Meike 50mm T2.2 Manual Focus Cinema Lens (FUJIFILM X)
- Super35/APS-C Sensor Coverage
- Wide T2.2 Maximum Aperture
- 24" Minimum Focus Distance
- All-Metal Housing
Meike 50mm T2.2 Manual Focus Cinema Prime Lens (E Mount)
- 50mm Cine Prime for APS-C Sensors
- For Sony E-Mount Cameras
- T2.2 Maximum Aperture
- Little Flaring, No Focus Breathing
Meike 35mm T2.2 Cinema Prime Lens (E-Mount, Feet/Meters)
- Super35/APS-C Image Coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
- Cine Standard Focus and Iris Rings
Meike 25mm T2.2 Manual Focus Cinema Lens (FUJIFILM X)
- FUJI X-Mount Cinema Lens
- Aperture Range: T2.2 to T22
- Multilayer Coating
- Manual Focus Design
Meike 25mm T2.2 Cine Lens (Sony E Mount)
- Covers APS-C Sensors
- T2.2 Maximum Aperture
- Cine-Style 0.8 MOD Focus and Iris Gears
- 9.8" Minimum Focus Distance
Meike 85mm T2.2 Manual Focus Cinema Lens (E Mount)
- Super35/APS-C Sensor Coverage
- Wide T2.2 Maximum Aperture
- 35" Minimum Focus Distance
- All-Metal Housing
Rokinon 10mm T3.1 Cine DS Lens with Nikon F Mount for APS-C
- 10mm Lens
- APS-C Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
7Artisans 85mm T2.0 Spectrum Prime Cine Lens (Z Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 10 Iris Blades
7Artisans 85mm T2.0 Spectrum Prime Cine Lens (RF Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 10 Iris Blades
7Artisans 85mm T2.0 Spectrum Prime Cine Lens (E Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 10 Iris Blades
Samyang 85mm T1.5 VDSLR MK2 Cine Lens (MFT Mount)
- MFT 85mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, MFT Mount
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 10mm T3.1 Cine DS Lens with Sony E Mount for APS-C
- 10mm Lens
- APS-C Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 50mm T1.3 Compact High-Speed Cine Lens for Fujifilm X
- 50mm Lens
- AOV: 31.7°, APS-C
- Multi-Layer Coating to Reduce Flare
- Aspheric Elements
Samyang 14mm T3.1 VDSLRII Cine Lens for Micro Four Thirds Mount
- Ultra-Wide-Angle 14mm Lens
- UMC Lens Coating to Reduce Flare
- Standard Gearing for Focus and Iris
- De-Clicked Aperture Ring
Rokinon 50mm T1.5 AS UMC Cine DS Lens for Nikon F Mount
- F Mount Lens/FX Format
- Aperture Range: T1.5 - T22
- One Aspherical, One Hybrid Asph. Element
- Manual Focus and Aperture
TTArtisan 35mm T2.1 Dual-Bokeh Cine Lens (Nikon Z)
- Covers Full-Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design (Bubble & Soft)
- 11-Blade Iris | 63° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 35mm T2.1 Dual-Bokeh Cine Lens (FUJIFILM X)
- Covers Full-Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design (Bubble & Soft)
- 11-Blade Iris | 63° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 35mm T2.1 Dual-Bokeh Cine Lens (Canon RF)
- Covers Full-Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design (Bubble & Soft)
- 11-Blade Iris | 63° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 35mm T2.1 Dual-Bokeh Cine Lens (Leica L)
- Covers Full-Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design (Bubble & Soft)
- 11-Blade Iris | 63° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 35mm T2.1 Dual-Bokeh Cine Lens (Sony E)
- Covers Full-Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design (Bubble & Soft)
- 11-Blade Iris | 63° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 85mm T2.1 Dual-Bokeh Cine Lens (Nikon Z)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 28.9° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 85mm T2.1 Dual-Bokeh Cine Lens (Canon RF)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 28.9° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 85mm T2.1 Dual-Bokeh Cine Lens (Leica L)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 28.9° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 85mm T2.1 Dual-Bokeh Cine Lens (Sony E)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 28.9° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 50mm T2.1 Dual-Bokeh Cine Lens (Nikon Z)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 47° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 50mm T2.1 Dual-Bokeh Cine Lens (Canon RF)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 47° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
Samyang 50mm T1.5 VDSLR MK2 Cine Lens (RF Mount)
- Full-Frame 50mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
7Artisans 25mm T1.05 Vision Cine Lens (L Mount, Feet/Meters)
- For APS-C Sensors, Mirrorless Only
- T1.05 to T16
- 90mm Front Diameter
- 13 Iris Blades
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


