7Artisans 35mm T2.0 Spectrum Prime Cine Lens (E Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 10 Iris Blades
Sirui Night Walker 16mm T1.2 S35 Cine Lens (FUJIFILM X, Gunmetal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8-MOD Gearing, 270° Focus Rotation
- 13-Blade Aperture, Smooth Bokeh
Sirui Night Walker 16mm T1.2 S35 Cine Lens (Canon RF, Gunmetal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8 MOD Gearing, 270° Focus Rotation
- 13-Blade Aperture, Smooth Bokeh
Sirui Night Walker 16mm T1.2 S35 Cine Lens (Micro Four Thirds, Gunmetal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8 MOD Gearing, 270° Focus Rotation
- 13-Blade Aperture, Smooth Bokeh
Sirui Night Walker 16mm T1.2 S35 Cine Lens (Leica L, Gunmetal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8-MOD Gearing, 270° Focus Rotation
- 13-Blade Aperture, Smooth Bokeh
Sirui Night Walker 75mm T1.2 S35 Cine Lens (FUJIFILM X, Metal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High Refractive-Index Glass Elements
- 0.8 MOD Gears, 270° Focus Rotation
- 18-Blade Aperture, Smooth Bokeh
Sirui Night Walker 75mm T1.2 S35 Cine Lens (Canon RF, Metal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8 MOD Gears, 270° Focus Rotation
- 18-Blade Aperture, Smooth Bokeh
Sirui Night Walker 75mm T1.2 S35 Cine Lens (Micro Four Thirds, Metal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8 MOD Gears, 270° Focus Rotation
- 18-Blade Aperture, Smooth Bokeh
Sirui Night Walker 75mm T1.2 S35 Cine Lens (Leica L, Metal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High Refractive-Index Glass Elements
- 0.8 MOD Gears, 270° Focus Rotation
- 18-Blade Aperture, Smooth Bokeh
Sirui Night Walker 75mm T1.2 S35 Cine Lens (Sony E, Metal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High Refractive-Index Glass Elements
- 0.8 MOD Gears, 270° Focus Rotation
- 18-Blade Aperture, Smooth Bokeh
Rokinon 21mm T1.5 Compact High-Speed Cine Lens for Fujifilm X
- 21mm Lens
- 69.3° AOV, APS-C
- Multi-Layer Coating to Reduce Flare
- Aspheric Elements
SLR Magic MicroPrime CINE 50mm T1.4 Lens for S35/APS-C (Sony E)
- APS-C/S35 Coverage | Fast T1.4 Aperture
- Cine-Style Lens with 0.8-MOD Gears
- 13-Blade Iris for Smooth Bokeh
- Consistent Gear Placement Across Series
SLR Magic MicroPrime CINE 35mm T1.5 Lens (APS-C/S35, Sony E)
- APS-C/S35 Coverage | Fast T1.5 Aperture
- Cine-Style Lens with 0.8-MOD Gears
- 10-Blade Iris for Smooth Bokeh
- Consistent Gear Placement Across Series
SLR Magic MicroPrime CINE 17mm T1.5 Lens for APS-C/S35 (Sony E)
- APS-C/S35 Coverage | Fast T1.5 Aperture
- Cine-Style Lens with 0.8-MOD Gears
- 11-Blade Iris for Smooth Bokeh
- Consistent Gear Placement Across Series
Bower 8mm T/3.8 Fisheye HD Cine Lens for Samsung NX Mount
- 180º Panoramic Fisheye Perspective
- Aperture Range: T/3.8-22
- Ideal for DSLR Video
- Silent, Smooth De-clicked Aperture Ring
GLOBAL DYNAMICS UNITED 24mm f/2.8 Electronic-Only Cine Lens (EF Mount)
- Covers Super 35mm / APS-C Sensor
- Canon EF Mount
- Electronic-Only Focus and Iris Control
- f/22 to f/2.8 Aperture Range
Rokinon 16mm T2.2 Cine DS Lens for Canon EF Mount for APS-C
- 16mm Lens
- APS-C Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
7Artisans INFINTE 65mm T2.9 2x Macro Lens (Canon RF)
- Full-Frame | T2.9 to T22
- 2x Magnification Ratio | 38.4° FOV
- Manual Focus Design | 6.7" Close Focus
- 0.8 MOD Gears | 330° Focus Throw
Meike 8mm T2.9 Manual Focus Wide-Angle Cinema Lens (MFT Mount)
- Bright, Wide-Angle Cine Prime
- 16mm Equivalent on MFT Cameras
- T2.9 Maximum Aperture
- Cine-Style 0.8 MOD Focus & Iris Gears
Meike 25mm T2.2 Manual Focus Cinema Lens (FUJIFILM X)
- Fujifilm X Mount Cinema Lens
- Aperture Range: T2.2 to T22
- Multilayer Coating
- Manual Focus Design
Meike 25mm T2.2 Manual Focus Cinema Lens (E Mount)
- Sony E Mount Cinema Lens
- Aperture Range: T2.2 to T22
- Covers APS-C Sensors
- Manual Focus Design, Multilayer Coating
Meike 35mm T2.2 Manual Focus Cinema Lens (FUJIFILM X)
- Fujifilm X-Mount Cinema Lens
- Super35/APS-C Image coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
Meike 35mm T2.2 Manual Focus Cinema Lens (Sony E-Mount)
- Sony E-Mount Cinema Lens
- Super35/APS-C Image coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
Meike 35mm T2.2 Manual Focus Cinema Lens (MFT Mount)
- MFT Mount Cinema Lens
- Four Thirds Image coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
Meike 85mm T2.2 Manual Focus Cinema Lens (X Mount)
- Super35/APS-C Sensor Coverage
- Wide T2.2 Maximum Aperture
- 35" Minimum Focus Distance
- All-Metal Housing
Meike 85mm T2.2 Manual Focus Cinema Lens (E Mount)
- Super35/APS-C Sensor Coverage
- Wide T2.2 Maximum Aperture
- 35" Minimum Focus Distance
- All-Metal Housing
Meike 65mm T2.2 Manual Focus Cinema Lens (FUJIFILM X)
- FUJIFILM X Mount Cinema Lens
- Aperture Range: T2.2 to T22
- 10" Close Focus, 0.8 MOD Cine Gears
- 130mm 35mm Equivalent with MFT
Meike 65mm T2.2 Cinema Prime Lens (E-Mount, Feet/Meters)
- Super35/APS-C Image Coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
- Cine Standard Focus and Iris Rings
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


