Lilliput 23.6" 12G-SDI/HDMI Broadcast Studio Monitor (V-Mount)
- 23.6" 3840 x 2160 Resolution Monitor
- Supports up to DCI 4K Input
- Supports Accurate Color Calibration
- HDR Support, Load Custom 3D LUTs
Marshall Electronics ML-454-V3 Quad 4.5" Rackmount Monitor
- Four 4.5" 1280 x 720 LCD Monitors
- Supports SD & HD Video up to 1080p60
- HDMI + 3G-SDI Inputs & Loop Outputs
- Tally Input with 3-Color Border Display
Sony LMD-A240 24" LCD Production Monitor
- 24" Diagonal Screen Size
- 1920 x 1200 Native Resolution
- Supports 1080p60 Video Signals
- 2 x 3G/HD/SD-SDI Inputs
SmallHD Cine 24" 4K High Bright Pro Monitor (B-Stock/Refurbished)
- 24" Display, UHD 4K Resolution
- 1000:1 Contrast, 10-Bit Color
- 1350 cd/m², SmallHD OS4.1
- 12G-SDI and HDMI 2.0 Inputs and Outputs
SmallHD Cine 24" 4K High Bright Pro Monitor
- 24" Display, UHD 4K Resolution
- 1000:1 Contrast, 10-Bit Color
- 1350 cd/m², SmallHD OS4.1
- 12G-SDI and HDMI 2.0 Inputs and Outputs
FeelWorld ATEM156 4K 15.6" Quad-Split Monitor with 4 x HDMI I/O for Switchers
- Quad DCI 4K24/UHD 4K30 Input & Loop Out
- Multiview for Switchers like ATEM Mini
- Quad/Dual/Single View with PiP
- 1920 x 1080 Resolution, 800:1 Contrast
Tote Vision LED-1562HDR 15.6" Rackmount LCD Monitor with HDMI Input
- 15.6" 1920 x 1080 LED-Backlit LCD Panel
- HDMI, Composite, VGA Inputs
- 70/70/60/60° Viewing Angle
- RS-232
FeelWorld 15.6" 4K IPS Broadcast Director Monitor
- 3840 x 2160 Resolution, 300 cd/m²
- Quad-Split Display
- Peaking Focus Assist
- Display Rotation (0, 90, 180, 270°)
ANDYCINE C173S3 17.3" Rackmount Broadcast LCD Monitor
- 1920 x 1080 Display, Input up to 4K30
- Rack Ears with Built-In Handles
- HDMI, 3G-SDI, and Analog Inputs/Outputs
- RCA Audio Input, Headphone Out, Speakers
ANDYCINE C173S 17.3" Broadcast Monitor
- Full HD 1920 x 1080 Display
- HDMI, 3G-SDI & Analog Inputs/Outputs
- Supports up to 4K30 Input
- Integrated V-Mount Plate
Lilliput PVM220S-H 21.5" High-Brightness Broadcast Monitor (Gold Mount)
- Professional High-Brightness HD Monitor
- 1000 cd/m² Brightness, 1000:1 Contrast
- 3G-SDI & HDMI 2.0 Connectivity
- 3D LUT & HDR Support
FeelWorld 21.5" Full HD IPS Broadcast Monitor
- Full HD Display, Supports up to 1080p60
- 178 / 178° Viewing Angle
- HDMI, 3G-SDI & Analog Inputs/Outputs
- RCA Audio Input, Headphone Out, Speakers
Lilliput PVM220S-E 21.5" Live Stream Recording Monitor (V-Mount)
- Live Streaming & Recording Monitor
- 1000 cd/m² Brightness, 1000:1 Contrast
- 3G-SDI & HDMI 2.0 Connectivity
- Records on SD Cards up to 512GB
FeelWorld P215 PRO 21.5" Full HD High-Bright Broadcast Monitor
- 21.5" Display with up to DCI 4K60 Input
- High 1000 cd/m² Brightness, HDR Support
- HDMI & 3G-SDI Inputs/Outputs, DVI Input
- Desktop Design, Front/Rear Tally LEDs
Lilliput 12.5" 4K Broadcast Director Monitor with SDI, HDR & 3D LUTS in Hard Case
- 12.5" 3840 x 2160 Display in Hard Case
- Supports up to 4K60
- HDR Support, Load Custom 3D LUTs via USB
- HDMI, SDI, DVI, VGA, USB & Tally Inputs
FeelWorld M215S 21.5" Multiview Field Monitor
- 21.5" 1920 x1080 Touchscreen Monitor
- 1000 cd/m² Brightness, 3000:1 Contrast
- Two 3G-SDI and Four HDMI I/O Ports
- RS-485, GPI, and LAN Ports
Lilliput PVM270S 27" High-Bright Live Stream Multiview Monitor (Gold Mount)
- Professional High-Brightness HD Monitor
- 1000 cd/m² Brightness, 1000:1 Contrast
- 3G-SDI & HDMI 2.0 Connectivity
- 3D LUT & Rec. 709 Color, HDR Support
Lilliput PVM220S 21.5" 3G-SDI/HDMI Quad-Split Broadcast Monitor with Case
- 21.5" 1920 x 1080 LCD Display
- 3G-SDI & HDMI In/Out, USB Type-C In
- Quad-Split Multiview + Program Out
- Carry Case Included
OSEE Megamon 15 HDR Production Monitor with Gold-Mount Kit
- 15.4" 10-Bit Display
- HDMI, 3G-SDI, Analog BNC Input
- 1000 cd/m² Brightness
- Includes Gold-Mount Battery Plate
FeelWorld FRM701G Dual 7" 12G-SDI/HDMI 4K Rackmount Monitor
- Two 7" 1920 x 1200 Displays
- 12G-SDI, HDMI, Composite I/O
- Two L/R RCA Audio Inputs
- Tally Port, Included Tally Kit
Desview 17.3" Director Monitor with Protector Case
- 17.3" 3840 x 2160 HDR Display
- 3G-SDI & HDMI In/Out, USB Input
