7Artisans 25mm T1.05 Vision Cine Lens (X Mount, Feet/Meters)
- For APS-C Sensors, Mirrorless Only
- T1.05 to T16
- 90mm Front Diameter
- 13 Iris Blades
Samyang 14mm T3.1 VDSLRII Cine Lens for Nikon F Mount
- Ultra-Wide-Angle 14mm Lens
- Full-Frame
- UMC Lens Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 135mm T2.2 Cine DS Lens for Nikon F Mount
- 135mm Lens
- Full-Frame Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
7Artisans Hope 10mm T2.1 S35 Cine Lens (FUJIFILM X, Titanium Gray)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
7Artisans 10mm T2.1 Hope S35 Cine Lens (Canon RF, Titanium Gray)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
7Artisans Hope 10mm T2.1 S35 Cine Lens (Micro Four Thirds, Titanium Gray)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
7Artisans 10mm T2.1 Hope S35 Cine Lens (Sony E, Titanium Gray)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
7Artisans 10mm T2.1 Hope S35 Cine Lens (Canon RF, Black)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
7Artisans Hope 10mm T2.1 S35 Cine Lens (Micro Four Thirds, Black)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
7Artisans 10mm T2.1 Hope S35 Cine Lens (Sony E, Black)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
Mitakon Zhongyi 50mm T1 Speedmaster Cine Lens (MFT)
- Covers Micro Four Thirds Sensors
- Ultrafast T1.0 Aperture
- Suitable for 4K Image Capture
- 9-Blade Iris for Smooth, Round Bokeh
Rokinon 16mm T2.2 Cine Lens for Sony A
- Covers APS-C Sized Sensors
- Standard Gearing for Focus and Iris
- De-Clicked Aperture Ring
- Aspherical Lens Elements
SLR Magic Cine 35mm f/1.2 Wide-Angle Lens (FUJIFILM X)
- Covers Full-Frame Sensors
- Fuji X-Mount Lens
- Aperture Range: f/1.2 to f/16
- Cine Geared Focus and Iris Rings
Mitakon Zhongyi Speedmaster S35 50mm T1 Cine Lens (Nikon Z)
- Covers Super35 Sensors
- Ultrafast T1.0 Aperture
- Suitable for 4K Image Capture
- 9-Blade Iris for Smooth, Round Bokeh
Rokinon 20mm T1.9 Cine DS Lens for Nikon F
- 20mm Lens
- 94.8° AOV, Full-Frame Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 20mm T1.9 Cine DS Lens for Micro Four Thirds
- 20mm Lens
- 56.1° AOV, Four-Thirds Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 100mm T3.1 Macro Cine DS Lens for Micro Four Thirds Mount
- 100mm Lens
- Covers Four-Thirds Format
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Samyang 14mm T3.1 VDSLRII Cine Lens for Sony Alpha Mount
- Ultra-Wide-Angle 14mm Lens
- Full-Frame
- UMC Lens Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 16mm T2.2 Cine DS Lens for Micro Four Thirds Mount for APS-C
- 16mm Lens
- Four Thirds Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 10mm T3.1 Cine DS Lens with MFT Mount for APS-C
- 10mm Lens
- Four Thirds Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 135mm T2.2 Cine DS Lens for Sony E-Mount
- 135mm Lens
- Full-Frame Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 35mm T1.5 Cine DS Lens for Micro Four Thirds Mount
- 35mm Lens, T1.5
- Covers Four Thirds Format
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (Canon RF Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Rear Filter Holder with No Vignetting
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (EF Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 50mm T1.5 DSX High-Speed Cine Lens (E Mount)
- Full-Frame 50mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Venus Optics Laowa Cine 17mm T1.9 Lens (MFT, Feet/Meters)
- For MFT Sensors
- T1.9 to T22 Aperture
- 56mm Front diameter
- 7-Blade Iris
Mitakon Zhongyi 35mm T1 Speedmaster Cine Lens (MFT)
- Covers Micro Four Thirds Sensors
- Ultrafast T1.0 Aperture
- Suitable for 4K Image Capture
- 9-Blade Iris for Smooth, Round Bokeh
Mitakon Zhongyi 25mm T1 Speedmaster Cine Lens (MFT)
- Covers Micro Four Thirds Sensors
- Ultrafast T1.0 Aperture
- Suitable for 4K Image Capture
- 9-Blade Iris for Smooth, Round Bokeh
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


