FUJIFILM GF 50mm f/3.5 R LM WR Lens with UV Filter Kit
- FUJIFILM G Mount
- 40mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/32
- One Aspherical Element
Mitakon Zhongyi 55mm f/2.8 1-5x Macro Lens (FUJIFILM G)
- Medium Format | f/2.8 to f/22
- 44mm (Full-Frame Equivalent)
- Fast, Normal-Length Prime
- 1:1 to 5:1 Magnification
FUJIFILM GF 35-70mm f/4.5-5.6 WR Lens with UV Filter Kit
- FUJIFILM G-Mount Medium Format Lens
- Wide-Angle to Normal-Length Zoom
- 28-55mm (35mm Equivalent)
- Minimum Focusing Distance: 13.8"
Venus Optics Laowa 35mm f/2.8 Zero-D Tilt-Shift 0.5x Macro Lens (Hasselblad XCD)
- Medium Format | f/2.8 to f/22
- Fast Wide-Angle Macro Tilt-Shift Prime
- Manual Focus Design
- ±10° Tilt, ±12mm Shift
FUJIFILM GF 63mm f/2.8 R WR Lens
- FUJIFILM G Mount
- 50mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/32
- One Extra-Low Dispersion Element
FUJIFILM GF 80mm f/1.7R WR Lens with 77mm Filter Kit
- FUJIFILM G Mount
- 63mm (35mm Equivalent)
- Aperture Range: f/1.7 to f/22
- Two Super ED Elements
FUJIFILM GF 32-64mm f/4 R LM WR Lens with UV Filter Kit
- FUJIFILM G Mount
- 25-51mm (35mm Equivalent)
- Aperture Range: f/4 to f/32
- Three Aspherical Elements
FUJIFILM GF 110mm f/2 R LM WR Lens with UV Filter Kit
- FUJIFILM G Mount
- 87mm (35mm Equivalent)
- Aperture Range: f/2 to f/22
- Four Extra-Low Dispersion Elements
Venus Optics Laowa 8-15mm f/2.8 Fisheye Lens (Hasselblad X)
- Full-Frame | f/2.8 to f/22
- Fast Fisheye Zoom Lens
- 180° Angle of View
- Minimum Focusing Distance: 6.3"
Venus Optics Laowa 8-15mm f/2.8 Fisheye Lens (FUJIFILM G)
- Full-Frame | f/2.8 to f/22
- Fast Fisheye Zoom Lens
- 180° Angle of View
- Minimum Focusing Distance: 6.3"
Venus Optics Laowa 17mm f/4 Zero-D Shift Lens (Hasselblad X)
- Medium Format | f/4 to f/22 Aperture
- Wide-Angle Perspective Shifting Prime
- ±8mm Shift for Distortion Correction
- Manual Focus Design | 9.8" Close Focus
Venus Optics Laowa 20mm f/4 Zero-D Shift Lens (FUJIFILM G)
- Medium Format | f/4 to f/22
- 16mm (35mm Equivalent)
- +/- 11mm of Shift
- Two Aspherical Elements
Venus Optics Laowa 100mm f/2.8 Tilt-Shift 1x Macro Lens (FUJIFILM G)
- Medium Format | f/2.8 to f/22
- 79mm (Full-Frame Equivalent)
- Manual Focus Design
- +/- 10° Tilt, +/- 8° Shift
FUJIFILM GF 63mm f/2.8 R WR Lens with UV Filter Kit
- FUJIFILM G Mount
- 50mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/32
- One Extra-Low Dispersion Element
FUJIFILM GF 45mm f/2.8 R WR Lens with UV Filter Kit
- FUJIFILM G Mount
- 36mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/32
- One Aspherical Element, Two ED Elements
FUJIFILM GF 30mm f/3.5 R WR Lens
- FUJIFILM G Mount
- 24mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/32
- Two Extra-Low Dispersion Elements
Hasselblad XCD 65mm f/2.8 Lens
- Hasselblad X System
- 50mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/32
- Central Lens Shutter, 1/2000 sec Sync
Hasselblad XCD 30mm f/3.5 Lens
- Hasselblad X System
- 24mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/32
- Central Lens Shutter, 1/2000 sec Sync
FUJIFILM GF 120mm f/4 Macro R LM OIS WR Lens (FUJIFILM G)
- Medium Format | f/4 to f/32
- 95mm (Full-Frame Equivalent)
- Maximum Magnification: 1:2
- Minimum Focusing Distance: 1.5'
FUJIFILM GF 30mm f/5.6 T/S Lens (FUJIFILM G)
- Medium Format | f/5.6 to f/32
- 24mm (Full-Frame Equivalent)
- Built-In Data-Recording Sensor
- Maximum Tilt: +/- 8.5°
Mitakon Zhongyi Creator 135mm f/2.5 Lens (FUJIFILM G)
- Medium Format | f/2.5 to f/22
- 106mm (Full-Frame Equivalent))
- Fast Telephoto Prime
- Manual Focus Design
Mitakon Zhongyi Creator 28mm f/5.6 Lens (FUJIFILM G)
- Medium Format | f/5.6 to f/22
- Light and Compact Design
- Manual Focus Design
- Retro Styling