- PIP, Dual, Triple & Quad Multiview
- Horizontal & Vertical Display Modes
Lilliput BM150-4K Carry-On 4K Monitor (V-Mount)
- 15" 3840 x 2160 8-Bit LCD
- Supports NTSC/PAL, HD, and UHD 4K
- HDMI, SDI, DVI, and VGA Inputs
- 176° H/V Viewing Angle
Desview D21-HB 21.5" High-Bright Multiview Production Monitor with Case
- 1920 x 1080 Display, up to 4K60 Input
- 1350 cd/m² Brightness, 1000:1 Contrast
- Horizontal/Vertical Multiview Modes, PiP
- 3 x HDMI In, 1 x Out | 2 x 3G-SDI In/Out
Ikegami 21.5" Full HD 3G-SDI & HDMI Professional Monitor
- 1920 x 1080 Multi-Format LED Monitor
- SDI, HDMI, Composite, DVI, VGA Inputs
- Audio Inputs
- External Control GPIO Input
Lilliput PVM270S 27" High-Bright Live Stream Multiview Monitor (V-Mount, Case)
- Professional High-Brightness HD Monitor
- 1000 cd/m² Brightness, 1000:1 Contrast
- 3G-SDI & HDMI 2.0 Connectivity
- 3D LUT & Rec. 709 Color, HDR Support
Desview OL16 16" 4K OLED Production Monitor
- 16" 1500-Nit OLED Field Monitor
- 3840 x 2400 Native Resolution
- 10-Bit Color | 500,000:1 Contrast Ratio
- Two 4K60 HDMI Inputs & One Loop Output
OSEE 21.5" LCM215-HDR+ Field Monitor with V-Mount Battery Plate
- 1500 cd/m² Brightness
- Built-In SDR and HDR 3D LUTs
- HDMI, 3G SDI, Analog BNC Input
- Includes V-Mount Plate
Using SDI & Production Monitors
Unlike computer displays, video production monitors are portable and have a higher affinity to read camera signals accurately. With their rugged design, they can withstand external weather conditions right alongside your camera.
Production Monitor Uses
These devices monitor videos for aesthetics and technical validity. To monitor the aesthetics, they help you examine the parameters of an image, such as the colors, framing, and focus. To monitor the technical merits, you have to look at an image's data, which is usually interpreted by the monitors in waveforms, graphics, and other information. This data is necessary to produce videos within the boundaries of the agreed-upon standards. As a rule, shop for a monitor that'll allow you to check for both the aesthetics and technical validity in videos.
What to Look for in Broadcast Monitors
Consider your needs when looking for a broadcast monitor. Choose one that's able to read the native resolution and aspect ratio of a signal. If it can't display the native resolution, then it should come with a 1:1 pixel-mapping feature. A good monitor should also have a refresh rate of at least 60 Hz. Some professional video on-camera monitors are lightweight and easily portable, making them ideal for outside broadcasting.
Choose a monitor with compatible connectors, such as HDMI, BNC, and SMPTE, to ensure easy and convenient connections and operations. For a more organized setup, choose one with ergonomic controls that are simple to use even without the remote control. The contrast ratio should be as high as possible — more than 1,000:1 — for precise video editing. If you're specifically looking for an LCD monitor, shop for a 4K IPS monitor. IPS monitors have the best LCD technology panels for color accuracy, image quality, and viewing angles. For commercial video monitoring, go for a 4K monitor, as it will accept Ultra HD signals. Alternatively, consider ones with firmware that you can upgrade to accept 4K signals.
Production Monitor Accessories
For top-notch performance of your monitor, you'll need to consider a number of accessories. If you're planning to affix it in a specific spot, shop for professional video monitor rackmounts. Signal pulse generators will help you test the systems against a standard known signal type. They're often used in stereoscopy and broadcast switching. You can place rackmount monitors on walls, racks, or desktops. If you're always traveling, consider getting professional video monitor cases to keep your gear safe from damage.
Choosing the right production monitor means that that you can efficiently examine your videos for quality standards. From desktop to rackmount LCD monitors, B&H Photo and Video stocks a range of monitors from known brands, including Sony, Panasonic, Wohler, and more.


