All LED Lights
COLBOR CL220R 220W RGB COB LED Video Light
- For Film, Broadcasting, Video Production
- Output: 30,600 Lux at 3.3' w/ Reflector
- 2700-6500K CCT; Full RGB Color Control
- AC Power, Optional V-Mount Battery
amaran F21c 2 x 1' RGB LED Flexible Light Mat (Gold Mount)
- For Studio & Film/TV Production
- Output: 3660 Lux at 3.3' (5600K)
- 2500-7500K CCT; HSI Color Control
- 2 x 1' Mat; AC/DC Operation
Aputure LS 300x Bi-Color LED Monolight (Gold Mount)
- For Film, Broadcast and Video Production
- Output: 20,500 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
Nanlite PavoTube II 30XR RGB LED Pixel Tube Light (4', 2-Light Kit)
- For Photo, Video & Film Production
- Output: 746 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Ulanzi VL-49 Rechargeable Mini RGB Light
- Compact, Dimmable RGB LED Light
- For DSLRs, Mirrorless Cameras & Phones
- Horizontal, Vertical & Magnet Mounting
- 2500 to 9000K Color Temperature
Viltrox L116T On-Camera Bi-Color LED Light with LCD Display
- Soft Bi-Color LED On-Camera Light
- 3300-5600K Color Temperature, CRI 95
- 20-100% Dimming, 120° Beam Angle
- 987-Lumen Brightness
Genaray Ultra-Thin Bicolor 144 SMD LED On-Camera Light
- All-Aluminum, Slim, Lightweight Design
- Surface-Mount SMD LEDs
- 3200-5600K Adjustable Color Temperature
- >90 TLCI/CRI
Quasar Science Crossfade X Linear Bi-Color LED Light (US, 4')
- 120V, 50W Bi-Color LED Light Tube
- 2000-6000K Color Temperature
- Length: 4'
- Dimmable, Flicker-Free Operation
BOLING Pocket LED RGB Video Light
- 2500 to 8500K Variable Color Dial
- RGB Mode with 360 Colors
- Full 0 to 100% Dimming
- 9-Function Special Effect Mode
Nanlite PavoTube II 6C RGB LED Tube Light (10", Coupler 2-Light Kit)
- Two Lights with Coupler
- For Mounting Two Lights Together
- Output: 183 Lux at 3.3' for Each Light
- 2700-7500K CCT; RGB Mode
Godox SL200IIIBI Bi-Color LED Monolight
- For Studio and Film/TV Production
- Output: 95,400 Lux at 3.3' (5600K)
- 2800 to 6500K CCT
- AC Power 100-240V, 50/60 Hz, 2.1A
Godox SL300III Daylight LED Video Light
- For Studio and Film/TV Production
- Output: 99,300 Lux at 3.3' (5600K)
- 5600K Color Temperature
- AC Power 100-240V, 50/60 Hz, 2.1A
SmallRig RC 450B COB Bi-Color LED Video Monolight
- For Content Creators and Vloggers
- Output: 121,000 Lux at 3.3' (5600K)
- Color Temperature: 2700 to 6500K
- AC Power
Godox KNOWLED F200SR RGB Flexible LED Light Mat (1 x 4')
- For Film, Broadcast & Video Production
- Output: 7350 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 1 x 4' Panel; AC/DC Operation
Astera FP6 HydraPanel LED 4-Light Kit with Charging Case
- Measures 6.5 x 3.3 x 1.7"
- Up to 1300 Lumens Output
- 1750-20,000K CCT
- CRI 96 | TLCI 96
Raya Bi-Color 9" Round LED Light Panel
- For Content Creators & Vloggers
- 400 LEDs for 1200 Lux at 3'
- 3200-5600K CCT, Bi-Color
- 9" Diameter Panel
Godox LC500R Mini RGB LED Light Stick (Black, 18")
- For Photo & Video Enthusiasts
- Output: 1580 Lux at 3.3' (5600K)
- 2500-8500K CCT; RGB Mode
- Handheld Use, App & Onboard Control
Lume Cube Edge Light 2.0 Bi-Color LED Desk Lamp with Electronic Base (White)
- Soft LED Desk Light for Edge Lighting
- Output: 425 Lux at 3.3'
- 2700-7500K CCT
- 6" Diameter Light Head; AC Power
Godox ML60IIBi Bi-Color LED Monolight (AK-B02 Battery Handgrip Kit)
- Light with AK-B02 Battery Handgrip
- 2800-6500K CCT
- AC or Battery Power
- Onboard and App Control
Genaray Mini Moon 11" Bicolor Soft LED Light
- Color: 3200 to 5600K, CRI/TLCI: 95.9/98
- 120° Beam Spread, 10 to 100% Dimming
- DMX and Radio Remote Control, 98' Range
- 100 to 240 VAC Power Adapter
Neewer Bi-Color Video LED 2-Light Kit with Stands
- Each Fixture Measures 9 x 8 x 2"
- Color Temperature: 3200-5600K, CRI: 96
- 660 LEDs: 330 Daylight and 330 Tungsten
- Two Sets of Four-Way Barndoors
COLBOR W100R Portable RGB LED Monolight (PG99 Power Grip Kit)
- Light with 97.68Wh Battery Grip
- Up to 50-Minute Runtime for W100 Series
- Output: 6500 Lux at 3.3' w/ Reflector
- 360 RGB Color, 2700-6500K CCT
GVM SD300D Bi-Color LED Monolight
- For Video Production and Vlogging
- Output: 56,600 Lux at 3.3' w/ Reflector
- 2700-7500K CCT
- AC Power
Zhiyun MOLUS X100 Bi-Color Pocket COB Monolight (Combo Kit)
- For Studio and Film/TV Production
- Output: 3881 Lux at 3.3' (4300K)
- Color: 2700 to 6500K, Optional USB Power
- Includes Battery, AC Adapter
DMG Lumiere DASH Pocket RGB LED Light Panel (CRMX/W-DMX)
- For Studio & Film/TV Production
- Output: 250 Lux at 3.3' (6500K)
- 1700 to 10,000K; CCT Control
- 5 x 3"; DC Operation
Nanlite FC300B Bi-Color LED Spotlight
- For Film, Broadcast & Video Production
- Output: 37,340 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power
Nanlite Forza 60B II Bi-Color LED Monolight (Projection Kit)
- Light, Projector Mount & Carry Case
- Includes 19 & 36° Lenses
- Includes Four Gobos & Gobo Holders
- Includes Battery Grip & Bowens Adapter
Aputure LS C300d II Daylight LED Monolight (Gold Mount)
- For Film, Broadcast and Video Production
- Output: 45,000 Lux at 3.3' w/ Reflector
- 5600K CCT
- AC or Battery Power
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.