggers
- Output: 17,450 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
Nanlite PavoSlim 60B Bi-Color LED Panel
- For Studio, Film & TV Production
- Output: 8156 Lux at 3.3' (5600K)
- 2700-6500K
- 12.1 x 11.8" Panel; AC/DC Operation
Aputure LS 60d Daylight LED Focusing Flood Light
- For Video Production and Vlogging
- Output: 54,300 Lux at 3.3' (15°, 5600K)
- 5600K CCT
- 15 to 45° Adjustable Beam Angle
Hobolite Mini Bi-Color LED Light (Brown, Creator Kit)
- For Content Creators & Vloggers
- Output: 7130 Lux at 3.3' (6500K)
- 2700 to 6500K CCT
- 15 to 45° Adjustable Beam Angle
GVM 1000D RGB LED Light Panel (2-Light Kit with Softboxes)
- Two Lights with Stands, Softboxes, Cases
- For Studio & Film/TV Production
- Output: 6000 Lux at 3.3'
- 3200 to 5600K CCT; RGB Control
Godox Litemons LA300R RGB LED Monolight
- For Video Production & Vlogging
- Output: 92,900 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; Full RGB Color Control
- AC or Optional Battery Power
Aputure LS 300x Bi-Color LED Monolight (Gold Mount)
- For Film, Broadcast and Video Production
- Output: 20,500 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
Aputure Nova P300c RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 9000 Lux at 3.3' (5500K)
- 2000-10,000K; RGB Color Control
- 15.7 x 10.7" Panel; AC/DC Operation
Quasar Science Q-Lion Q10 Switch Linear Universal LED Light (12")
- Color Temp: 3000K/4300K/5600K, Stepped
- 95 CRI, 10W
- 10-100% Dimming, Stepped
- Flicker-Free
BOLING Pocket LED RGB Video Light
- 2500 to 8500K Variable Color Dial
- RGB Mode with 360 Colors
- Full 0 to 100% Dimming
- 9-Function Special Effect Mode
amaran P60x Bi-Color LED Light Panel
- For Studio & Film/TV Production
- Output: 5070 Lux at 3.3' (5600K, 45°)
- 3200-6500K; Bi-Color Control
- 10.5 x 8.2"; AC/DC Operation
Godox SL100Bi Bi-Color LED Video Light
- Color Temp: 2800-6500K, CRI/TLCI: 96/97
- 100-240 VAC, 32 Channels, 16 Groups
- Godox App Control, Optional Remote
- 11 Special Effects
Genaray Mini Moon 11" RGB LED Light Panel
- For Studio and Film/TV Production
- Output: 2105 Lux at 3.3' (5600K, 120°)
- 2700 to 10,000K; RGB Control
- 11" Diameter Panel; AC/DC Operation
Zhiyun MOLUS X100 Bi-Color Pocket COB Monolight (Pro Kit)
- Softbox, Battery, AC Adapter, Bag
- For Studio and Film/TV Production
- Output: 3881 lux at 3.3' (4300K)
- Color: 2700 to 6500K
Nanlite Forza 60B II Bi-Color LED Monolight
- Film/Video Light & Battery Grip
- Output: 14,350 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
amaran F21c 2 x 1' RGB LED Flexible Light Mat (Gold Mount)
- For Studio & Film/TV Production
- Output: 3660 Lux at 3.3' (5600K)
- 2500-7500K CCT; HSI Color Control
- 2 x 1' Mat; AC/DC Operation
SmallRig RC 120B Bi-Color LED Monolight with V-Mount Battery Plate (2-Light Travel Kit)
- Two Lights with V-Mount Battery Plate
- Output: 52,800 Lux at 3.3' per Light
- 2700-6500K CCT
- AC or Battery Power
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.