NiSi 250mm f/5.6 Reflex Lens (Hasselblad X)
- Medium Format | Fixed f/5.6 Aperture
- 198mm (Full-Frame Equivalent)
- Manual Focus Design
- Pleasing Donut-Shaped Bokeh
IRIX 45mm f/1.4 GFX Lens
- FUJIFILM G Mount
- 36mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/22
- One Aspherical Element, Four HR Elements
Mitakon Zhongyi Speedmaster 65mm f/1.4 Lens (Hasselblad X)
- Medium Format | f/1.4 to f/16
- 50mm (Full-Frame Equivalent)
- Two Ultra-Low Dispersion Elements
- Two High Refractive Index Elements
Mitakon Zhongyi Speedmaster 80mm f/1.6 Lens (Hasselblad X)
- Medium Format | f/1.6 to f/22
- 63mm (Full-Frame Equivalent)
- One Ultra-Low Dispersion Element
- Four High Refractive Index Elements
Kase 150mm f/5.6 AF Reflex Mirror Lens (FUJIFILM G)
- Medium Format | f/5.6 Fixed Aperture
- 118.5mm (Full-Frame Equivalent)
- Unique Donut Bokeh
- Autofocus Design
Venus Optics Laowa 19mm f/2.8 Zero-D Lens (Hasselblad X)
- Medium Format | f/2.8 to f/22
- 15mm (Full-Frame Equivalent)
- Fast Wide-Angle Prime
- Manual Focus Design
Understanding and Selecting Medium Format Lenses
Medium format lenses are interchangeable lenses for medium format cameras using 120 and 220 film, or which have similarly-sized digital sensors. Professional photographers aspire to medium format cameras because of their superior quality, greater dynamic range, and increased resolution.
Lens and Camera Systems
Medium format cameras fall into four groups. There are traditional modular cameras, such as those from Hasselblad and Mamiya. Others are conventional single lens reflex designs, such as Leica and Pentax. Newer medium format cameras such as the Fuji GFX range are mirrorless, and there are rangefinder cameras made by Horseman and Linhof.
With such a wide range, medium format lenses vary in complexity, size, and application. For example, Linhof wide-angle camera lenses have a built-in vertical shift to compensate for parallax errors when photographing tall buildings, a feature similar to that achieved with tilting special effect lenses.
Characteristics of Medium Format Lenses
Two factors affect lens design: the flange focal distance and the image circle. Most medium format cameras have a long flange distance, so lenses are larger and more complex. A large image circle often requires a greater lens diameter. However, lenses for rangefinder cameras such as Horseman and Linhof are like full frame rangefinder lenses and relatively small.
The best camera lenses for medium format cameras have excellent optics that take advantage of the image potential offered by 120 and 220 film, and by the high pixel density of medium format digital sensors.
Medium Format Lens Shutters
Medium format cameras use two types of shutters. Some have a focal plane shutter while others use a leaf shutter inside the lens. Focal plane shutters are capable of high shutter speeds but low flash synchronization speeds. Leaf shutters don’t have that problem, and their high flash synchronization speeds permit the use of wide apertures to exploit the shallow depth of field characteristics of medium format lenses.
Adapting Medium Format Lenses
It’s possible to use lens mount adapters to fit lenses from one type of medium format camera to another. While there are limitations, such as aperture and focus control, these aren’t as significant as with other camera types. Lens mount adapters perform several functions. They adapt different bayonet mounts and adjust the lens position to the right flange distance. Some adapters are compatible with camera electronics. Manufacturers of mirrorless system lenses exploit this feature to offer OEM adapters for other lenses from their camera stable.
Find the best camera lenses for your medium format camera at B&H Photo and Video.


